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package MIDI::Drummer::Tiny; |
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our $AUTHORITY = 'cpan:GENE'; |
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4
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# ABSTRACT: Glorified metronome |
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our $VERSION = '0.7002'; |
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1132459
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use 5.024; |
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26
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9
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1840
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use strictures 2; |
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6019
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269
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2825
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use Carp; |
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6
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595
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11
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40
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use List::Util 1.26 qw(sum0); |
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253
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6
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451
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12
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6
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6
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3034
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use Moo; |
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6
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48859
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6
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37
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13
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6
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6
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8947
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use experimental qw(signatures); |
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6
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12259
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6
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39
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14
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6
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6
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4045
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use Math::Bezier (); |
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6
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4931
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6
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194
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15
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6
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576
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use MIDI::Util qw( |
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dura_size |
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17
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reverse_dump |
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18
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set_time_signature |
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19
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ticks |
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6
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2657
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); |
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6
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195615
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21
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6
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6
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3261
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use Music::Duration (); |
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6
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3015
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6
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196
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22
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6
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6
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3116
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use Music::RhythmSet::Util qw(upsize); |
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6
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25244
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6
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521
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24
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6
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6
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3464
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use MIDI::Drummer::Tiny::Types qw(:all); |
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6
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392
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6
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70
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25
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6
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6
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193929
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use Types::Standard qw(InstanceOf); |
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6
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17
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6
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76
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26
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27
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6
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6
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21303
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use Data::Dumper::Compact qw(ddc); |
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6
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87166
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6
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54
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28
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6
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6
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4309
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use namespace::clean; |
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6
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102490
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6
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90
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29
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30
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6
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16705
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use constant STRAIGHT => 50; # Swing percent |
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6
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20
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6
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6184
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31
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32
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#pod =head1 SYNOPSIS |
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33
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#pod |
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34
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#pod use MIDI::Drummer::Tiny; |
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35
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#pod |
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36
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#pod my $d = MIDI::Drummer::Tiny->new( |
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37
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#pod file => 'drums.mid', |
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38
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#pod bpm => 100, |
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39
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#pod volume => 100, |
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40
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#pod signature => '5/4', |
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41
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#pod bars => 8, |
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42
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#pod reverb => 0, |
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43
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#pod soundfont => '/you/soundfonts/TR808.sf2', # option |
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44
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#pod #kick => 36, # Override default patch |
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45
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#pod #snare => 40, # " |
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46
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#pod ); |
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47
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#pod |
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48
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#pod $d->metronome5; |
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49
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#pod |
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50
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#pod $d->set_time_sig('4/4'); |
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51
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#pod $d->count_in(1); # Closed hi-hat for 1 bar |
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52
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#pod |
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53
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#pod $d->metronome4($d->bars, $d->closed_hh, $d->eighth, 60); # 60% swing! |
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54
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#pod |
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55
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#pod $d->rest($d->whole); |
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56
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#pod |
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57
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#pod $d->flam($d->quarter, $d->snare); |
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58
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#pod $d->crescendo_roll([50, 127, 1], $d->eighth, $d->thirtysecond); |
