line |
stmt |
bran |
cond |
sub |
pod |
time |
code |
1
|
|
|
|
|
|
|
# -*- Perl -*- |
2
|
|
|
|
|
|
|
# |
3
|
|
|
|
|
|
|
# TODO |
4
|
|
|
|
|
|
|
# * chord_pos |
5
|
|
|
|
|
|
|
# - support arbitrary? voice counts (would need doubling rules?) Extra |
6
|
|
|
|
|
|
|
# voices would likely run into either doubling or maximum pitch |
7
|
|
|
|
|
|
|
# limits, so might need good-enough effort (or lots of doublings)? |
8
|
|
|
|
|
|
|
# - or lower than @ps voice count, which might require new logic or |
9
|
|
|
|
|
|
|
# priority on the pitches? |
10
|
|
|
|
|
|
|
# - inversion through "root_any" and then select only root 3rd or |
11
|
|
|
|
|
|
|
# whatever afterwards? |
12
|
|
|
|
|
|
|
# - nix octave_count and pitch_max in favor of just specified |
13
|
|
|
|
|
|
|
# semitones up? - makes sense, as interval_adj_max is a semitone |
14
|
|
|
|
|
|
|
# thing. |
15
|
|
|
|
|
|
|
# - doublings could use more rules beyond "no" or "anything goes", |
16
|
|
|
|
|
|
|
# perhaps optional list of "here's pitches that can be doubled" so |
17
|
|
|
|
|
|
|
# can 2x the root or the 5th or whatever on demand. |
18
|
|
|
|
|
|
|
# - logic tricky, could it be simplified with a Combinations module or |
19
|
|
|
|
|
|
|
# by using ordering results from a glob() expansion? |
20
|
|
|
|
|
|
|
# - callbacks so caller can better control the results? (or filter |
21
|
|
|
|
|
|
|
# results via counterpoint or other rules, e.g. to exclude || 5ths |
22
|
|
|
|
|
|
|
# or other naughty things). |
23
|
|
|
|
|
|
|
# - allow doubling of the third: frowned on, but sees frequent use |
24
|
|
|
|
|
|
|
# e.g. in the Bach Chorales (if used properly, but rules would need |
25
|
|
|
|
|
|
|
# to be enforced somehow else). |
26
|
|
|
|
|
|
|
# |
27
|
|
|
|
|
|
|
# * progressions |
28
|
|
|
|
|
|
|
# - support this, instead of using mcp-prog script? |
29
|
|
|
|
|
|
|
|
30
|
|
|
|
|
|
|
package Music::Chord::Positions; |
31
|
|
|
|
|
|
|
|
32
|
2
|
|
|
2
|
|
60229
|
use 5.010; |
|
2
|
|
|
|
|
9
|
|
|
2
|
|
|
|
|
78
|
|
33
|
2
|
|
|
2
|
|
11
|
use strict; |
|
2
|
|
|
|
|
13
|
|
|
2
|
|
|
|
|
81
|
|
34
|
2
|
|
|
2
|
|
11
|
use warnings; |
|
2
|
|
|
|
|
11
|
|
|
2
|
|
|
|
|
61
|
|
35
|
|
|
|
|
|
|
|
36
|
2
|
|
|
2
|
|
11
|
use Carp qw/croak/; |
|
2
|
|
|
|
|
3
|
|
|
2
|
|
|
|
|
162
|
|
37
|
2
|
|
|
2
|
|
11
|
use List::Util qw(max min); |
|
2
|
|
|
|
|
3
|
|
|
2
|
|
|
|
|
4697
|
|
38
|
|
|
|
|
|
|
|
39
|
|
|
|
|
|
|
our $VERSION = '0.64'; |
40
|
|
|
|
|
|
|
|
41
|
|
|
|
|
|
|
my $DEG_IN_SCALE = 12; |
42
|
|
|
|
|
|
|
|
43
|
|
|
|
|
|
|
######################################################################## |
44
|
|
|
|
|
|
|
# |
45
|
|
|
|
|
|
|