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59
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#pod $d->note($d->sixteenth, $d->crash1); |
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60
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#pod $d->accent_note(127, $d->sixteenth, $d->crash2); |
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61
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#pod |
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62
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#pod # Alternate kick and snare |
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63
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#pod $d->note($d->quarter, $d->open_hh, $_ % 2 ? $d->kick : $d->snare) |
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64
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#pod for 1 .. $d->beats * $d->bars; |
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65
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#pod |
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66
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#pod # Same but with beat-strings: |
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67
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#pod $d->sync_patterns( |
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68
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#pod $d->open_hh => [ '1111' ], |
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69
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#pod $d->snare => [ '0101' ], |
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70
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#pod $d->kick => [ '1010' ], |
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71
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#pod ) for 1 .. $d->bars; |
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72
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#pod |
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73
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#pod my $patterns = [ |
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74
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#pod your_function(5, 16), # e.g. a euclidean function |
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75
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#pod your_function(7, 16), # ... |
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76
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#pod ]; |
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77
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#pod $d->pattern( instrument => $d->kick, patterns => $patterns ); # see doc... |
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78
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#pod |
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79
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#pod $d->add_fill('...'); # see doc... |
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80
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#pod |
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81
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#pod print 'Count: ', $d->counter, "\n"; |
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82
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#pod |
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83
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#pod # As a convenience, and sometimes necessity: |
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84
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#pod $d->set_bpm(200); # handy for tempo changes |
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85
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#pod $d->set_channel; # reset back to 9 if ever changed |
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86
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#pod |
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87
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#pod $d->write; |
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88
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#pod |
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89
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#pod =head1 DESCRIPTION |
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90
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#pod |
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91
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#pod This module provides handy defaults and tools to produce a MIDI score |
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92
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#pod with drum parts. It is full of tools to construct a score with drum |
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93
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#pod parts. It is not a traditional "drum machine." Rather, it contains |
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94
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#pod methods to construct a drum machine, or play "as a drummer might." |
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95
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#pod |
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96
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#pod Below, the term "spec" refers to a note length duration, like an |
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97
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#pod eighth or quarter note, for instance. |
|
98
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#pod |
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99
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#pod =for Pod::Coverage BUILD |
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100
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#pod |
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101
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#pod =cut |
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102
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103
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6
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6
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0
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232
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sub BUILD ( $self, $args_ref ) { |
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6
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15
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6
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14
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6
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12
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104
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6
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50
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76
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return unless $self->setup; |
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105
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106
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6
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161
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$self->score->noop( 'c' . $self->channel, 'V' . $self->volume ); |
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107
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108
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6
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1581
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$self->score->set_tempo( int( 60_000_000 / $self->bpm ) ); |
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109
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110
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6
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475
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$self->score->control_change( $self->channel, 91, $self->reverb ); |
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111
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112
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# Add a TS to the score but don't reset the beats if given |
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113
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6
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305
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$self->set_time_sig( $self->signature, !$args_ref->{beats} ); |
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114
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6
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382
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return; |
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115
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} |
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116
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117
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#pod =attr verbose |
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118
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#pod |
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119
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#pod Default: C<0> |
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120
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#pod |
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121
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#pod =attr file |
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122
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#pod |
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123
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#pod This the MIDI file name to write. It can be a string, a |
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124
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#pod L, or a L. |
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125
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#pod |
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126
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#pod Default: C |
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127
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#pod |
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128
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#pod =cut |
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129
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130
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has file => ( |
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131
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is => 'rw', |
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132
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isa => MIDI_File, |
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133
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coerce => 1, |
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134
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default => 'MIDI-Drummer.mid', |
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135
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); |
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136
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137