# SUBROUTINES |
46
|
|
|
|
|
|
|
|
47
|
|
|
|
|
|
|
# TODO move back to List::MoreUtils if that module is fixed up or some |
48
|
|
|
|
|
|
|
# replacement with fewer open critical bugs is written. |
49
|
|
|
|
|
|
|
sub all(&@) { |
50
|
6
|
|
|
6
|
0
|
11
|
my $test = shift; |
51
|
6
|
|
|
|
|
14
|
for (@_) { |
52
|
9
|
100
|
|
|
|
49
|
return 0 unless &$test; |
53
|
|
|
|
|
|
|
} |
54
|
3
|
|
|
|
|
14
|
return 1; |
55
|
|
|
|
|
|
|
} |
56
|
|
|
|
|
|
|
|
57
|
|
|
|
|
|
|
sub new { |
58
|
3
|
|
|
3
|
1
|
1026
|
my ( $class, %param ) = @_; |
59
|
3
|
|
|
|
|
7
|
my $self = {}; |
60
|
|
|
|
|
|
|
|
61
|
3
|
|
66
|
|
|
23
|
$self->{_DEG_IN_SCALE} = int( $param{DEG_IN_SCALE} // $DEG_IN_SCALE ); |
62
|
3
|
50
|
|
|
|
12
|
if ( $self->{_DEG_IN_SCALE} < 2 ) { |
63
|
0
|
|
|
|
|
0
|
croak 'degrees in scale must be greater than one'; |
64
|
|
|
|
|
|
|
} |
65
|
|
|
|
|
|
|
|
66
|
3
|
|
|
|
|
9
|
bless $self, $class; |
67
|
3
|
|
|
|
|
10
|
return $self; |
68
|
|
|
|
|
|
|
} |
69
|
|
|
|
|
|
|
|
70
|
|
|
|
|
|
|
######################################################################## |
71
|
|
|
|
|
|
|
# |
72
|
|
|
|
|
|
|
# Methods of Music |
73
|
|
|
|
|
|
|
|
74
|
|
|
|
|
|
|
sub chord_inv { |
75
|
4
|
|
|
4
|
1
|
2709
|
my ( $self, $pitch_set, %params ) = @_; |
76
|
4
|
50
|
33
|
|
|
31
|
croak 'pitch set reference required' |
77
|
|
|
|
|
|
|
unless defined $pitch_set and ref $pitch_set eq 'ARRAY'; |
78
|
|
|
|
|
|
|
|
79
|
4
|
|
|
|
|
19
|
my $max_pitch = max(@$pitch_set); |
80
|
4
|
|
|
|
|
15
|
my $next_register = |
81
|
|
|
|
|
|
|
$max_pitch + $self->{_DEG_IN_SCALE} - $max_pitch % $self->{_DEG_IN_SCALE}; |
82
|
|
|
|
|
|
|
|
83
|
4
|
|
|
|
|
3
|
my @inversions; |
84
|
4
|
|
|
|
|
13
|
for my $i ( 0 .. $#$pitch_set - 1 ) { |
85
|
|
|
|
|
|
|
# Inversions simply flip lower notes up above the highest pitch in |
86
|
|
|
|
|
|
|
# the original pitch set. |
87
|
25
|
|
|
|
|
52
|
push @inversions, |
88
|
|
|
|
|
|
|
[ |
89
|
|
|
|
|
|
|
@$pitch_set[ $i + 1 .. $#$pitch_set ], |
90
|
12
|
|
|
|
|
38
|
map { $next_register + $_ } @$pitch_set[ 0 .. $i ] |
91
|
|
|
|
|
|
|
]; |
92
|
|
|
|
|
|
|
|
93
|
|
|
|
|
|
|
# Normalize to "0th" register if lowest pitch is an octave+ out |
94
|
12
|
100
|
66
|
|
|
53
|
if ( exists $params{'pitch_norm'} and $params{'pitch_norm'} ) { |
95
|
4
|
|
|
|
|
4
|
my $min_pitch = min( @{ $inversions[-1] } ); |
|
4
|
|
|
|
|
13
|
|
96
|
4
|
100
|
|
|
|
12
|
if ( $min_pitch >= $self->{_DEG_IN_SCALE} ) { |
97
|
1
|
|
|
|
|
3
|
my $offset = $min_pitch - $min_pitch % $self->{_DEG_IN_SCALE}; |
98
|
1
|
|
|
|
|
3
|
$_ -= $offset for @{ $inversions[-1] }; |
|
1
|
|
|
|
|
7
|
|
99
|
|
|
|
|
|
|
} |
100
|