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#pod =attr soundfont |
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138
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#pod |
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139
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#pod $soundfont = $d->soundfont; |
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140
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#pod |
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141
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#pod This is the location of the soundfont file. It can be a string or a |
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142
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#pod L. |
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143
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#pod |
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144
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#pod =cut |
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145
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146
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has soundfont => ( |
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147
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is => 'rw', |
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148
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isa => Soundfont_File, |
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149
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coerce => 1, |
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150
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); |
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151
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152
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#pod =attr score |
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153
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#pod |
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154
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#pod Default: Cnew_score> |
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155
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#pod |
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156
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#pod =method sync |
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157
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#pod |
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158
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#pod $d->sync(@code_refs); |
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159
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#pod |
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160
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#pod This is a simple pass-through to the B C method. |
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161
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#pod |
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162
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#pod This allows simultaneous playing of multiple "tracks" defined by code |
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163
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#pod references. |
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164
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#pod |
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165
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#pod =cut |
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166
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167
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has score => ( |
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168
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is => 'lazy', |
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169
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isa => InstanceOf ['MIDI::Simple'], |
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170
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handles => { sync => 'synch' }, |
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171
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); |
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172
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173
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sub _build_score { |
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174
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6
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6
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82
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my ($self) = @_; |
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175
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6
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84
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return MIDI::Simple->new_score; |
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176
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} |
|
177
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178
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#pod =attr reverb |
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179
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#pod |
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180
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#pod Default: C<15> |
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181
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#pod |
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182
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#pod =attr channel |
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183
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#pod |
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184
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#pod Default: C<9> |
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185
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#pod |
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186
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#pod =method set_channel |
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187
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#pod |
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188
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#pod $d->set_channel; |
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189
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#pod $d->set_channel($channel); |
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190
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#pod |
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191
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#pod Reset the channel to C<9> by default, or the given argument if |
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192
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#pod different. |
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193
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#pod |
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#pod =cut |
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195
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196
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has channel => ( |
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197
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is => 'rwp', |
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198
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isa => Channel, |
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199
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default => 9, |
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); |
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202
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2
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2
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1
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3393
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sub set_channel ( $self, $channel = 9 ) { |
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2
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4
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2
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6
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2
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3
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203
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2
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76
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$self->score->noop("c$channel"); |
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204
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2
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174
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$self->_set_channel($channel); |
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205
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2
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80
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return; |
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206
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} |
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207
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208
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#pod =attr volume |
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209
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#pod |
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210
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#pod Default: C<100> |
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211
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#pod |
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212
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#pod =method set_volume |
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213
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#pod |
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214
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#pod $d->set_volume; |
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215
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#pod $d->set_volume($volume); |
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216
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#pod |
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217
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#pod Set the volume (L) to the given argument. |
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218
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#pod |
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219
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#pod If not given a B argument, this method mutes (sets to C<0>). |
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220
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#pod |
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221
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#pod =cut |
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222
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223
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has volume => ( |
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224
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is => 'rwp', |
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225
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isa => Velocity, |
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226
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default => 100, |
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227
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228
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); |
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229
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230
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2
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2
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1
|
2156
|
sub set_volume ( $self, $volume = 0 ) { |
|
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2
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6
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2
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5
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2
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4
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|
231
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2
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|
75
|
$self->score->noop("V$volume"); |
|
232
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2
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|
187
|
$self->_set_volume($volume); |
|
233
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2
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|
79
|
return; |
|
234
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} |
|
235
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|
236
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#pod =attr bpm |
|
237
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#pod |
|
238
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#pod Default: C<120> |
|
239
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#pod |
|
240
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#pod =method set_bpm |
|
241
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#pod |
|
242
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|
#pod $d->set_bpm($bpm); |
|
243
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#pod |
|
244
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|
#pod Return or set the beats per minute. |
|
245
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#pod |
|
246
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#pod =cut |
|
247
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|
248
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|
has bpm => ( |
|
249
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|
is => 'rw', |
|
250
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isa => PosInt, |
|
251
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|
default => 120, |
|
252
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|
|
writer => 'set_bpm', |
|
253
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|
trigger => 1, |
|
254
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|
); |
|
255
|
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|
256
|
1
|
|
|
1
|
|
5562
|
sub _trigger_bpm ( $self, $bpm = 120 ) { ## no critic (Subroutines::ProhibitUnusedPrivateSubroutines) |
|
|
1
|
|
|
|
|
3
|
|
|
|
1
|
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|
3
|
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|
1
|
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|
20
|
|
|
257
|
1
|
|
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|
|
34
|
$self->score->set_tempo( int( 60_000_000 / $bpm ) ); |
|
258
|
1
|
|
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|
41
|
return; |
|
259
|
|
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|
|
} |
|
260
|
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|
261
|
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|
|
#pod =attr bars |
|
262
|
|
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|
|
#pod |
|
263
|
|
|
|
|
|
|
#pod Default: C<4> |
|
264
|
|
|
|
|
|
|
#pod |
|
265
|
|
|
|
|
|
|
#pod =attr signature |
|
266
|
|
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|
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|
|
#pod |
|
267
|
|
|
|
|
|
|
#pod Default: C<4/4> |
|
268
|
|
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|
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|
|
#pod |
|
269
|
|
|
|
|
|
|
#pod B / B |
|
270
|
|
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|
|
#pod |
|
271
|
|
|
|
|
|
|
#pod =attr beats |
|
272
|
|
|
|
|
|
|
#pod |
|
273
|
|
|
|
|
|
|
#pod Computed from the B, if not given in the constructor. |
|
274
|
|
|
|
|
|
|
#pod |
|
275
|
|
|
|
|
|
|
#pod Default: C<4> |
|
276
|
|
|
|
|
|
|
#pod |
|
277
|
|
|
|
|
|
|
#pod =attr divisions |
|
278
|
|
|
|
|
|
|
#pod |
|
279
|
|
|
|
|
|
|
#pod Computed from the B. |
|
280
|
|
|
|
|
|
|
#pod |
|
281
|
|
|
|
|
|
|
#pod Default: C<4> |
|
282
|
|
|
|
|
|
|
#pod |
|
283
|
|
|
|
|
|
|
#pod =attr setup |
|
284
|
|
|
|
|
|
|
#pod |
|
285
|
|
|
|
|
|
|
#pod Run the commands in the C method that set-up new midi score |
|
286
|
|
|
|
|
|
|
#pod events like tempo, time signature, etc. |
|
287
|
|
|
|
|
|
|
#pod |
|
288
|
|
|
|
|
|
|
#pod Default: C<1> |
|
289
|
|
|
|
|
|
|
#pod |
|
290
|
|
|
|
|
|
|
#pod =attr counter |
|
291
|
|
|
|
|
|
|
#pod |
|
292
|
|
|
|
|
|
|
#pod $d->counter( $d->counter + $duration ); |
|
293
|
|
|
|
|
|
|
#pod $count = $d->counter; |
|
294
|
|
|
|
|
|
|
#pod |
|
295
|
|
|
|
|
|
|
#pod Beat counter of durations, where a quarter-note is equal to 1. An |
|
296
|
|
|
|
|
|
|
#pod eighth-note is 0.5, etc. |
|
297
|
|
|
|
|
|
|
#pod |
|
298
|
|
|
|
|
|
|
#pod This is automatically accumulated each time a C or C is |
|
299
|
|
|
|
|
|
|
#pod added to the score. |
|
300
|
|
|
|
|
|
|
#pod |
|
301
|
|
|
|
|
|
|
#pod =cut |
|
302
|
|
|
|
|
|
|
|
|
303
|
|
|
|
|
|
|
my %attr_defaults = ( |
|
304
|
|
|
|
|
|
|
ro => { |
|
305
|
|
|
|
|
|
|
verbose => 0, |
|
306
|
|
|
|
|
|
|
reverb => 15, |
|
307
|
|
|
|
|
|
|
bars => 4, |
|
308
|
|
|
|
|
|
|
}, |
|
309
|
|
|
|
|
|
|
rw => { |
|
310
|
|
|
|
|
|
|
signature => '4/4', |
|
311
|
|
|
|
|
|
|
beats => 4, |
|
312
|
|
|
|
|
|
|
divisions => 4, |
|
313
|
|
|
|
|
|
|
setup => 1, |
|
314
|
|
|
|
|
|
|
counter => 0, |
|
315
|
|
|
|
|
|
|
}, |
|
316
|
|
|
|
|
|
|
); |
|
317
|
|
|
|
|
|
|
for my $is ( keys %attr_defaults ) { |
|
318
|
|
|
|
|
|
|
for my $attr ( keys %{ $attr_defaults{$is} } ) { |
|
319
|
|
|
|
|
|
|
has $attr => ( |
|
320
|
|
|
|
|
|
|
is => $is, |
|
321
|
|
|
|
|
|
|
default => $attr_defaults{$is}{$attr}, |
|
322
|
|
|
|
|
|
|
); |
|
323
|
|
|
|
|
|
|
} |
|
324
|
|
|
|
|
|
|
} |
|
325
|
|
|
|
|
|
|
|
|
326
|
|
|
|
|
|
|
#pod =kit metronome |
|
327
|
|
|
|
|
|
|
#pod |
|
328
|
|
|
|
|
|
|
#pod =over |
|
329
|
|
|
|
|
|
|
#pod |
|
330
|
|
|
|
|
|
|
#pod =item click, bell |
|
331
|
|
|
|
|
|
|
#pod |
|
332
|
|
|
|
|
|
|
#pod =back |
|
333
|
|
|
|
|
|
|
#pod |
|
334
|
|
|
|
|
|
|
#pod =kit hi-hats |
|
335
|
|
|
|
|
|
|
#pod |
|
336
|
|
|
|
|
|
|
#pod =over |
|
337
|
|
|
|
|
|
|
#pod |
|
338
|
|
|
|
|
|
|
#pod =item open_hh, closed_hh, pedal_hh |
|
339
|
|
|
|
|
|
|
#pod |
|
340
|
|
|
|
|
|
|
#pod =back |
|
341
|
|
|
|
|
|
|
#pod |
|
342
|
|
|
|
|
|
|
#pod =kit crash and splash cymbals |
|
343
|
|
|
|
|
|
|
#pod |
|
344
|
|
|
|
|
|
|
#pod =over |
|
345
|
|
|
|
|
|
|
#pod |
|
346
|
|
|
|
|
|
|
#pod =item crash1, crash2, splash, china |
|
347
|
|
|
|
|
|
|
#pod |
|
348
|
|
|
|
|
|
|
#pod =back |
|
349
|
|
|
|
|
|
|
#pod |
|
350
|
|
|
|
|
|
|
#pod =kit ride cymbals |
|
351
|
|
|
|
|
|
|
#pod |
|
352
|
|
|
|
|
|
|
#pod =over |
|
353
|
|
|
|
|
|
|
#pod |
|
354
|
|
|
|
|
|
|
#pod =item ride1, ride2, ride_bell |
|
355
|
|
|
|
|
|
|
#pod |
|
356
|
|
|
|
|
|
|
#pod =back |
|
357
|
|
|
|
|
|
|
#pod |
|
358
|
|
|
|
|
|
|
#pod =kit snare drums and handclaps |
|
359
|
|
|
|
|
|
|
#pod |
|
360
|
|
|
|
|
|
|
#pod =over |
|
361
|
|
|
|
|
|
|
#pod |
|
362
|
|
|
|
|
|
|
#pod =item snare, acoustic_snare, electric_snare, side_stick, clap |
|
363
|
|
|
|
|
|
|
#pod |
|
364
|
|
|
|
|
|
|
#pod Where the B is by default the same as the B but |
|
365
|
|
|
|
|
|
|
#pod can be overridden with the B (C<40>). |
|
366
|
|
|
|
|
|
|
#pod |
|
367
|
|
|
|
|
|
|
#pod =back |
|
368
|
|
|
|
|
|
|
#pod |
|
369
|
|
|
|
|
|
|
#pod =kit tom-toms |
|
370
|
|
|
|
|
|
|
#pod |
|
371
|
|
|
|
|
|
|
#pod =over |
|
372
|
|
|
|
|
|
|
#pod |
|
373
|
|
|
|
|
|
|
#pod =item hi_tom, hi_mid_tom, low_mid_tom, low_tom, hi_floor_tom, low_floor_tom |
|
374
|
|
|
|
|
|
|
#pod |
|
375
|
|
|
|
|
|
|
#pod =back |
|
376
|
|
|
|
|
|
|
#pod |
|
377
|
|
|
|
|
|
|
#pod =kit bass drums |
|
378
|
|
|
|
|
|
|
#pod |
|
379
|
|
|
|
|
|
|
#pod =over |
|
380
|
|
|
|
|
|
|
#pod |
|
381
|
|
|
|
|
|
|
#pod =item kick, acoustic_bass, electric_bass |
|
382
|
|
|
|
|
|
|
#pod |
|
383
|
|
|
|
|
|
|
#pod Where the B is by default the same as the B but |
|
384
|
|
|
|
|
|
|
#pod can be overridden with the B (C<36>). |
|
385
|
|
|
|
|
|
|
#pod |
|
386
|
|
|
|
|
|
|
#pod =back |
|
387
|
|
|
|
|
|
|
#pod |
|
388
|
|
|
|
|
|
|
#pod =kit auxiliary percussion |
|
389
|
|
|
|
|
|
|
#pod |
|
390
|
|
|
|
|
|
|
#pod =over |
|
391
|
|
|
|
|
|
|
#pod |
|
392
|
|
|
|
|
|
|
#pod =item tambourine, cowbell, vibraslap |
|
393
|
|
|
|
|
|
|
#pod |
|
394
|
|
|
|
|
|
|
#pod =back |
|
395
|
|
|
|
|
|
|
#pod |
|
396
|
|
|
|
|
|
|
#pod =kit Latin and African drums |
|
397
|
|
|
|
|
|
|
#pod |
|
398
|
|
|
|
|
|
|
#pod =over |
|
399
|
|
|
|
|
|
|
#pod |
|
400
|
|
|
|
|
|
|
#pod =item hi_bongo, low_bongo, mute_hi_conga, open_hi_conga, low_conga, high_timbale, low_timbale |
|
401
|
|
|
|
|
|
|
#pod |
|
402
|
|
|
|
|
|
|
#pod =back |
|
403
|
|
|
|
|
|
|
#pod |
|
404
|
|
|
|
|
|
|
#pod =kit Latin and African auxiliary percussion |
|
405
|
|
|
|
|
|
|
#pod |
|
406
|
|
|
|
|
|
|
#pod =over |
|
407
|
|
|
|
|
|
|
#pod |
|
408
|
|
|
|
|
|
|
#pod =item high_agogo, low_agogo, cabasa, maracas, short_whistle, long_whistle, short_guiro, long_guiro, claves, hi_wood_block, low_wood_block, mute_cuica, open_cuica |
|
409
|
|
|
|
|
|
|
#pod |
|
410
|
|
|
|
|
|
|
#pod =back |
|
411
|
|
|
|
|
|
|
#pod |
|
412
|
|
|
|
|
|
|
#pod =kit triangles |
|
413
|
|
|
|
|
|
|
#pod |
|
414
|
|
|
|
|
|
|
#pod =over |
|
415
|
|
|
|
|
|
|
#pod |
|
416
|
|
|
|
|
|
|
#pod =item mute_triangle, open_triangle |
|
417
|
|
|
|
|
|
|
#pod |
|
418
|
|
|
|
|
|
|
#pod =back |
|
419
|
|
|
|
|
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|
#pod |
|
420
|
|
|
|
|
|
|
#pod =cut |
|
421
|
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|
|
|
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|
|
422
|
6
|
|
|
6
|
|
82
|
use constant PERCUSSION_START => 33; |
|
|
6
|
|
|
|
|
14
|
|
|
|
6
|
|
|
|
|
48230
|
|
|
423
|
|
|
|
|
|
|
for my $sound ( qw( |
|
424
|
|
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|
click |
|
425
|
|
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|
|
|
|
bell |
|
426
|
|
|
|
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|
|
acoustic_bass |
|
427
|
|
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|
electric_bass |
|
428
|
|
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|
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|
side_stick |
|
429
|
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|
acoustic_snare |
|
430
|
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clap |
|
431
|
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electric_snare |
|
432
|
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|