|
|
|
|
|
|
} |
101
|
|
|
|
|
|
|
} |
102
|
|
|
|
|
|
|
|
103
|
4
|
100
|
|
|
|
12
|
if ( exists $params{'inv_num'} ) { |
104
|
1
|
50
|
33
|
|
|
17
|
croak 'inversion number out of range' |
|
|
|
33
|
|
|
|
|
105
|
|
|
|
|
|
|
if $params{'inv_num'} !~ m/^\d+$/ |
106
|
|
|
|
|
|
|
or $params{'inv_num'} < 1 |
107
|
|
|
|
|
|
|
or $params{'inv_num'} > @inversions; |
108
|
1
|
|
|
|
|
2
|
@inversions = @{ $inversions[ $params{'inv_num'} - 1 ] }; |
|
1
|
|
|
|
|
4
|
|
109
|
|
|
|
|
|
|
} |
110
|
|
|
|
|
|
|
|
111
|
4
|
|
|
|
|
17
|
return \@inversions; |
112
|
|
|
|
|
|
|
} |
113
|
|
|
|
|
|
|
|
114
|
|
|
|
|
|
|
sub chord_pos { |
115
|
1
|
|
|
1
|
1
|
13
|
my ( $self, $pitch_set, %params ) = @_; |
116
|
1
|
50
|
33
|
|
|
10
|
croak 'pitch set reference required' |
117
|
|
|
|
|
|
|
unless defined $pitch_set and ref $pitch_set eq 'ARRAY'; |
118
|
|
|
|
|
|
|
|
119
|
|
|
|
|
|
|
my ( |
120
|
1
|
|
|
|
|
3
|
@ps, @potentials, @revoicings, |
121
|
|
|
|
|
|
|
@voice_iters, @voice_max, %seen_intervals, |
122
|
|
|
|
|
|
|
$min_pitch_norm, $next_register, $unique_pitch_count, |
123
|
|
|
|
|
|
|
); |
124
|
|
|
|
|
|
|
|
125
|
1
|
50
|
33
|
|
|
8
|
$params{'interval_adj_max'} = |
126
|
|
|
|
|
|
|
( exists $params{'interval_adj_max'} |
127
|
|
|
|
|
|
|
and defined $params{'interval_adj_max'} ) |
128
|
|
|
|
|
|
|
? $params{'interval_adj_max'} |
129
|
|
|
|
|
|
|
: 19; |
130
|
|
|
|
|
|
|
|
131
|
1
|
50
|
|
|
|
3
|
if ( exists $params{'octave_count'} ) { |
132
|
0
|
0
|
|
|
|
0
|
$params{'octave_count'} = 2 if $params{'octave_count'} < 2; |
133
|
|
|
|
|
|
|
} else { |
134
|
1
|
|
|
|
|
5
|
$params{'octave_count'} = 2; |
135
|
|
|
|
|
|
|
} |
136
|
|
|
|
|
|
|
|
137
|
1
|
50
|
33
|
|
|
7
|
if ( exists $params{'pitch_max'} and $params{'pitch_max'} < 1 ) { |
138
|
1
|
|
|
|
|
10
|
$params{'pitch_max'} = |
139
|
|
|
|
|
|
|
( $params{'octave_count'} + 1 ) * $self->{_DEG_IN_SCALE} + |
140
|
|
|
|
|
|
|
$params{'pitch_max'}; |
141
|
|
|
|
|
|
|
} |
142
|
|
|
|
|
|
|
|
143
|
1
|
50
|
|
|
|
4
|
if ( exists $params{'voice_count'} ) { |
144
|
1
|
50
|
|
|
|
4
|
if ( @$pitch_set > $params{'voice_count'} ) { |
145
|
0
|
|
|
|
|
0
|
die |
146
|
|
|
|
|
|
|
"case where pitches in chord exceeds allowed voices not implemented"; |
147
|
|
|
|
|
|
|
} |
148
|
|
|
|
|
|
|
} else { |
149
|
0
|
|
|
|
|
0
|
$params{'voice_count'} = @$pitch_set; |
150
|
|
|
|
|
|
|
} |
151
|
|
|
|
|
|
|
|
152
|
1
|
|
|
|
|
7
|
@ps = sort { $a <=> $b } @$pitch_set; |
|
3
|
|
|
|
|
10
|
|
153
|
|
|
|
|
|
|
|
154
|
1
|
|
|
|
|
3
|
$min_pitch_norm = $ps[0] % $self->{_DEG_IN_SCALE}; |
155
|
1
|
|
|
|
|
4
|
$next_register = |
156
|
|
|
|
|
|
|
$ps[-1] + ( $self->{_DEG_IN_SCALE} - $ps[-1] % $self->{_DEG_IN_SCALE} ); |
157
|
|
|
|
|
|
|
{ |
158
|
1
|
|
|
|
|
1
|
my %seen_pitch; |
|
1
|
|
|
|
|
2
|
|
159
|
1
|
|
|
|
|
2
|
@seen_pitch{ map { $_ % $self->{_DEG_IN_SCALE} } @ps } = (); |
|
3
|
|
|
|
|
10
|
|
160
|
1
|
|
|
|
|
5
|
$unique_pitch_count = keys %seen_pitch; |
161
|
|
|
|
|
|
|
} |
162
|
|
|
|
|
|
|
|
163
|
1
|
50
|
|
|
|
5
|
if ( $params{'voice_count'} > @ps ) { |
164
|
1
|
|
|
|
|
3
|
my $doubled_count = $params{'voice_count'} - @ps; |
165
|
1
|
50
|
|
|
|
4
|
die "multiple extra voices not implemented" if $doubled_count > 1; |
166
|
|
|
|
|
|
|
|
167
|
|
|
|
|
|
|
# Double lowest pitch in octave above highest pitch C E G -> C E G C |
168
|
1
|
|
|
|
|
2
|
push @ps, $next_register + $ps[0]; |
169
|
|
|
|
|
|
|
} |
170
|
|
|
|
|
|
|
|
171
|
1
|
|
|
|
|
4
|
@potentials = @ps; |
172
|
1
|
|
|
|
|
4
|
for my $i ( 1 .. $params{'octave_count'} ) { |
173
|
2
|
|
|
|
|
4
|
for my $n (@ps) { |
174
|
8
|
|
|
|
|
14
|
my $p = $n + $i * $self->{_DEG_IN_SCALE}; |
175
|
8
|
100
|
66
|
|
|
41
|
push @potentials, $p |
176
|
|
|
|
|
|
|
unless exists $params{'pitch_max'} and $p > $params{'pitch_max'}; |
177
|
|
|
|
|
|
|
} |
178
|
|
|
|
|
|
|
} |
179
|
1
|
|
|
|
|
3
|
my %uniq_pots; |
180
|
1
|
|
|
|
|
9
|
@uniq_pots{@potentials} = (); |
181
|
1
|
|
|
|
|
6
|
@potentials = sort { $a <=> $b } keys %uniq_pots; |
|
20
|
|
|
|
|
28
|
|
182
|
|
|
|
|
|
|
|
183
|
1
|
|
|
|
|
6
|
for my $i ( 0 .. $params{'voice_count'} - 1 ) { |
184
|
4
|
|
|
|
|
6
|
$voice_iters[$i] = $i; |
185
|
4
|
|
|
|
|
11
|
$voice_max[$i] = $#potentials - $params{'voice_count'} + $i + 1; |
186
|
|
|
|
|
|
|
} |
187
|
1
|
50
|
33
|
|
|
21
|
if ( exists $params{'root_lock'} and $params{'root_lock'} ) { |
188
|
0
|
|
|
|
|
0
|
$voice_max[0] = $voice_iters[0]; |
189
|
|
|
|
|
|
|
} |
190
|
|
|
|
|
|
|
|
191
|
1
|
|
|
|
|
6
|
while ( $voice_iters[0] <= $voice_max[0] ) { |
192
|
27
|
|
|
|
|
53
|
TOPV: while ( $voice_iters[-1] <= $voice_max[-1] ) { |
193
|
66
|
|
|
|
|
198
|
my @chord = @potentials[@voice_iters]; |
194
|
66
|
|
|
|
|
104
|
$voice_iters[-1]++; |
195
|
|
|
|
|
|
|
|
196
|
66
|
|
|
|
|
65
|
my %harmeq; |
197
|
66
|
|
|
|
|
89
|
for my $p (@chord) { |
198
|
264
|
|
|
|
|
681
|
$harmeq{ $p % $self->{_DEG_IN_SCALE} }++; |
199
|
|
|
|
|
|
|
} |
200
|
66
|
50
|
33
|
|
|
227
|
unless ( exists $params{'no_limit_uniq'} and $params{'no_limit_uniq'} ) |
201
|
|
|
|
|
|
|
{ |
202
|
66
|
100
|
|
|
|
253
|
next if keys %harmeq < $unique_pitch_count; |
203
|
|
|
|
|
|
|
} |
204
|
44
|
50
|
33
|
|
|
109
|
unless ( exists $params{'no_limit_doublings'} |
205
|
|
|
|
|
|
|
and $params{'no_limit_doublings'} ) { |
206
|
44
|
|
|