low_floor_tom |
|
433
|
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closed_hh |
|
434
|
|
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|
hi_floor_tom |
|
435
|
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|
pedal_hh |
|
436
|
|
|
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|
low_tom |
|
437
|
|
|
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|
open_hh |
|
438
|
|
|
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|
|
|
low_mid_tom |
|
439
|
|
|
|
|
|
|
hi_mid_tom |
|
440
|
|
|
|
|
|
|
crash1 |
|
441
|
|
|
|
|
|
|
hi_tom |
|
442
|
|
|
|
|
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|
ride1 |
|
443
|
|
|
|
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|
china |
|
444
|
|
|
|
|
|
|
ride_bell |
|
445
|
|
|
|
|
|
|
tambourine |
|
446
|
|
|
|
|
|
|
splash |
|
447
|
|
|
|
|
|
|
cowbell |
|
448
|
|
|
|
|
|
|
crash2 |
|
449
|
|
|
|
|
|
|
vibraslap |
|
450
|
|
|
|
|
|
|
ride2 |
|
451
|
|
|
|
|
|
|
hi_bongo |
|
452
|
|
|
|
|
|
|
low_bongo |
|
453
|
|
|
|
|
|
|
mute_hi_conga |
|
454
|
|
|
|
|
|
|
open_hi_conga |
|
455
|
|
|
|
|
|
|
low_conga |
|
456
|
|
|
|
|
|
|
high_timbale |
|
457
|
|
|
|
|
|
|
low_timbale |
|
458
|
|
|
|
|
|
|
high_agogo |
|
459
|
|
|
|
|
|
|
low_agogo |
|
460
|
|
|
|
|
|
|
cabasa |
|
461
|
|
|
|
|
|
|
maracas |
|
462
|
|
|
|
|
|
|
short_whistle |
|
463
|
|
|
|
|
|
|
long_whistle |
|
464
|
|
|
|
|
|
|
short_guiro |
|
465
|
|
|
|
|
|
|
long_guiro |
|
466
|
|
|
|
|
|
|
claves |
|
467
|
|
|
|
|
|
|
hi_wood_block |
|
468
|
|
|
|
|
|
|
low_wood_block |
|
469
|
|
|
|
|
|
|
mute_cuica |
|
470
|
|
|
|
|
|
|
open_cuica |
|
471
|
|
|
|
|
|
|
mute_triangle |
|
472
|
|
|
|
|
|
|
open_triangle |
|
473
|
|
|
|
|
|
|
) ) |
|
474
|
|
|
|
|
|
|
{ |
|
475
|
|
|
|
|
|
|
state $percussion_note; |
|
476
|
|
|
|
|
|
|
has $sound => ( |
|
477
|
|
|
|
|
|
|
is => 'ro', |
|
478
|
|
|
|
|
|
|
isa => PercussionNote, |
|
479
|
|
|
|
|
|
|
default => PERCUSSION_START + $percussion_note++, |
|
480
|
|
|
|
|
|
|
); |
|
481
|
|
|
|
|
|
|
} |
|
482
|
|
|
|
|
|
|
has kick => ( |
|
483
|
|
|
|
|
|
|
is => 'ro', |
|
484
|
|
|
|
|
|
|
isa => PercussionNote, |
|
485
|
|
|
|
|
|
|
default => 35, # Alt: 36 |
|
486
|
|
|
|
|
|
|
); |
|
487
|
|
|
|
|
|
|
has snare => ( |
|
488
|
|
|
|
|
|
|
is => 'ro', |
|
489
|
|
|
|
|
|
|
isa => PercussionNote, |
|
490
|
|
|
|
|
|
|
default => 38, # Alt: 40 |
|
491
|
|
|
|
|
|
|
); |
|
492
|
|
|
|
|
|
|
|
|
493
|
|
|
|
|
|
|
#pod =duration whole notes |
|
494
|
|
|
|
|
|
|
#pod |
|
495
|
|
|
|
|
|
|
#pod =over |
|
496
|
|
|
|
|
|
|
#pod |
|
497
|
|
|
|
|
|
|
#pod =item whole, triplet_whole, dotted_whole, double_dotted_whole |
|
498
|
|
|
|
|
|
|
#pod |
|
499
|
|
|
|
|
|
|
#pod =back |
|
500
|
|
|
|
|
|
|
#pod |
|
501
|
|
|
|
|
|
|
#pod =duration half notes |
|
502
|
|
|
|
|
|
|
#pod |
|
503
|
|
|
|
|
|
|
#pod =over |
|
504
|
|
|
|
|
|
|
#pod |
|
505
|
|
|
|
|
|
|
#pod =item half, triplet_half, dotted_half, double_dotted_half |
|
506
|
|
|
|
|
|
|
#pod |
|
507
|
|
|
|
|
|
|
#pod =back |
|
508
|
|
|
|
|
|
|
#pod |
|
509
|
|
|
|
|
|
|
#pod =duration quarter notes |
|
510
|
|
|
|
|
|
|
#pod |
|
511
|
|
|
|
|
|
|
#pod =over |
|
512
|
|
|
|
|
|
|
#pod |
|
513
|
|
|
|
|
|
|
#pod =item quarter, triplet_quarter, dotted_quarter, double_dotted_quarter |
|
514
|
|
|
|
|
|
|
#pod |
|
515
|
|
|
|
|
|
|
#pod =back |
|
516
|
|
|
|
|
|
|
#pod |
|
517
|
|
|
|
|
|
|
#pod =duration eighth notes |
|
518
|
|
|
|
|
|
|
#pod |
|
519
|
|
|
|
|
|
|
#pod =over |
|
520
|
|
|
|
|
|
|
#pod |
|
521
|
|
|
|
|
|
|
#pod =item eighth, triplet_eighth, dotted_eighth, double_dotted_eighth |
|
522
|
|
|
|
|
|
|
#pod |
|
523
|
|
|
|
|
|
|
#pod =back |
|
524
|
|
|
|
|
|
|
#pod |
|
525
|
|
|
|
|
|
|
#pod =duration sixteenth notes |
|
526
|
|
|
|
|
|
|
#pod |
|
527
|
|
|
|
|
|
|
#pod =over |
|
528
|
|
|
|
|
|
|
#pod |
|
529
|
|
|
|
|
|
|
#pod =item sixteenth, triplet_sixteenth, dotted_sixteenth, double_dotted_sixteenth |
|
530
|
|
|
|
|
|
|
#pod |
|
531
|
|
|
|
|
|
|
#pod =back |
|
532
|
|
|
|
|
|
|
#pod |
|
533
|
|
|
|
|
|
|
#pod =duration thirty-secondth notes |
|
534
|
|
|
|
|
|
|
#pod |
|
535
|
|
|
|
|
|
|
#pod =over |
|
536
|
|
|
|
|
|
|
#pod |
|
537
|
|
|
|
|
|
|
#pod =item thirtysecond, triplet_thirtysecond, dotted_thirtysecond, double_dotted_thirtysecond |
|
538
|
|
|
|
|
|
|
#pod |
|
539
|
|
|
|
|
|
|
#pod =back |
|
540
|
|
|
|
|
|
|
#pod |
|
541
|
|
|
|
|
|
|
#pod =duration sixty-fourth notes |
|
542
|
|
|
|
|
|
|
#pod |
|
543
|
|
|
|
|
|
|
#pod =over |
|
544
|
|
|
|
|
|
|
#pod |
|
545
|
|
|
|
|
|
|
#pod =item sixtyfourth, triplet_sixtyfourth, dotted_sixtyfourth, double_dotted_sixtyfourth |
|
546
|
|
|
|
|
|
|
#pod |
|
547
|
|
|
|
|
|
|
#pod =back |
|
548
|
|
|
|
|
|
|
#pod |
|
549
|
|
|
|
|
|
|
#pod =duration one-twenty-eighth notes |
|
550
|
|
|
|
|
|
|
#pod |
|
551
|
|
|
|
|
|
|
#pod =over |
|
552
|
|
|
|
|
|
|
#pod |
|
553
|
|
|
|
|
|
|
#pod =item onetwentyeighth, triplet_onetwentyeighth, dotted_onetwentyeighth, double_dotted_onetwentyeighth |
|
554
|
|
|
|
|
|
|
#pod |
|
555
|
|
|
|
|
|
|
#pod =back |
|
556
|
|
|
|
|
|
|
#pod |
|
557
|
|
|
|
|
|
|
#pod =cut |
|
558
|
|
|
|
|
|
|
|
|
559
|
|
|
|
|
|
|
my %basic_note_durations = ( |
|
560
|
|
|
|
|
|
|
whole => 'w', |
|
561
|
|
|
|
|
|
|
half => 'h', |
|
562
|
|
|
|
|
|
|
quarter => 'q', |
|
563
|
|
|
|
|
|
|
eighth => 'e', |
|
564
|
|
|
|
|
|
|
sixteenth => 's', |
|
565
|
|
|
|
|
|
|
thirtysecond => 'x', |
|
566
|
|
|
|
|
|
|
sixtyfourth => 'y', |
|
567
|
|
|
|
|
|
|
onetwentyeighth => 'z', |
|
568
|
|
|
|
|
|
|
); |
|
569
|
|
|
|
|
|
|
|
|
570
|
|
|
|
|
|
|
my %duration_prefixes = ( |
|
571
|
|
|
|
|
|
|
triplet => 't', |
|
572
|
|
|
|
|
|
|
dotted => 'd', |
|
573
|
|
|
|
|
|
|
double_dotted => 'dd', |
|
574
|
|
|
|
|
|
|
); |
|
575
|
|
|
|
|
|
|
|
|
576
|
|
|
|
|
|
|
for my $basic_duration ( keys %basic_note_durations ) { |
|
577
|
|
|
|
|
|
|
my $duration = $basic_note_durations{$basic_duration}; |
|
578
|
|
|
|
|
|
|
|
|
579
|
|
|
|
|
|
|
has $basic_duration => ( |
|
580
|
|
|
|
|
|
|
is => 'ro', |
|
581
|
|
|
|
|
|
|
isa => Duration, |
|
582
|
|
|
|
|
|
|
default => "${duration}n", |
|
583
|
|
|
|
|
|
|
); |
|
584
|
|
|
|
|
|
|
|
|
585
|
|
|
|
|
|
|
for my $prefix ( keys %duration_prefixes ) { |
|
586
|
|
|
|
|
|
|
has "${prefix}_${basic_duration}" => ( |
|
587
|
|
|
|
|
|
|
is => 'ro', |
|
588
|
|
|
|
|
|
|
isa => Duration, |
|
589
|
|
|
|
|
|
|
default => "$duration_prefixes{$prefix}${duration}n", |
|
590
|
|
|
|
|
|
|
); |
|
591
|
|
|
|
|
|
|
} |
|
592
|
|
|
|
|
|
|
} |
|
593
|
|
|
|
|
|
|
|
|
594
|
|
|
|
|
|
|
#pod =method new |
|
595
|
|
|
|
|
|
|
#pod |
|
596
|
|
|
|
|
|
|
#pod $d = MIDI::Drummer::Tiny->new(%arguments); |
|
597
|
|
|
|
|
|
|
#pod |
|
598
|
|
|
|
|
|
|
#pod Return a new C object and add a time signature |
|
599
|
|
|
|
|
|
|
#pod event to the score. |
|
600
|
|
|
|
|
|
|
#pod |
|
601
|
|
|
|
|
|
|
#pod =method note |
|
602
|
|
|
|
|
|
|
#pod |
|
603
|
|
|
|
|
|
|
#pod $d->note( $d->quarter, $d->closed_hh, $d->kick ); |
|
604
|
|
|
|
|
|
|
#pod $d->note( 'qn', 42, 35 ); # Same thing |
|
605
|
|
|
|
|
|
|
#pod |
|
606
|
|
|
|
|
|
|
#pod Add notes to the score. |
|
607
|
|
|
|
|
|
|
#pod |
|
608
|
|
|
|
|
|
|
#pod This method takes the same arguments as L. |
|
609
|
|
|
|
|
|
|
#pod |
|
610
|
|
|
|
|
|
|
#pod It also keeps track of the beat count with the C attribute. |
|
611
|
|
|
|
|
|
|
#pod |
|
612
|
|
|
|
|
|
|
#pod =cut |
|
613
|
|
|
|
|
|
|
|
|
614
|
122
|
|
|
122
|
1
|
8553
|
sub note ( $self, @spec ) { |
|
|
122
|
|
|
|
|
220
|
|
|
|
122
|
|
|
|
|
285
|
|
|
|
122
|
|
|
|
|
185
|
|
|
615
|
122
|
50
|
|
|
|
570
|
my $size |
|
616
|
|
|
|
|
|
|
= $spec[0] =~ /^d(\d+)$/ |
|
617
|
|
|
|
|
|
|
? $1 / ticks( $self->score ) |
|
618
|
|
|
|
|
|
|
: dura_size( $spec[0] ); |
|
619
|
|
|
|
|
|
|
|
|
620
|
|
|
|
|
|
|
# carp __PACKAGE__,' L',__LINE__,' ',,"$spec[0]\n"; |
|
621
|
|
|
|
|
|
|
# carp __PACKAGE__,' L',__LINE__,' ',,"$size\n"; |
|
622
|
122
|
|
|
|
|
1605
|
$self->counter( $self->counter + $size ); |
|
623
|
122
|
|
|
|
|
3677
|
return $self->score->n(@spec); |
|
624
|
|
|
|
|
|
|
} |
|
625
|
|
|
|
|
|
|
|
|
626
|
|
|
|
|
|
|
#pod =method accent_note |
|
627
|
|
|
|
|
|
|
#pod |
|
628
|
|
|
|
|
|
|
#pod $d->accent_note($accent_value, $d->sixteenth, $d->snare); |
|
629
|
|
|
|
|
|
|
#pod |
|
630
|
|
|
|
|
|
|
#pod Play an accented note. |
|
631
|
|
|
|
|
|
|
#pod |
|
632
|
|
|
|
|
|
|
#pod For instance, this can be a "ghosted note", where the B is a |
|
633
|
|
|
|
|
|
|
#pod smaller number (< 50). Or a note that is greater than the normal |
|
634
|
|
|
|
|
|
|
#pod score volume. |
|
635
|
|
|
|
|
|
|
#pod |
|
636
|
|
|
|
|
|
|
#pod =cut |
|
637
|
|
|
|
|
|
|
|
|
638
|
0
|
|
|
0
|
1
|
0
|
sub accent_note ( $self, $accent, @spec ) { |
|
|
0
|
|
|
|
|
0
|
|
|
|
0
|
|
|
|
|
0
|
|
|
|
0
|
|
|
|
|
0
|
|
|
|
0
|
|
|
|
|
0
|
|
|
639
|
0
|
|
|
|
|
0
|
my $resume = $self->score->Volume; |
|
640
|
0
|
|
|
|
|
0
|
$self->score->Volume($accent); |
|
641
|
0
|
|
|
|
|
0
|
$self->note(@spec); |
|
642
|
0
|
|
|
|
|
0
|
return $self->score->Volume($resume); |
|
643
|
|
|
|
|
|
|
} |
|
644
|
|
|
|
|
|
|
|
|
645
|
|
|
|
|
|
|
#pod =method rest |
|
646
|
|
|
|
|
|
|
#pod |
|
647
|
|
|
|
|
|
|
#pod $d->rest( $d->quarter ); |
|
648
|
|
|
|
|
|
|
#pod |
|
649
|
|
|
|
|
|
|
#pod Add a rest to the score. |
|
650
|
|
|
|
|
|
|
#pod |
|
651
|
|
|
|
|
|
|
#pod This method takes the same arguments as L. |
|
652
|
|
|
|
|
|
|
#pod |
|
653
|
|
|
|
|
|
|
#pod It also keeps track of the beat count with the C attribute. |
|
654
|
|
|
|
|
|
|
#pod |
|
655
|
|
|
|
|
|
|
#pod =cut |
|
656
|
|
|
|
|
|
|
|
|
657
|
556
|
|
|
556
|
1
|
1021
|
sub rest ( $self, @spec ) { |
|
|
556
|
|
|
|
|
982
|
|
|
|
556
|
|
|
|
|
2025
|
|
|
|
556
|
|
|
|
|
809
|
|
|
658
|
556
|
50
|
|
|
|
2486
|
my $size |
|
659
|
|
|
|
|
|
|
= $spec[0] =~ /^d(\d+)$/ |
|
660
|
|
|
|
|
|
|
? $1 / ticks( $self->score ) |
|
661
|
|
|
|
|
|
|
: dura_size( $spec[0] ); |
|
662
|
|
|
|
|
|
|
|
|
663
|
|
|
|
|
|
|
# carp __PACKAGE__,' L',__LINE__,' ',,"$spec[0] => $size\n"; |
|
664
|
556
|
|
|
|
|
7253
|
$self->counter( $self->counter + $size ); |
|
665
|
556
|
|
|
|
|
15497
|
return $self->score->r(@spec); |
|
666
|
|
|
|
|
|
|
} |
|
667
|
|
|
|
|
|
|
|
|
668
|
|
|
|
|
|
|
#pod =method count_in |
|
669
|
|
|
|
|
|
|
#pod |
|
670
|
|
|
|
|
|
|
#pod $d->count_in; |
|
671
|
|
|
|
|
|
|
#pod $d->count_in($bars); |
|
672
|
|
|
|
|
|
|
#pod $d->count_in({ bars => $bars, patch => $patch }); |
|
673
|
|
|
|
|
|
|
#pod |
|
674
|
|
|
|
|
|
|
#pod Play a patch for the number of beats times the number of bars. |
|
675
|
|
|
|
|
|
|
#pod |
|
676
|
|
|
|
|
|
|
#pod If no bars are given, the object setting is used. If no patch is |
|
677
|
|
|
|
|
|
|
#pod given, the closed hihat is used. |
|
678
|
|
|
|
|
|
|
#pod |
|
679
|
|
|
|
|
|
|
#pod =cut |
|
680
|
|
|
|
|
|
|
|
|
681
|
0
|
|
|
0
|
1
|
0
|
sub count_in ( $self, $args_ref ) { |
|
|
0
|
|
|
|
|
0
|
|
|
|
0
|
|
|
|
|
0
|
|
|
|
0
|
|
|
|
|
0
|
|
|
682
|
|
|
|
|
|
|
|
|
683
|
0
|
|
|
|
|
0
|
my $bars = $self->bars; |
|
684
|
0
|
|
|
|
|
0
|
my $patch = $self->pedal_hh; |
|
685
|
0
|
|
|
|
|
0
|
my $accent = $self->closed_hh; |
|
686
|
|
|
|
|
|
|
|
|
687
|
0
|
0
|
0
|
|
|
0
|
if ( $args_ref && ref $args_ref ) { |
|
|
|
0
|
|
|
|
|
|
|
688
|
0
|
0
|
|
|
|
0
|
$bars = $args_ref->{bars} if defined $args_ref->{bars}; |
|
689
|
0
|
0
|
|
|
|
0
|
$patch = $args_ref->{patch} if defined $args_ref->{patch}; |
|
690
|
0
|
0
|
|
|
|
0
|
$accent = $args_ref->{accent} if defined $args_ref->{accent}; |
|
691
|
|
|
|
|
|
|
} |
|
692
|
|
|
|
|
|
|
elsif ($args_ref) { |
|
693
|
0
|
|
|
|
|