|
|
87
|
for my $k ( grep { $_ != $min_pitch_norm } keys %harmeq ) { |
|
132
|
|
|
|
|
357
|
|
207
|
76
|
100
|
|
|
|
272
|
next TOPV if $harmeq{$k} > 1; |
208
|
|
|
|
|
|
|
} |
209
|
|
|
|
|
|
|
} |
210
|
|
|
|
|
|
|
|
211
|
22
|
|
|
|
|
35
|
my ( @intervals, %intv_by_idx ); |
212
|
22
|
|
|
|
|
43
|
for my $j ( 1 .. $#chord ) { |
213
|
63
|
|
|
|
|
95
|
push @intervals, $chord[$j] - $chord[ $j - 1 ]; |
214
|
63
|
100
|
|
|
|
138
|
next TOPV if $intervals[-1] > $params{'interval_adj_max'}; |
215
|
|
|
|
|
|
|
|
216
|
61
|
50
|
|
|
|
203
|
$intv_by_idx{ $j - 1 } = $intervals[-1] if @chord > 2; |
217
|
|
|
|
|
|
|
} |
218
|
|
|
|
|
|
|
# TODO these routines have not been tested against chords with 5+ |
219
|
|
|
|
|
|
|
# voices, so may allow pitch sets that violate the spirit of the |
220
|
|
|
|
|
|
|
# following (3rds in the middle of otherwise open voicings would |
221
|
|
|
|
|
|
|
# be what I would expect to see pass in 5+ voice chords). |
222
|
20
|
50
|
33
|
|
|
309
|
if ( @chord > 2 |
|
|
|
33
|
|
|
|
|
223
|
|
|
|
|
|
|
and exists $params{'no_partial_closed'} |
224
|
|
|
|
|
|
|
and $params{'no_partial_closed'} ) { |
225
|
|
|
|
|
|
|
# Exclude 3rds near fundamental where next voice 5th+ out |
226
|
20
|
100
|
100
|
|
|
98
|
if ( $intervals[0] < 5 and $intervals[1] > 6 ) { |
227
|
4
|
|
|
|
|
20
|
next TOPV; |
228
|
|
|
|
|
|
|
} |
229
|
|
|
|
|
|
|
# Exclude 3rds at top where next lower voice 5th+ out |
230
|
16
|
100
|
100
|
|
|
55
|
if ( $intervals[-1] < 5 and $intervals[-2] > 6 ) { |
231
|
2
|
|
|
|
|
11
|
next TOPV; |
232
|
|
|
|
|
|
|
} |
233
|
|
|
|
|
|
|
|
234
|
|
|
|
|
|
|
# Exclude cases where highest voice has wandered off by a larger |
235
|
|
|
|
|
|
|
# interval than seen below. |
236
|
38
|
|
|
|
|
81
|
my @ordered_intv = |
237
|
14
|
|
|
|
|
80
|
sort { $intv_by_idx{$b} <=> $intv_by_idx{$a} } keys %intv_by_idx; |
238
|
14
|
100
|
100
|
|
|
109
|
if ( $ordered_intv[0] > $ordered_intv[-1] |
239
|
9
|
|
|
9
|
|
50
|
and all { $intv_by_idx{ $ordered_intv[0] } > 1 + $intv_by_idx{$_} } |
240
|
|
|
|
|
|
|
@ordered_intv[ 1 .. $#ordered_intv ] ) { |
241
|
3
|
|
|
|
|
25
|
next TOPV; |
242
|
|
|
|
|
|
|
} |
243
|
|
|
|
|
|
|
} |
244
|
|
|
|
|
|
|
|
245
|
|
|
|
|
|
|
# Nix any identical chord voicings (c e g == c' e' g') |
246
|
11
|
50
|
33
|
|
|
61
|
unless ( exists $params{'allow_transpositions'} |
247
|
|
|
|
|
|
|
and $params{'allow_transpositions'} ) { |
248
|
0
|
0
|
|
|
|
0
|
next TOPV if $seen_intervals{"@intervals"}++; |
249
|
|
|
|
|
|
|
} |
250
|
|
|
|
|
|
|
|
251
|
11
|
|
|
|
|
53
|
push @revoicings, \@chord; |
252
|
|
|
|
|
|
|
} |
253
|
|
|
|
|
|
|
|
254
|
|
|
|
|
|
|
# Increment any lower voices if top voice(s) maxed out |
255
|
27
|
|
|
|
|
56
|
for my $i ( reverse 1 .. $#voice_iters ) { |
256
|
81
|
100
|
|
|
|
243
|
if ( $voice_iters[$i] > $voice_max[$i] ) { |
257
|
38
|
|
|
|
|
70
|
$voice_iters[ $i - 1 ]++; |
258
|
|
|
|
|
|
|
} |
259
|
|
|
|
|
|
|
} |
260
|
|
|
|
|
|
|
|
261
|
27
|
50
|
33
|
|
|
222
|
unless ( exists $params{'root_any'} and $params{'root_any'} ) { |
262
|
27
|
|
|
|
|
74
|
while ( $potentials[ $voice_iters[0] ] % $self->{_DEG_IN_SCALE} != |
263
|
|
|
|
|
|
|
$min_pitch_norm ) { |
264
|
4
|
|
|
|
|
7
|
$voice_iters[0]++; |
265
|
4
|
100
|
|
|
|
615
|
last if $voice_iters[0] > $voice_max[0]; |
266
|
|
|
|
|
|
|
} |
267
|
|
|
|
|
|
|
} |
268
|
|
|
|
|
|
|
|
269
|
|
|
|
|
|
|
# Reset higher voices to close positions above lower voices |
270
|
27
|
|
|
|
|
65
|
for my $i ( 1 .. $#voice_iters ) { |
271
|
81
|
100
|
|
|
|
161
|
if ( $voice_iters[$i] > $voice_max[$i] ) { |
272
|
38
|
|
|
|
|
129
|
$voice_iters[$i] = $voice_iters[ $i - 1 ] + 1; |
273
|
|
|
|
|
|
|
} |
274
|
|
|
|
|
|
|
} |
275
|
|
|
|
|
|
|
} |
276
|
|
|
|
|
|
|
|
277
|
1
|
|
|
|
|
9
|
return \@revoicings; |
278
|
|
|
|
|
|
|
} |
279
|
|
|
|
|
|
|
|
280
|
|
|
|
|
|
|
# Change a pitch set collection (vertical) into voices (horizontal) |
281
|
|
|
|
|
|
|
sub chords2voices { |
282
|
2
|
|
|
2
|
1
|
1271
|
my ( $self, $pitch_sets ) = @_; |
283
|
2
|
50
|
|
|
|
9
|
croak 'not a list of pitch sets' unless ref $pitch_sets->[0] eq 'ARRAY'; |
284
|
|
|
|
|
|
|
|
285
|
|
|
|
|
|
|
# Nothing to swap, change nothing |
286
|
2
|
100
|
|
|
|
11
|
return $pitch_sets if @$pitch_sets < 2; |
287
|
|
|
|
|
|
|
|
288
|
1
|
|
|
|
|
2
|
my @voices; |
289
|
1
|
|
|
|
|
3
|
for my $vi ( 0 .. $#{ $pitch_sets->[0] } ) { |
|
1
|
|
|
|
|
4
|
|
290
|
3
|
|
|
|
|
6
|
for my $j ( 0 .. $#$pitch_sets ) { |
291
|
6
|
|
|
|
|
8
|
push @{ $voices[$vi] }, $pitch_sets->[$j][$vi]; |
|
6
|
|
|
|
|
17
|
|
292
|
|
|
|
|
|
|
} |
293
|
|
|
|
|
|
|
} |
294
|
|
|
|
|
|
|
|
295
|
1
|
|
|
|
|
10
|
return [ reverse @voices ]; |
296
|
|
|
|
|
|
|
} |
297
|
|
|
|
|
|
|
|
298
|
|
|
|
|
|
|
sub scale_degrees { |
299
|
4
|
|
|
4
|
1
|
466
|
my ( $self, $dis ) = @_; |
300
|
4
|
100
|
|
|
|
11
|
if ( defined $dis ) { |
301
|
1
|
50
|
33
|
|
|
17
|
croak 'scale degrees value must be positive integer greater than 1' |
|
|
|
33
|
|
|
|
|
302
|
|
|
|
|
|
|
if !defined $dis |
303
|
|
|
|
|
|
|
or $dis !~ /^\d+$/ |
304
|
|
|
|
|
|
|
or $dis < 2; |
305
|
1
|
|
|
|
|
4
|
$self->{_DEG_IN_SCALE} = $dis; |
306
|
|
|
|
|
|
|
} |
307
|
4
|
|
|
|
|
23
|
return $self->{_DEG_IN_SCALE}; |
308
|
|
|
|
|
|
|
} |
309
|
|
|
|
|
|
|
|
310
|
|
|
|
|
|
|
1; |
311
|
|
|
|
|
|
|
__END__ |