0
|
$bars = $args_ref; # given a simple integer |
|
694
|
|
|
|
|
|
|
} |
|
695
|
|
|
|
|
|
|
|
|
696
|
0
|
|
|
|
|
0
|
my $j = 1; |
|
697
|
0
|
|
|
|
|
0
|
for my $i ( 1 .. $self->beats * $bars ) { |
|
698
|
0
|
0
|
|
|
|
0
|
if ( $i == $self->beats * $j - $self->beats + 1 ) { |
|
699
|
0
|
|
|
|
|
0
|
$self->accent_note( 127, $self->quarter, $accent ); |
|
700
|
0
|
|
|
|
|
0
|
$j++; |
|
701
|
|
|
|
|
|
|
} |
|
702
|
|
|
|
|
|
|
else { |
|
703
|
0
|
|
|
|
|
0
|
$self->note( $self->quarter, $patch ); |
|
704
|
|
|
|
|
|
|
} |
|
705
|
|
|
|
|
|
|
} |
|
706
|
0
|
|
|
|
|
0
|
return; |
|
707
|
|
|
|
|
|
|
} |
|
708
|
|
|
|
|
|
|
|
|
709
|
|
|
|
|
|
|
#pod =method metronome3 |
|
710
|
|
|
|
|
|
|
#pod |
|
711
|
|
|
|
|
|
|
#pod $d->metronome3; |
|
712
|
|
|
|
|
|
|
#pod $d->metronome3($bars); |
|
713
|
|
|
|
|
|
|
#pod $d->metronome3($bars, $cymbal); |
|
714
|
|
|
|
|
|
|
#pod $d->metronome3($bars, $cymbal, $tempo); |
|
715
|
|
|
|
|
|
|
#pod $d->metronome3($bars, $cymbal, $tempo, $swing); |
|
716
|
|
|
|
|
|
|
#pod |
|
717
|
|
|
|
|
|
|
#pod Add a steady 3/x beat to the score. |
|
718
|
|
|
|
|
|
|
#pod |
|
719
|
|
|
|
|
|
|
#pod Defaults for all metronome methods: |
|
720
|
|
|
|
|
|
|
#pod |
|
721
|
|
|
|
|
|
|
#pod bars: The object B |
|
722
|
|
|
|
|
|
|
#pod cymbal: B |
|
723
|
|
|
|
|
|
|
#pod tempo: B |
|
724
|
|
|
|
|
|
|
#pod swing: 50 percent = straight-time |
|
725
|
|
|
|
|
|
|
#pod |
|
726
|
|
|
|
|
|
|
#pod =cut |
|
727
|
|
|
|
|
|
|
|
|
728
|
|
|
|
|
|
|
sub metronome3 ( |
|
729
|
0
|
|
|
|
|
0
|
$self, |
|
730
|
0
|
|
|
|
|
0
|
$bars = $self->bars, |
|
731
|
0
|
|
|
|
|
0
|
$cymbal = $self->closed_hh, |
|
732
|
0
|
|
|
|
|
0
|
$tempo = $self->quarter, |
|
733
|
0
|
|
|
|
|
0
|
$swing = 50 # percent |
|
734
|
|
|
|
|
|
|
) |
|
735
|
0
|
|
|
0
|
1
|
0
|
{ |
|
|
0
|
|
|
|
|
0
|
|
|
736
|
0
|
|
|
|
|
0
|
my $x = dura_size($tempo) * ticks( $self->score ); |
|
737
|
0
|
|
|
|
|
0
|
my $y = sprintf '%0.f', ( $swing / 100 ) * $x; |
|
738
|
0
|
|
|
|
|
0
|
my $z = $x - $y; |
|
739
|
0
|
|
|
|
|
0
|
for ( 1 .. $bars ) { |
|
740
|
0
|
|
|
|
|
0
|
$self->note( "d$x", $cymbal, $self->kick ); |
|
741
|
0
|
0
|
|
|
|
0
|
if ( $swing > STRAIGHT ) { |
|
742
|
0
|
|
|
|
|
0
|
$self->note( "d$y", $cymbal ); |
|
743
|
0
|
|
|
|
|
0
|
$self->note( "d$z", $cymbal ); |
|
744
|
|
|
|
|
|
|
} |
|
745
|
|
|
|
|
|
|
else { |
|
746
|
0
|
|
|
|
|
0
|
$self->note( "d$x", $cymbal ); |
|
747
|
|
|
|
|
|
|
} |
|
748
|
0
|
|
|
|
|
0
|
$self->note( "d$x", $cymbal, $self->snare ); |
|
749
|
|
|
|
|
|
|
} |
|
750
|
0
|
|
|
|
|
0
|
return; |
|
751
|
|
|
|
|
|
|
} |
|
752
|
|
|
|
|
|
|
|
|
753
|
|
|
|
|
|
|
#pod =method metronome4 |
|
754
|
|
|
|
|
|
|
#pod |
|
755
|
|
|
|
|
|
|
#pod $d->metronome4; |
|
756
|
|
|
|
|
|
|
#pod $d->metronome4($bars); |
|
757
|
|
|
|
|
|
|
#pod $d->metronome4($bars, $cymbal); |
|
758
|
|
|
|
|
|
|
#pod $d->metronome4($bars, $cymbal, $tempo); |
|
759
|
|
|
|
|
|
|
#pod $d->metronome4($bars, $cymbal, $tempo, $swing); |
|
760
|
|
|
|
|
|
|
#pod |
|
761
|
|
|
|
|
|
|
#pod Add a steady 4/x beat to the score. |
|
762
|
|
|
|
|
|
|
#pod |
|
763
|
|
|
|
|
|
|
#pod =cut |
|
764
|
|
|
|
|
|
|
|
|
765
|
|
|
|
|
|
|
sub metronome4 ( |
|
766
|
0
|
|
|
|
|
0
|
$self, |
|
767
|
0
|
|
|
|
|
0
|
$bars = $self->bars, |
|
768
|
0
|
|
|
|
|
0
|
$cymbal = $self->closed_hh, |
|
769
|
0
|
|
|
|
|
0
|
$tempo = $self->quarter, |
|
770
|
0
|
|
|
|
|
0
|
$swing = 50 # percent |
|
771
|
|
|
|
|
|
|
) |
|
772
|
0
|
|
|
0
|
1
|
0
|
{ |
|
|
0
|
|
|
|
|
0
|
|
|
773
|
0
|
|
|
|
|
0
|
my $x = dura_size($tempo) * ticks( $self->score ); |
|
774
|
0
|
|
|
|
|
0
|
my $y = sprintf '%0.f', ( $swing / 100 ) * $x; |
|
775
|
0
|
|
|
|
|
0
|
my $z = $x - $y; |
|
776
|
0
|
|
|
|
|
0
|
for my $n ( 1 .. $bars ) { |
|
777
|
0
|
|
|
|
|
0
|
$self->note( "d$x", $cymbal, $self->kick ); |
|
778
|
0
|
0
|
|
|
|
0
|
if ( $swing > STRAIGHT ) { |
|
779
|
0
|
|
|
|
|
0
|
$self->note( "d$y", $cymbal ); |
|
780
|
0
|
|
|
|
|
0
|
$self->note( "d$z", $cymbal ); |
|
781
|
|
|
|
|
|
|
} |
|
782
|
|
|
|
|
|
|
else { |
|
783
|
0
|
|
|
|
|
0
|
$self->note( "d$x", $cymbal ); |
|
784
|
|
|
|
|
|
|
} |
|
785
|
0
|
|
|
|
|
0
|
$self->note( "d$x", $cymbal, $self->snare ); |
|
786
|
0
|
0
|
|
|
|
0
|
if ( $swing > STRAIGHT ) { |
|
787
|
0
|
|
|
|
|
0
|
$self->note( "d$y", $cymbal ); |
|
788
|
0
|
|
|
|
|
0
|
$self->note( "d$z", $cymbal ); |
|
789
|
|
|
|
|
|
|
} |
|
790
|
|
|
|
|
|
|
else { |
|
791
|
0
|
|
|
|
|
0
|
$self->note( "d$x", $cymbal ); |
|
792
|
|
|
|
|
|
|
} |
|
793
|
|
|
|
|
|
|
} |
|
794
|
0
|
|
|
|
|
0
|
return; |
|
795
|
|
|
|
|
|
|
} |
|
796
|
|
|
|
|
|
|
|
|
797
|
|
|
|
|
|
|
#pod =method metronome5 |
|
798
|
|
|
|
|
|
|
#pod |
|
799
|
|
|
|
|
|
|
#pod $d->metronome5; |
|
800
|
|
|
|
|
|
|
#pod $d->metronome5($bars); |
|
801
|
|
|
|
|
|
|
#pod $d->metronome5($bars, $cymbal); |
|
802
|
|
|
|
|
|
|
#pod $d->metronome5($bars, $cymbal, $tempo); |
|
803
|
|
|
|
|
|
|
#pod $d->metronome5($bars, $cymbal, $tempo, $swing); |
|
804
|
|
|
|
|
|
|
#pod |
|
805
|
|
|
|
|
|
|
#pod Add a 5/x beat to the score. |
|
806
|
|
|
|
|
|
|
#pod |
|
807
|
|
|
|
|
|
|
#pod =cut |
|
808
|
|
|
|
|
|
|
|
|
809
|
|
|
|
|
|
|
sub metronome5 ( |
|
810
|
0
|
|
|
|
|
0
|
$self, |
|
811
|
0
|
|
|
|
|
0
|
$bars = $self->bars, |
|
812
|
0
|
|
|
|
|
0
|
$cymbal = $self->closed_hh, |
|
813
|
0
|
|
|
|
|
0
|
$tempo = $self->quarter, |
|
814
|
0
|
|
|
|
|
0
|
$swing = 50 # percent |
|
815
|
|
|
|
|
|
|
) |
|
816
|
0
|
|
|
0
|
1
|
0
|
{ |
|
|
0
|
|
|
|
|
0
|
|
|
817
|
0
|
|
|
|
|
0
|
my $x = dura_size($tempo) * ticks( $self->score ); |
|
818
|
0
|
|
|
|
|
0
|
my $half = $x / 2; |
|
819
|
0
|
|
|
|
|
0
|
my $y = sprintf '%0.f', ( $swing / 100 ) * $x; |
|
820
|
0
|
|
|
|
|
0
|
my $z = $x - $y; |
|
821
|
|
|
|
|
|
|
|
|
822
|
0
|
|
|
|
|
0
|
for my $n ( 1 .. $bars ) { |
|
823
|
0
|
|
|
|
|
0
|
$self->note( "d$x", $cymbal, $self->kick ); |
|
824
|
0
|
0
|
|
|
|
0
|
if ( $swing > STRAIGHT ) { |
|
825
|
0
|
|
|
|
|
0
|
$self->note( "d$y", $cymbal ); |
|
826
|
0
|
|
|
|
|
0
|
$self->note( "d$z", $cymbal ); |
|
827
|
|
|
|
|
|
|
} |
|
828
|
|
|
|
|
|
|
else { |
|
829
|
0
|
|
|
|
|
0
|
$self->note( "d$x", $cymbal ); |
|
830
|
|
|
|
|
|
|
} |
|
831
|
0
|
|
|
|
|
0
|
$self->note( "d$x", $cymbal, $self->snare ); |
|
832
|
0
|
0
|
|
|
|
0
|
if ( $swing > STRAIGHT ) { |
|
833
|
0
|
|
|
|
|
0
|
$self->note( "d$y", $cymbal ); |
|
834
|
0
|
|
|
|
|
0
|
$self->note( "d$z", $cymbal ); |
|
835
|
|
|
|
|
|
|
} |
|
836
|
|
|
|
|
|
|
else { |
|
837
|
0
|
|
|
|
|
0
|
$self->note( "d$x", $cymbal ); |
|
838
|
|
|
|
|
|
|
} |
|
839
|
0
|
0
|
|
|
|
0
|
if ( $n % 2 ) { |
|
840
|
0
|
|
|
|
|
0
|
$self->note( "d$x", $cymbal ); |
|
841
|
|
|
|
|
|
|
} |
|
842
|
|
|
|
|
|
|
else { |
|
843
|
0
|
|
|
|
|
0
|
$self->note( "d$half", $cymbal ); |
|
844
|
0
|
|
|
|
|
0
|
$self->note( "d$half", $self->kick ); |
|
845
|
|
|
|
|
|
|
} |
|
846
|
|
|
|
|
|
|
} |
|
847
|
0
|
|
|
|
|
0
|
return; |
|
848
|
|
|
|
|
|
|
} |
|
849
|
|
|
|
|
|
|
|
|
850
|
|
|
|
|
|
|
#pod =method metronome6 |
|
851
|
|
|
|
|
|
|
#pod |
|
852
|
|
|
|
|
|
|
#pod $d->metronome6; |
|
853
|
|
|
|
|
|
|
#pod $d->metronome6($bars); |
|
854
|
|
|
|
|
|
|
#pod $d->metronome6($bars, $cymbal); |
|
855
|
|
|
|
|
|
|
#pod $d->metronome6($bars, $cymbal, $tempo); |
|
856
|
|
|
|
|
|
|
#pod $d->metronome6($bars, $cymbal, $tempo, $swing); |
|
857
|
|
|
|
|
|
|
#pod |
|
858
|
|
|
|
|
|
|
#pod Add a 6/x beat to the score. |
|
859
|
|
|
|
|
|
|
#pod |
|
860
|
|
|
|
|
|
|
#pod =cut |
|
861
|
|
|
|
|
|
|
|
|
862
|
|
|
|
|
|
|
sub metronome6 ( |
|
863
|
0
|
|
|
|
|
0
|
$self, |
|
864
|
0
|
|
|
|
|
0
|
$bars = $self->bars, |
|
865
|
0
|
|
|
|
|
0
|
$cymbal = $self->closed_hh, |
|
866
|
0
|
|
|
|
|
0
|
$tempo = $self->quarter, |
|
867
|
0
|
|
|
|
|
0
|
$swing = 50 # percent |
|
868
|
|
|
|
|
|
|
) |
|
869
|
0
|
|
|
0
|
1
|
0
|
{ |
|
|
0
|
|
|
|
|
0
|
|
|
870
|
0
|
|
|
|
|
0
|
my $x = dura_size($tempo) * ticks( $self->score ); |
|
871
|
0
|
|
|
|
|
0
|
my $y = sprintf '%0.f', ( $swing / 100 ) * $x; |
|
872
|
0
|
|
|
|
|
0
|
my $z = $x - $y; |
|
873
|
|
|
|
|
|
|
|
|
874
|
0
|
|
|
|
|
0
|
for my $n ( 1 .. $bars ) { |
|
875
|
0
|
|
|
|
|
0
|
$self->note( "d$x", $cymbal, $self->kick ); |
|
876
|
0
|
0
|
|
|
|
0
|
if ( $swing > STRAIGHT ) { |
|
877
|
0
|
|
|
|
|
0
|
$self->note( "d$y", $cymbal ); |
|
878
|
0
|
|
|
|
|
0
|
$self->note( "d$z", $cymbal ); |
|
879
|
|
|
|
|
|
|
} |
|
880
|
|
|
|
|
|
|
else { |
|
881
|
0
|
|
|
|
|
0
|
$self->note( "d$x", $cymbal ); |
|
882
|
|
|
|
|
|
|
} |
|
883
|
0
|
|
|
|
|
0
|
$self->note( "d$x", $cymbal ); |
|
884
|
0
|
|
|
|
|
0
|
$self->note( "d$x", $cymbal, $self->snare ); |
|
885
|
0
|
0
|
|
|
|
0
|
if ( $swing > STRAIGHT ) { |
|
886
|
0
|
|
|
|
|
0
|
$self->note( "d$y", $cymbal ); |
|
887
|
0
|
|
|
|
|
0
|
$self->note( "d$z", $cymbal ); |
|
888
|
|
|
|
|
|
|
} |
|
889
|
|
|
|
|
|
|
else { |
|
890
|
0
|
|
|
|
|
0
|
$self->note( "d$x", $cymbal ); |
|
891
|
|
|
|
|
|
|
} |
|
892
|
0
|
|
|
|
|
0
|
$self->note( "d$x", $cymbal ); |
|
893
|
|
|
|
|
|
|
} |
|
894
|
0
|
|
|
|
|
0
|
return; |
|
895
|
|
|
|
|
|
|
} |
|
896
|
|
|
|
|
|
|
|
|
897
|
|
|
|
|
|
|
#pod =method metronome7 |
|
898
|
|
|
|
|
|
|
#pod |
|
899
|
|
|
|
|
|
|
#pod $d->metronome7; |
|
900
|
|
|
|
|
|
|
#pod $d->metronome7($bars); |
|
901
|
|
|
|
|
|
|
#pod $d->metronome7($bars, $cymbal); |
|
902
|
|
|
|
|
|
|
#pod $d->metronome7($bars, $cymbal, $tempo); |
|
903
|
|
|
|
|
|
|
#pod $d->metronome7($bars, $cymbal, $tempo, $swing); |
|
904
|
|
|
|
|
|
|
#pod |
|
905
|
|
|
|
|
|
|
#pod Add a 7/x beat to the score. |
|
906
|
|
|
|
|
|
|
#pod |
|
907
|
|
|
|
|
|
|
#pod =cut |
|
908
|
|
|
|
|
|
|
|
|
909
|
|
|
|
|
|
|
sub metronome7 ( |
|
910
|
0
|
|
|
|
|
0
|
$self, |
|
911
|
0
|
|
|
|
|
0
|
$bars = $self->bars, |
|
912
|
0
|
|
|
|
|
0
|
$cymbal = $self->closed_hh, |
|
913
|
0
|
|
|
|
|
0
|
$tempo = $self->quarter, |
|
914
|
0
|
|
|
|
|
0
|
$swing = 50 # percent |
|
915
|
|
|
|
|
|
|
) |
|
916
|
0
|
|
|
0
|
1
|
0
|
{ |
|
|
0
|
|
|
|
|
0
|
|
|
917
|
0
|
|
|
|
|
0
|
my $x = dura_size($tempo) * ticks( $self->score ); |
|
918
|
0
|
|
|
|
|
0
|
my $y = sprintf '%0.f', ( $swing / 100 ) * $x; |
|
919
|
0
|
|
|
|
|
0
|
my $z = $x - $y; |
|
920
|
|
|
|
|
|
|
|
|
921
|
0
|
|
|
|
|
0
|
for my $n ( 1 .. $bars ) { |
|
922
|
0
|
|
|
|
|
0
|
$self->note( "d$x", $cymbal, $self->kick ); |
|
923
|
0
|
0
|
|
|
|
0
|
if ( $swing > STRAIGHT ) { |
|
924
|
0
|
|
|
|
|
0
|
$self->note( "d$y", $cymbal ); |
|
925
|
0
|
|
|
|
|
0
|
$self->note( "d$z", $cymbal ); |
|
926
|
|
|
|
|
|
|
} |
|
927
|
|
|
|
|
|
|
else { |
|
928
|
0
|
|
|
|
|
0
|
$self->note( "d$x", $cymbal ); |
|
929
|
|
|
|
|
|
|
} |
|
930
|
0
|
|
|
|
|
0
|
$self->note( "d$x", $cymbal ); |
|
931
|
0
|
0
|
|
|
|
0
|
if ( $swing > STRAIGHT ) { |
|
932
|
0
|
|
|
|
|
0
|
$self->note( "d$y", $cymbal, $self->kick ); |
|
933
|
0
|
|
|
|
|
0
|
$self->note( "d$z", $cymbal ); |
|
934
|
|
|
|
|
|
|
} |
|
935
|
|
|
|
|
|
|
else { |
|
936
|
0
|
|
|
|
|
0
|
$self->note( "d$x", $cymbal, $self->kick ); |
|
937
|
|
|
|
|
|
|
} |
|
938
|
0
|
|
|
|
|
0
|
$self->note( "d$x", $cymbal, $self->snare ); |
|
939
|
0
|
0
|
|
|
|
0
|
if ( $swing > STRAIGHT ) { |
|
940
|
0
|
|
|
|
|
0
|
$self->note( "d$y", $cymbal ); |
|
941
|
0
|
|
|
|
|
0
|
$self->note( "d$z", $cymbal ); |
|
942
|
|
|
|
|
|
|
} |
|
943
|
|
|
|
|
|
|
else { |
|
944
|
0
|
|
|
|
|
0
|
$self->note( "d$x", $cymbal ); |
|
945
|
|
|
|
|
|
|
} |
|
946
|
0
|
|
|
|
|
0
|
$self->note( "d$x", $cymbal ); |
|
947
|
|
|
|
|
|
|
} |
|
948
|
0
|
|
|
|
|
0
|
return; |
|
949
|
|
|
|
|
|
|
} |
|
950
|
|
|
|
|
|
|
|
|
951
|
|
|
|
|
|
|
#pod =method metronome44 |
|
952
|
|
|
|
|
|
|
#pod |
|
953
|
|
|
|
|
|
|
#pod $d->metronome44; |
|
954
|
|
|
|
|
|
|
#pod $d->metronome44($bars); |
|
955
|
|
|
|
|
|
|
#pod $d->metronome44($bars, $flag); |
|
956
|
|
|
|
|
|
|
#pod $d->metronome44($bars, $flag, $cymbal); |
|
957
|
|
|
|
|
|
|
#pod |
|
958
|
|
|
|
|
|
|
#pod Add a steady quarter-note based 4/4 beat to the score. |
|
959
|
|
|
|
|
|
|
#pod |
|
960
|
|
|
|
|
|
|
#pod If a B is provided the beat is modified to include alternating |
|
961
|
|
|
|
|
|
|
#pod eighth-note kicks. |
|
962
|
|
|
|
|
|
|
#pod |
|
963
|
|
|
|
|
|
|
#pod =cut |
|
964
|
|
|
|
|
|
|
|
|
965
|
|
|
|
|
|
|
sub metronome44 ( |
|
966
|
0
|
|
|
|
|
0
|
$self, $bars = $self->bars, |
|
|
0
|
|
|
|
|
0
|
|
|
967
|
0
|
|
|
|
|
0
|
$flag = 0, $cymbal = $self->closed_hh, |
|
|
0
|
|
|
|
|
0
|
|
|
968
|
0
|
|
|
0
|
1
|
0
|
) |
|
|
0
|
|
|
|
|
0
|
|
|
969
|
|
|
|
|
|
|
{ |
|
970
|
0
|
|
|
|
|
0
|
my $i = 0; |
|
971
|
0
|
|
|
|
|
0
|
for my $n ( 1 .. $self->beats * $bars ) { |
|
972
|
0
|
0
|
|
|
|
0
|
if ( $n % 2 == 0 ) { |
|
973
|
0
|
|
|
|
|
0
|
$self->note( $self->quarter, $cymbal, $self->snare ); |
|
974
|
|
|
|
|
|
|
} |
|
975
|
|
|
|
|
|
|
else { |
|
976
|
0
|
0
|
|
|
|
0
|
if ( $flag == 0 ) { |
|
977
|
0
|
|
|
|
|
0
|
$self->note( $self->quarter, $cymbal, $self->kick ); |
|
978
|
|
|
|
|
|
|
} |
|
979
|
|
|
|
|
|
|
else { |
|
980
|
0
|
0
|
|
|
|
0
|
if ( $i % 2 == 0 ) { |
|
981
|
0
|
|
|
|
|
0
|
$self->note( $self->quarter, $cymbal, $self->kick ); |
|
982
|
|
|
|
|
|
|
} |
|
983
|
|
|
|
|
|
|
else { |
|
984
|
0
|
|
|
|
|
0
|
$self->note( $self->eighth, $cymbal, $self->kick ); |
|
985
|
0
|
|
|
|
|
0
|
$self->note( $self->eighth, $self->kick ); |
|
986
|
|
|
|
|
|
|
} |
|
987
|
|
|
|
|
|
|
} |
|
988
|
0
|
|
|
|
|
0
|
$i++; |
|
989
|
|
|
|
|
|
|
} |
|
990
|
|
|
|
|
|
|
} |
|
991
|
0
|
|
|
|
|
0
|
return; |
|
992
|
|
|
|
|
|
|
} |
|
993
|
|
|
|
|
|
|
|
|
994
|
|
|
|
|
|
|
#pod =method flam |
|
995
|
|
|
|
|
|
|
#pod |
|
996
|
|
|
|
|
|
|
#pod $d->flam($spec); |
|
997
|
|
|
|
|
|
|
#pod $d->flam( $spec, $grace_note ); |
|
998
|
|
|
|
|
|
|
#pod $d->flam( $spec, $grace_note, $patch ); |
|
999
|
|
|
|
|
|
|
#pod $d->flam( $spec, $grace_note, $patch, $accent ); |
|
1000
|
|
|
|
|
|
|
#pod |
|
1001
|
|
|
|
|
|
|
#pod Add a "flam" to the score, where a ghosted 64th gracenote is played |
|
1002
|
|
|
|
|
|
|
#pod before the primary note. |
|
1003
|
|
|
|
|
|
|
#pod |
|
1004
|
|
|
|
|
|
|
#pod If not provided the B is used for the B and B |
|
1005
|
|
|
|
|
|
|
#pod patches. Also, 1/2 of the score volume is used for the B |
|
1006
|
|
|
|
|
|
|
#pod if that is not given. |
|
1007
|
|
|
|
|
|
|
#pod |
|
1008
|
|
|
|
|
|
|
#pod If the B note is given as a literal C<'r'>, rest instead of |
|
1009
|
|
|
|
|
|
|
#pod adding a note to the score. |
|
1010
|
|
|
|
|
|
|
#pod |
|
1011
|
|
|
|
|
|
|
#pod =cut |
|
1012
|
|
|
|
|
|
|
|
|
1013
|
|
|
|
|
|
|
sub flam ( |
|
1014
|
0
|
|
|
|
|
0
|
$self, $spec, |
|
|
0
|
|
|
|
|
0
|
|
|
1015
|
0
|
|
|
|
|
0
|
$grace = $self->snare, |
|
1016
|
0
|
|
|
|
|
0
|
$patch = $self->snare, |
|
1017
|
0
|
|
|
|
|
0
|
$accent = sprintf '%0.f', |
|
1018
|
|
|
|
|
|
|
$self->score->Volume / 2 |
|
1019
|
|
|
|
|
|
|
) |
|
1020
|
0
|
|
|
0
|
1
|
0
|
{ |
|
|
0
|
|
|
|
|
0
|
|
|
1021
|
|
|
|
|
|
|
my ( $x, $y ) |
|
1022
|
0
|
|
|
|
|
0
|
= @MIDI::Simple::Length{ $spec, $self->sixtyfourth }; ## no critic (Variables::ProhibitPackageVars) |
|
1023
|
0
|
|
|
|
|
0
|
my $z = sprintf '%0.f', ( $x - $y ) * ticks( $self->score ); |
|
1024
|
0
|
0
|
|
|
|
0
|
if ( $grace eq 'r' ) { |
|
1025
|
0
|
|
|
|
|
0
|
$self->rest( $self->sixtyfourth ); |
|
1026
|
|
|
|
|
|
|
} |
|
1027
|
|
|
|
|
|
|
else { |
|
1028
|
0
|
|
|
|
|
0
|
$self->accent_note( $accent, $self->sixtyfourth, $grace ); |
|
1029
|
|
|
|
|
|
|
} |
|
1030
|
0
|
|
|
|
|
0
|
return $self->note( 'd' . $z, $patch ); |
|
1031
|
|
|
|
|
|
|
} |
|
1032
|
|
|
|
|
|
|
|
|
1033
|
|
|
|
|
|
|
#pod =method roll |
|
1034
|
|
|
|
|
|
|
#pod |
|
1035
|
|
|
|
|
|
|
#pod $d->roll( $length, $spec ); |
|
1036
|
|
|
|
|
|
|
#pod $d->roll( $length, $spec, $patch ); |
|
1037
|
|
|
|
|
|
|
#pod |
|
1038
|
|
|
|
|
|
|
#pod Add a drum roll to the score, where the B is played for |
|
1039
|
|
|
|
|
|
|
#pod duration B in B increments. |
|
1040
|
|
|
|
|
|
|
#pod |
|
1041
|
|
|
|
|
|
|
#pod If not provided the B is used for the B. |
|
1042
|
|
|
|
|
|
|
#pod |
|
1043
|
|
|
|
|
|
|
#pod =cut |
|
1044
|
|
|
|
|
|
|
|
|
1045
|
0
|
|
|
0
|
1
|
0
|
sub roll ( $self, $length, $spec, $patch = $self->snare ) { |
|
|
0
|
|
|
|
|
0
|
|
|
|
0
|
|
|
|
|
0
|
|
|
|
0
|
|
|
|
|
0
|
|
|
|
0
|
|
|
|
|
0
|
|
|
|
0
|
|
|
|
|
0
|
|
|
1046
|
0
|
|
|
|
|
0
|
my ( $x, $y ) = @MIDI::Simple::Length{ $length, $spec }; ## no critic (Variables::ProhibitPackageVars) |
|
1047
|
0
|
|
|
|
|
0
|
my $z = sprintf '%0.f', $x / $y; |
|
1048
|
0
|
|
|
|
|
0
|
$self->note( $spec, $patch ) for 1 .. $z; |
|
1049
|
0
|
|
|
|
|
0
|
return; |
|
1050
|
|
|
|
|
|
|
} |
|
1051
|
|
|
|
|
|
|
|
|
1052
|
|
|
|
|
|
|
#pod =method crescendo_roll |
|
1053
|
|
|
|
|
|
|
#pod |
|
1054
|
|
|
|
|
|
|
#pod $d->crescendo_roll( [$start, $end, $bezier], $length, $spec ); |
|
1055
|
|
|
|
|
|
|
#pod $d->crescendo_roll( [$start, $end, $bezier], $length, $spec, $patch ); |
|
1056
|
|
|
|
|
|
|
#pod |
|
1057
|
|
|
|
|
|
|
#pod Add a drum roll to the score, where the B is played for |
|
1058
|
|
|
|
|
|
|
#pod duration B in B notes, at increasing or decreasing |
|
1059
|
|
|
|
|
|
|
#pod volumes from B to B. |
|
1060
|
|
|
|
|
|
|
#pod |
|
1061
|
|
|
|
|
|
|
#pod If not provided the B is used for the B. |
|
1062
|
|
|
|
|
|
|
#pod |
|
1063
|
|
|
|
|
|
|
#pod If true, the B flag will render the crescendo with a curve, |
|
1064
|
|
|
|
|
|
|
#pod rather than as a straight line. |
|
1065
|
|
|
|
|
|
|
#pod |
|
1066
|
|
|
|
|
|
|
#pod | * |
|
1067
|
|
|
|
|
|
|
#pod | * |
|
1068
|
|
|
|
|
|
|
#pod vol | * |
|
1069
|
|
|
|
|
|
|
#pod | * |
|
1070
|
|
|
|
|
|
|
#pod |* |
|
1071
|
|
|
|
|
|
|
#pod --------------- |
|
1072
|
|
|
|
|
|
|
#pod time |
|
1073
|
|
|
|
|
|
|
#pod |
|
1074
|
|
|
|
|
|
|
#pod =cut |
|
1075
|
|
|
|
|
|
|
|
|
1076
|
0
|
|
|
|
|
0
|
sub crescendo_roll ( $self, $span_ref, $length, $spec, |
|
|
0
|
|
|
|
|
0
|
|
|
|
0
|
|
|
|
|
0
|
|
|
|
0
|
|
|
|
|
0
|
|
|
1077
|
0
|
|
|
|
|
0
|
$patch = $self->snare ) |
|
1078
|
0
|
|
|
0
|
1
|
0
|
{ |
|
|
0
|
|
|
|
|
0
|
|
|
1079
|
0
|
|
|
|
|
0
|
my ( $i, $j, $k ) = $span_ref->@*; |
|
1080
|
0
|
|
|
|
|
0
|
my ( $x, $y ) = @MIDI::Simple::Length{ $length, $spec }; ## no critic (Variables::ProhibitPackageVars) |
|
1081
|
0
|
|
|
|
|
0
|
my $z = sprintf '%0.f', $x / $y; |
|
1082
|
0
|
0
|
|
|
|
0
|
if ($k) { |
|
1083
|
0
|
|
|
|
|
0
|
my $bezier = Math::Bezier->new( 1, $i, $z, $i, $z, $j, ); |
|
1084
|
0
|
|
|
|
|
0
|
for ( my $n = 0 ; $n <= 1 ; $n += ( 1 / ( $z - 1 ) ) ) { |
|
1085
|
0
|
|
|
|
|
0
|
my ( undef, $v ) = $bezier->point($n); |
|
1086
|
0
|
|
|
|
|
0
|
$v = sprintf '%0.f', $v; |
|
1087
|
|
|
|
|
|
|
|
|
1088
|
|
|
|
|
|
|
# carp (__PACKAGE__,' ',__LINE__," $n INC: $v\n"); |
|
1089
|
0
|
|
|
|
|
0
|
$self->accent_note( $v, $spec, $patch ); |
|
1090
|
|
|
|
|
|
|
} |
|
1091
|
|
|
|
|
|
|
} |
|
1092
|
|
|
|
|
|
|
else { |
|
1093
|
0
|
|
|
|
|
0
|
my $v = sprintf '%0.f', ( $j - $i ) / ( $z - 1 ); |
|
1094
|
|
|
|
|
|
|
|
|
1095
|
|
|
|
|
|
|
# carp (__PACKAGE__,' ',__LINE__," VALUE: $v\n"); |
|
1096
|
0
|
|
|
|
|
0
|
for my $n ( 1 .. $z ) { |
|
1097
|
0
|
0
|
|
|
|
0
|
if ( $n == $z ) { |
|
1098
|
0
|
0
|
|
|
|
0
|
if ( $i < $j ) { |
|
|
|
0
|
|
|
|
|
|
|
1099
|
0
|
|
|
|
|
0
|
$i += $j - $i; |
|
1100
|
|
|
|
|
|
|
} |
|
1101
|
|
|
|
|
|
|
elsif ( $i > $j ) { |
|
1102
|
0
|
|
|
|
|
0
|
$i -= $i - $j; |
|
1103
|
|
|
|
|
|
|
} |
|
1104
|
|
|
|
|
|
|
} |
|
1105
|
|
|
|
|
|
|
|
|
1106
|
|
|
|
|
|
|
# carp (__PACKAGE__,' ',__LINE__," $n INC: $i\n"); |
|
1107
|
0
|
|
|
|
|
0
|
$self->accent_note( $i, $spec, $patch ); |
|
1108
|
0
|
|
|
|
|
0
|
$i += $v; |
|
1109
|
|
|
|
|
|
|
} |
|
1110
|
|
|
|
|
|
|
} |
|
1111
|
0
|
|
|
|
|
0
|
return; |
|
1112
|
|
|
|
|
|
|
} |
|
1113
|
|
|
|
|
|
|
|
|
1114
|
|
|
|
|
|
|
#pod =method pattern |
|
1115
|
|
|
|
|
|
|
#pod |
|
1116
|
|
|
|
|
|
|
#pod $d->pattern( patterns => \@patterns ); |
|
1117
|
|
|
|
|
|
|
#pod $d->pattern( patterns => \@patterns, instrument => $d->kick ); |
|
1118
|
|
|
|
|
|
|
#pod $d->pattern( patterns => \@patterns, instrument => $d->kick, %options ); |
|
1119
|
|
|
|
|
|
|
#pod |
|
1120
|
|
|
|
|
|
|
#pod Play a given set of beat B with the given B. |
|
1121
|
|
|
|
|
|
|
#pod |
|
1122
|
|
|
|
|
|
|
#pod The B are an arrayref of "beat-strings". By default these |
|
1123
|
|
|
|
|
|
|
#pod are made of contiguous ones and zeros, meaning "strike" or "rest". |
|
1124
|
|
|
|
|
|
|
#pod For example: |
|
1125
|
|
|
|
|
|
|
#pod |
|
1126
|
|
|
|
|
|
|
#pod patterns => [qw( 0101 0101 0110 0110 )], |
|
1127
|
|
|
|
|
|
|
#pod |
|
1128
|
|
|
|
|
|
|
#pod This method accumulates the number of beats in the object's B |
|
1129
|
|
|
|
|
|
|
#pod attribute. |
|
1130
|
|
|
|
|
|
|
#pod |
|
1131
|
|
|
|
|
|
|
#pod The B option is a hashref of coderefs, keyed by single character |
|
1132
|
|
|
|
|
|
|
#pod tokens, like the digits 0-9. Each coderef duration should add up to |
|
1133
|
|
|
|
|
|
|
#pod the given B option. The single argument that is given to a |
|
1134
|
|
|
|
|
|
|
#pod coderef is the object itself. It is used like: C. |
|
1135
|
|
|
|
|
|
|
#pod |
|
1136
|
|
|
|
|
|
|
#pod These patterns can be generated with any custom function, as in the |
|
1137
|
|
|
|
|
|
|
#pod L. For instance, you could use the L |
|
1138
|
|
|
|
|
|
|
#pod module to generate Euclidean patterns. |
|
1139
|
|
|
|
|
|
|
#pod |
|
1140
|
|
|
|
|
|
|
#pod Defaults: |
|
1141
|
|
|
|
|
|
|
#pod |
|
1142
|
|
|
|
|
|
|
#pod instrument: snare |
|
1143
|
|
|
|
|
|
|
#pod patterns: [] (i.e. empty!) |
|
1144
|
|
|
|
|
|
|
#pod Options: |
|
1145
|
|
|
|
|
|
|
#pod duration: quarter-note |
|
1146
|
|
|
|
|
|
|
#pod beats: given by constructor |
|
1147
|
|
|
|
|
|
|
#pod repeat: 1 |
|
1148
|
|
|
|
|
|
|
#pod negate: 0 (flip the bit values) |
|
1149
|
|
|
|
|
|
|
#pod vary: |
|
1150
|
|
|
|
|
|
|
#pod 0 => sub { $self->rest( $args{duration} ) }, |
|
1151
|
|
|
|
|
|
|
#pod 1 => sub { $self->note( $args{duration}, $args{instrument} ) }, |
|
1152
|
|
|
|
|
|
|
#pod |
|
1153
|
|
|
|
|
|
|
#pod =cut |
|
1154
|
|
|
|
|
|
|
|
|
1155
|
34
|
|
|
34
|
1
|
822
|
sub pattern ( $self, %args ) { |
|
|
34
|
|
|
|
|
83
|
|
|
|
34
|
|
|
|
|
146
|
|
|
|
34
|
|
|
|
|
59
|
|
|
1156
|
34
|
|
33
|
|
|
127
|
$args{instrument} ||= $self->snare; |
|
1157
|
34
|
|
50
|
|
|
152
|
$args{patterns} ||= []; |
|
1158
|
34
|
|
33
|
|
|
308
|
$args{beats} ||= $self->beats; |
|
1159
|
34
|
|
50
|
|
|
201
|
$args{negate} ||= 0; |
|
1160
|
34
|
|
50
|
|
|
202
|
$args{repeat} ||= 1; |
|
1161
|
|
|
|
|
|
|
|
|
1162
|
34
|
50
|
|
|
|
110
|
return unless $args{patterns}->@*; |
|
1163
|
|
|
|
|
|
|
|
|
1164
|
|
|
|
|
|
|
# set size and duration |
|
1165
|
34
|
|
|
|
|
63
|
my $size; |
|
1166
|
34
|
100
|
|
|
|
88
|
if ( $args{duration} ) { |
|
1167
|
33
|
|
50
|
|
|
140
|
$size = dura_size( $args{duration} ) || 1; |
|
1168
|
|
|
|
|
|
|
} |
|
1169
|
|
|
|
|
|
|
else { |
|
1170
|
1
|
|
|
|
|
4
|
$size = 4 / length( $args{patterns}->[0] ); |
|
1171
|
1
|
|
|
|
|
6
|
my $dump = reverse_dump('length'); |
|
1172
|
1
|
|
33
|
|
|
503
|
$args{duration} = $dump->{$size} || $self->quarter; |
|
1173
|
|
|
|
|
|
|
} |
|
1174
|
|
|
|
|
|
|
|
|
1175
|
|
|
|
|
|
|
# set the default beat-string variations |
|
1176
|
|
|
|
|
|
|
$args{vary} ||= { |
|
1177
|
556
|
|
|
556
|
|
1512
|
0 => sub { $self->rest( $args{duration} ) }, |
|
1178
|
121
|
|
|
121
|
|
430
|
1 => sub { $self->note( $args{duration}, $args{instrument} ) }, |
|
1179
|
34
|
|
50
|
|
|
1010
|
}; |
|
1180
|
|
|
|
|
|
|
|
|
1181
|
34
|
|
|
|
|
154
|
for my $pattern ( $args{patterns}->@* ) { |
|
1182
|
34
|
50
|
|
|
|
159
|
$pattern =~ tr/01/10/ if $args{negate}; |
|
1183
|
|
|
|
|
|
|
|
|
1184
|
34
|
50
|
|
|
|
134
|
next if $pattern =~ /^0+$/; |
|
1185
|
|
|
|
|
|
|
|
|
1186
|
34
|
|
|
|
|
122
|
for ( 1 .. $args{repeat} ) { |
|
1187
|
34
|
|
|
|
|
236
|
for my $bit ( split //, $pattern ) { |
|
1188
|
677
|
|
|
|
|
37703
|
$args{vary}{$bit}->( $self, %args ); |
|
1189
|
|
|
|
|
|
|
} |
|
1190
|
|
|
|
|
|
|
} |
|
1191
|
|
|
|
|
|
|
} |
|
1192
|
34
|
|
|
|
|
2125
|
return; |
|
1193
|
|
|
|
|
|
|
} |
|
1194
|
|
|
|
|
|
|
|
|
1195
|
|
|
|
|
|
|
#pod =method sync_patterns |
|
1196
|
|
|
|
|
|
|
#pod |
|
1197
|
|
|
|
|
|
|
#pod $d->sync_patterns( $instrument1 => $patterns1, $inst2 => $pats2, ... ); |
|
1198
|
|
|
|
|
|
|
#pod $d->sync_patterns( |
|
1199
|
|
|
|
|
|
|
#pod $d->open_hh => [ '11111111') ], |
|
1200
|
|
|
|
|
|
|
#pod $d->snare => [ '0101' ], |
|
1201
|
|
|
|
|
|
|
#pod $d->kick => [ '1010' ], |
|
1202
|
|
|
|
|
|
|
#pod duration => $d->eighth, # render all notes at this level of granularity |
|
1203
|
|
|
|
|
|
|
#pod ) for 1 .. $d->bars; |
|
1204
|
|
|
|
|
|
|
#pod |
|
1205
|
|
|
|
|
|
|
#pod Execute the C method for multiple voices. |
|
1206
|
|
|
|
|
|
|
#pod |
|
1207
|
|
|
|
|
|
|
#pod If a C is provided, this will be used for each pattern |
|
1208
|
|
|
|
|
|
|
#pod (primarily for the B method). |
|
1209
|
|
|
|
|
|
|
#pod |
|
1210
|
|
|
|
|
|
|
#pod =cut |
|
1211
|
|
|
|
|
|
|
|
|
1212
|
12
|
|
|
12
|
1
|
23
|
sub sync_patterns ( $self, %patterns ) { |
|
|
12
|
|
|
|
|
22
|
|
|
|
12
|
|
|
|
|
48
|
|
|
|
12
|
|
|
|
|
23
|
|
|
1213
|
12
|
|
|
|
|
34
|
my $master_duration = delete $patterns{duration}; |
|
1214
|
|
|
|
|
|
|
|
|
1215
|
12
|
|
|
|
|
23
|
my @subs; |
|
1216
|
12
|
|
|
|
|
38
|
for my $instrument ( keys %patterns ) { |
|
1217
|
|
|
|
|
|
|
push @subs, sub { |
|
1218
|
|
|
|
|
|
|
$self->pattern( |
|
1219
|
|
|
|
|
|
|
instrument => $instrument, |
|
1220
|
33
|
50
|
|
33
|
|
1311
|
patterns => $patterns{$instrument}, |
|
1221
|
|
|
|
|
|
|
$master_duration |
|
1222
|
|
|
|
|
|
|
? ( duration => $master_duration ) |
|
1223
|
|
|
|
|
|
|
: (), |
|
1224
|
|
|
|
|
|
|
); |
|
1225
|
33
|
|
|
|
|
147
|
}; |
|
1226
|
|
|
|
|
|
|
} |
|
1227
|
|
|
|
|
|
|
|
|
1228
|
12
|
|
|
|
|
485
|
return $self->sync(@subs); |
|
1229
|
|
|
|
|
|
|
} |
|
1230
|
|
|
|
|
|
|
|
|
1231
|
|
|
|
|
|
|
#pod =method add_fill |
|
1232
|
|
|
|
|
|
|
#pod |
|
1233
|
|
|
|
|
|
|
#pod $d->add_fill( $fill, $instrument1 => $patterns1, $inst2 => $pats2, ... ); |
|
1234
|
|
|
|
|
|
|
#pod $d->add_fill( |
|
1235
|
|
|
|
|
|
|
#pod sub { |
|
1236
|
|
|
|
|
|
|
#pod my $self = shift; |
|
1237
|
|
|
|
|
|
|
#pod return { |
|
1238
|
|
|
|
|
|
|
#pod duration => 16, # sixteenth note fill |
|
1239
|
|
|
|
|
|
|
#pod $self->open_hh => '00000000', |
|
1240
|
|
|
|
|
|
|
#pod $self->snare => '11111111', |
|
1241
|
|
|
|
|
|
|
#pod $self->kick => '00000000', |
|
1242
|
|
|
|
|
|
|
#pod }; |
|
1243
|
|
|
|
|
|
|
#pod }, |
|
1244
|
|
|
|
|
|
|
#pod $d->open_hh => [ '11111111' ], # example phrase |
|
1245
|
|
|
|
|
|
|
#pod $d->snare => [ '0101' ], # " |
|
1246
|
|
|
|
|
|
|
#pod $d->kick => [ '1010' ], # " |
|
1247
|
|
|
|
|
|
|
#pod ); |
|
1248
|
|
|
|
|
|
|
#pod |
|
1249
|
|
|
|
|
|
|
#pod Add a fill to the beat pattern. That is, replace the end of the given |
|
1250
|
|
|
|
|
|
|
#pod beat-string phrase with a fill. The fill is given as the first |
|
1251
|
|
|
|
|
|
|
#pod argument and should be a coderef that returns a hashref. The default |
|
1252
|
|
|
|
|
|
|
#pod is a three-note, eighth-note snare fill. |
|
1253
|
|
|
|
|
|
|
#pod |
|
1254
|
|
|
|
|
|
|
#pod =cut |
|
1255
|
|
|
|
|
|
|
|
|
1256
|
12
|
|
|
12
|
1
|
21125
|
sub add_fill ( $self, $fill = undef, %patterns ) { |
|
|
12
|
|
|
|
|
34
|
|
|
|
12
|
|
|
|
|
30
|
|
|
|
12
|
|
|
|
|
72
|
|
|
|
12
|
|
|
|
|
20
|
|
|
1257
|
|
|
|
|
|
|
$fill //= sub { { |
|
1258
|
11
|
|
|
11
|
|
114
|
duration => 8, |
|
1259
|
|
|
|
|
|
|
$self->open_hh => '000', |
|
1260
|
|
|
|
|
|
|
$self->snare => '111', |
|
1261
|
|
|
|
|
|
|
$self->kick => '000', |
|
1262
|
12
|
|
66
|
|
|
137
|
} }; |
|
1263
|
12
|
|
|
|
|
39
|
my $fill_patterns = $fill->($self); |
|
1264
|
12
|
100
|
|
|
|
84
|
carp 'Fill: ', ddc($fill_patterns) if $self->verbose; |
|
1265
|
12
|
|
50
|
|
|
921
|
my $fill_duration = delete $fill_patterns->{duration} || 8; |
|
1266
|
12
|
|
|
|
|
47
|
my $fill_length = length( ( values %$fill_patterns )[0] ); |
|
1267
|
|
|
|
|
|
|
|
|
1268
|
12
|
|
|
|
|
23
|
my %lengths; |
|
1269
|
12
|
|
|
|
|
45
|
for my $instrument ( keys %patterns ) { |
|
1270
|
|
|
|
|
|
|
$lengths{$instrument} |
|
1271
|
33
|
|
|
|
|
79
|
= sum0 map { length $_ } $patterns{$instrument}->@*; |
|
|
33
|
|
|
|
|
154
|
|
|
1272
|
|
|
|
|
|
|
} |
|
1273
|
|
|
|
|
|
|
|
|
1274
|
12
|
|
|
|
|
59
|
my $lcm = _multilcm( $fill_duration, values %lengths ); |
|
1275
|
12
|
100
|
|
|
|
179
|
carp "LCM: $lcm\n" if $self->verbose; |
|
1276
|
|
|
|
|
|
|
|
|
1277
|
12
|
|
|
|
|
35
|
my $size = 4 / $lcm; |
|
1278
|
12
|
|
|
|
|
69
|
my $dump = reverse_dump('length'); |
|
1279
|
|
|
|
|
|
|
my $master_duration |
|
1280
|
12
|
|
66
|
|
|
5618
|
= $dump->{$size} || $self->eighth; # XXX this || is not right |
|
1281
|
12
|
100
|
|
|
|
216
|
carp "Size: $size, Duration: $master_duration\n" if $self->verbose; |
|
1282
|
|
|
|
|
|
|
|
|
1283
|
12
|
100
|
|
|
|
61
|
my $fill_chop |
|
1284
|
|
|
|
|
|
|
= $fill_duration == $lcm |
|
1285
|
|
|
|
|
|
|
? $fill_length |
|
1286
|
|
|
|
|
|
|
: int( $lcm / $fill_length ) + 1; |
|
1287
|
12
|
100
|
|
|
|
127
|
carp "Chop: $fill_chop\n" if $self->verbose; |
|
1288
|
|
|
|
|
|
|
|
|
1289
|
12
|
|
|
|
|
25
|
my %fresh_patterns; |
|
1290
|
12
|
|
|
|
|
48
|
for my $instrument ( keys %patterns ) { |
|
1291
|
|
|
|
|
|
|
|
|
1292
|
|
|
|
|
|
|
# get a single "flattened" pattern as an arrayref |
|
1293
|
|
|
|
|
|
|
my $pattern |
|
1294
|
33
|
|
|
|
|
935
|
= [ map { split //, $_ } $patterns{$instrument}->@* ]; |
|
|
33
|
|
|
|
|
178
|
|
|
1295
|
|
|
|
|
|
|
|
|
1296
|
|
|
|
|
|
|
# the fresh pattern is possibly upsized with the LCM |
|
1297
|
33
|
100
|
|
|
|
187
|
$fresh_patterns{$instrument} |
|
1298
|
|
|
|
|
|
|
= $pattern->@* < $lcm |
|
1299
|
|
|
|
|
|
|
? [ join '', upsize( $pattern, $lcm )->@* ] |
|
1300
|
|
|
|
|
|
|
: [ join '', $pattern->@* ]; |
|
1301
|
|
|
|
|
|
|
} |
|
1302
|
12
|
100
|
|
|
|
413
|
carp 'Patterns: ', ddc( \%fresh_patterns ) if $self->verbose; |
|
1303
|
|
|
|
|
|
|
|
|
1304
|
12
|
|
|
|
|
185
|
my %replacement; |
|
1305
|
12
|
|
|
|
|
44
|
for my $instrument ( keys $fill_patterns->%* ) { |
|
1306
|
|
|
|
|
|
|
|
|
1307
|
|
|
|
|
|
|
# get a single "flattened" pattern as a zero-pre-padded arrayref |
|
1308
|
|
|
|
|
|
|
my $pattern = [ |
|
1309
|
|
|
|
|
|
|
split //, sprintf '%0*s', |
|
1310
|
36
|
|
|
|
|
276
|
$fill_duration, $fill_patterns->{$instrument} ]; |
|
1311
|
|
|
|
|
|
|
|
|
1312
|
|
|
|
|
|
|
# the fresh pattern string is possibly upsized with the LCM |
|
1313
|
36
|
100
|
|
|
|
176
|
my $fresh |
|
1314
|
|
|
|
|
|
|
= $pattern->@* < $lcm |
|
1315
|
|
|
|
|
|
|
? join '', upsize( $pattern, $lcm )->@* |
|
1316
|
|
|
|
|
|
|
: join '', $pattern->@*; |
|
1317
|
|
|
|
|
|
|
|
|
1318
|
|
|
|
|
|
|
# the replacement string is the tail of the fresh pattern string |
|
1319
|
36
|
|
|
|
|
804
|
$replacement{$instrument} = substr $fresh, -$fill_chop; |
|
1320
|
|
|
|
|
|
|
} |
|
1321
|
12
|
100
|
|
|
|
53
|
carp 'Replacements: ', ddc( \%replacement ) if $self->verbose; |
|
1322
|
|
|
|
|
|
|
|
|
1323
|
12
|
|
|
|
|
513
|
my %replaced; |
|
1324
|
12
|
|
|
|
|
39
|
for my $instrument ( keys %fresh_patterns ) { |
|
1325
|
|
|
|
|
|
|
|
|
1326
|
|
|
|
|
|
|
# get the string to replace |
|
1327
|
33
|
|
|
|
|
92
|
my $string = join '', $fresh_patterns{$instrument}->@*; |
|
1328
|
|
|
|
|
|
|
|
|
1329
|
|
|
|
|
|
|
# replace the tail of the string |
|
1330
|
33
|
|
|
|
|
66
|
my $pos = length $replacement{$instrument}; |
|
1331
|
33
|
|
|
|
|
95
|
substr $string, -$pos, $pos, $replacement{$instrument}; |
|
1332
|
33
|
50
|
|
|
|
109
|
carp "$instrument: $string\n" if $self->verbose; |
|
1333
|
|
|
|
|
|
|
|
|
1334
|
|
|
|
|
|
|
# prepare the replaced pattern for syncing |
|
1335
|
33
|
|
|
|
|
125
|
$replaced{$instrument} = [$string]; |
|
1336
|
|
|
|
|
|
|
} |
|
1337
|
|
|
|
|
|
|
|
|
1338
|
12
|
|
|
|
|
71
|
$self->sync_patterns( %replaced, duration => $master_duration, ); |
|
1339
|
|
|
|
|
|
|
|
|
1340
|
12
|
|
|
|
|
651
|
return \%replaced; |
|
1341
|
|
|
|
|
|
|
} |
|
1342
|
|
|
|
|
|
|
|
|
1343
|
|
|
|
|
|
|
#pod =method set_time_sig |
|
1344
|
|
|
|
|
|
|
#pod |
|
1345
|
|
|
|
|
|
|
#pod $d->set_time_sig; |
|
1346
|
|
|
|
|
|
|
#pod $d->set_time_sig('5/4'); |
|
1347
|
|
|
|
|
|
|
#pod $d->set_time_sig( '5/4', 0 ); |
|
1348
|
|
|
|
|
|
|
#pod |
|
1349
|
|
|
|
|
|
|
#pod Add a time signature event to the score, and reset the B and |
|
1350
|
|
|
|
|
|
|
#pod B object attributes. |
|
1351
|
|
|
|
|
|
|
#pod |
|
1352
|
|
|
|
|
|
|
#pod If a ratio argument is given, set the B object attribute to |
|
1353
|
|
|
|
|
|
|
#pod it. If the 2nd argument flag is C<0>, the B and B |
|
1354
|
|
|
|
|
|
|
#pod are B reset. |
|
1355
|
|
|
|
|
|
|
#pod |
|
1356
|
|
|
|
|
|
|
#pod =cut |
|
1357
|
|
|
|
|
|
|
|
|
1358
|
7
|
|
|
7
|
1
|
1091
|
sub set_time_sig ( $self, $time_signature, $set = 1 ) { |
|
|
7
|
|
|
|
|
17
|
|
|
|
7
|
|
|
|
|
14
|
|
|
|
7
|
|
|
|
|
19
|
|
|
|
7
|
|
|
|
|
16
|
|
|
1359
|
7
|
50
|
|
|
|
46
|
$self->signature($time_signature) if $time_signature; |
|
1360
|
7
|
100
|
|
|
|
25
|
if ($set) { |
|
1361
|
6
|
|
|
|
|
36
|
my ( $beats, $divisions ) = split /\//, $self->signature; |
|
1362
|
6
|
|
|
|
|
27
|
$self->beats($beats); |
|
1363
|
6
|
|
|
|
|
22
|
$self->divisions($divisions); |
|
1364
|
|
|
|
|
|
|
} |
|
1365
|
7
|
|
|
|
|
186
|
return set_time_signature( $self->score, $self->signature ); |
|
1366
|
|
|
|
|
|
|
} |
|
1367
|
|
|
|
|
|
|
|
|
1368
|
|
|
|
|
|
|
#pod =method write |
|
1369
|
|
|
|
|
|
|
#pod |
|
1370
|
|
|
|
|
|
|
#pod Output the score as a MIDI file with the module L attribute as |
|
1371
|
|
|
|
|
|
|
#pod the file name. |
|
1372
|
|
|
|
|
|
|
#pod |
|
1373
|
|
|
|
|
|
|
#pod =cut |
|
1374
|
|
|
|
|
|
|
|
|
1375
|
0
|
|
|
0
|
1
|
0
|
sub write ($self) { ## no critic (Subroutines::ProhibitBuiltinHomonyms) |
|
|
0
|
|
|
|
|
0
|
|
|
|
0
|
|
|
|
|
0
|
|
|
1376
|
0
|
|
|
|
|
0
|
return $self->score->write_score( $self->file ); |
|
1377
|
|
|
|
|
|
|
} |
|
1378
|
|
|
|
|
|
|
|
|
1379
|
|
|
|
|
|
|
# lifted from https://www.perlmonks.org/?node_id=56906 |
|
1380
|
33
|
|
|
33
|
|
51
|
sub _gcf ( $x, $y ) { |
|
|
33
|
|
|
|
|
76
|
|
|
|
33
|
|
|
|
|
60
|
|
|
|
33
|
|
|
|
|
50
|
|
|
1381
|
33
|
|
|
|
|
162
|
( $x, $y ) = ( $y, $x % $y ) while $y; |
|
1382
|
33
|
|
|
|
|
129
|
return $x; |
|
1383
|
|
|
|
|
|
|
} |
|
1384
|
|
|
|
|
|
|
|
|
1385
|
33
|
|
|
33
|
|
60
|
sub _lcm ( $x, $y ) { return $x * $y / _gcf( $x, $y ) } |
|
|
33
|
|
|
|
|
54
|
|
|
|
33
|
|
|
|
|
55
|
|
|
|
33
|
|
|
|
|
48
|
|
|
|
33
|
|
|
|
|
119
|
|
|
1386
|
|
|
|
|
|
|
|
|
1387
|
|
|
|
|
|
|
sub _multilcm { ## no critic (Subroutines::RequireArgUnpacking) |
|
1388
|
12
|
|
|
12
|
|
28
|
my $x = shift; |
|
1389
|
12
|
|
|
|
|
65
|
$x = _lcm( $x, shift ) while @_; |
|
1390
|
12
|
|
|
|
|
30
|
return $x; |
|
1391
|
|
|
|
|
|
|
} |
|
1392
|
|
|
|
|
|
|
|
|
1393
|
|
|
|
|
|
|
1; |
|
1394
|
|
|
|
|
|
|
|
|
1395
|
|
|
|
|
|
|
__END__ |