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# Time-stamp: "2010-12-23 09:59:44 conklin" |
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require 5.004; # I need BER working right, among other things. |
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package MIDI::Event; |
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use strict; |
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use vars qw($Debug $VERSION @MIDI_events @Text_events @Nontext_meta_events |
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@Meta_events @All_events |
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); |
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use Carp; |
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$Debug = 0; |
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$VERSION = '0.83'; |
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#First 100 or so lines of this module are straightforward. The actual |
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# encoding logic below that is scary, tho. |
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=head1 NAME |
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MIDI::Event - MIDI events |
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=head1 SYNOPSIS |
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# Dump a MIDI file's text events |
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die "No filename" unless @ARGV; |
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use MIDI; # which "use"s MIDI::Event; |
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MIDI::Opus->new( { |
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"from_file" => $ARGV[0], |
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"exclusive_event_callback" => sub{print "$_[2]\n"}, |
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"include" => \@MIDI::Event::Text_events |
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} ); # These options percolate down to MIDI::Event::decode |
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exit; |
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=head1 DESCRIPTION |
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Functions and lists to do with MIDI events and MIDI event structures. |
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An event is a list, like: |
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( 'note_on', 141, 4, 50, 64 ) |
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where the first element is the event name, the second is the |
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delta-time, and the remainder are further parameters, per the |
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event-format specifications below. |
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An I is a list of references to such events -- a |
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"LoL". If you don't know how to deal with LoLs, you I read |
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L. |
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=head1 GOODIES |
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52
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For your use in code (as in the code in the Synopsis), this module |
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provides a few lists: |
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=over |
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57
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=item @MIDI_events |
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59
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a list of all "MIDI events" AKA voice events -- e.g., 'note_on' |
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=item @Text_events |
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63
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a list of all text meta-events -- e.g., 'track_name' |
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65
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=item @Nontext_meta_events |
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67
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all other meta-events (plus 'raw_data' and F-series events like |
68
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'tune_request'). |
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70
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=item @Meta_events |
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72
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the combination of Text_events and Nontext_meta_events. |
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74
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=item @All_events |
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76
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the combination of all the above lists. |
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78
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=back |
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80
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=cut |
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82
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########################################################################### |
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# Some public-access lists: |
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85
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@MIDI_events = qw( |
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note_off note_on key_after_touch control_change patch_change |
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channel_after_touch pitch_wheel_change set_sequence_number |
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); |
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@Text_events = qw( |
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text_event copyright_text_event track_name instrument_name lyric |
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marker cue_point text_event_08 text_event_09 text_event_0a |
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text_event_0b text_event_0c text_event_0d text_event_0e text_event_0f |
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); |
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@Nontext_meta_events = qw( |
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end_track set_tempo smpte_offset time_signature key_signature |
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sequencer_specific raw_meta_event sysex_f0 sysex_f7 song_position |
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song_select tune_request raw_data |
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); |
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# Actually, 'tune_request', for one, is is F-series event, not a |
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# strictly-speaking meta-event |
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@Meta_events = (@Text_events, @Nontext_meta_events); |
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@All_events = (@MIDI_events, @Meta_events); |
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104
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=head1 FUNCTIONS |
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106
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This module provides three functions of interest, which all act upon |
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event structures. As an end user, you probably don't need to use any |
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of these directly, but note that options you specify for |
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MIDI::Opus->new with a from_file or from_handle options will percolate |
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down to these functions; so you should understand the options for the |
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first two of the below functions. (The casual user should merely skim |
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this section.) |
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114
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=over |
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116
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=item MIDI::Event::decode( \$data, { ...options... } ) |
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118
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This takes a I to binary MIDI data and decodes it into a |
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new event structure (a LoL), a I to which is returned. |
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Options are: |
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122
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=over 16 |
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124
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=item 'include' => LISTREF |
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126
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I, listref is interpreted as a reference to a list of |
127
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event names (e.g., 'cue_point' or 'note_off') such that only these |
128
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events will be parsed from the binary data provided. Events whose |
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names are NOT in this list will be ignored -- i.e., they won't end up |
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in the event structure, and they won't be each passed to any callbacks |
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you may have specified. |
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133
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=item 'exclude' => LISTREF |
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135
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I, listref is interpreted as a reference to a list of |
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event names (e.g., 'cue_point' or 'note_off') that will NOT be parsed |
137
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from the binary stream; they'll be ignored -- i.e., they won't end up |
138
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in the event structure, and they won't be passed to any callbacks you |
139
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may have specified. Don't specify both an include and an exclude |
140
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list. And if you specify I, all events will be decoded -- |
141
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this is what you probably want most of the time. I've created this |
142
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include/exclude functionality mainly so you can scan a file rather |
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efficiently for just a few specific event types, e.g., just text |
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events, or just sysexes. |
145
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146
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=item 'no_eot_magic' => 0 or 1 |
147
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148
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See the description of C<'end_track'>, in "EVENTS", below. |
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150
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=item 'event_callback' => CODEREF |
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152
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If defined, the code referred to (whether as C<\&wanted> or as |
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C) is called on every event after it's been parsed into |
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an event list (and any EOT magic performed), but before it's added to |
155
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the event structure. So if you want to alter the event stream on the |
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way to the event structure (which counts as deep voodoo), define |
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'event_callback' and have it modify its C<@_>. |
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159
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=item 'exclusive_event_callback' => CODEREF |
160
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161
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Just like 'event_callback'; but if you specify this, the callback is |
162
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called I of adding the events to the event structure. (So |
163
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the event structure returned by decode() at the end will always be |
164
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empty.) Good for cases like the text dumper in the Synopsis, above. |
165
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166
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=back |
167
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168
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=item MIDI::Event::encode( \@events, {...options...}) |
169
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170
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This takes a I to an event structure (a LoL) and encodes it |
171
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as binary data, which it returns a I to. Options: |
172
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173
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=over 16 |
174
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175
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=item 'unknown_callback' => CODEREF |
176
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177
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If this is specified, it's interpreted as a reference to a subroutine |
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to be called when an unknown event name (say, 'macro_10' or |
179
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something), is seen by encode(). The function is fed all of the event |
180
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(its name, delta-time, and whatever parameters); the return value of |
181
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this function is added to the encoded data stream -- so if you don't |
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want to add anything, be sure to return ''. |
183
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184
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If no 'unknown_callback' is specified, encode() will C (well, |
185
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C) of the unknown event. To merely block that, just set |
186
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'unknown_callback' to C |
187
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188
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=item 'no_eot_magic' => 0 or 1 |
189
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190
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Determines whether a track-final 0-length text event is encoded as |
191
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a end-track event -- since a track-final 0-length text event probably |
192
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started life as an end-track event read in by decode(), above. |
193
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194
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=item 'never_add_eot' => 0 or 1 |
195
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196
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If 1, C never ever I an end-track (EOT) event to the |
197
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encoded data generated unless it's I there as an |
198
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'end_track' in the given event structure. You probably don't ever |
199
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need this unless you're encoding for I writing to a MIDI |
200
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port, instead of to a file. |
201
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202
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=item 'no_running_status' => 0 or 1 |
203
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204
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If 1, disables MIDI's "running status" compression. Probably never |
205
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necessary unless you need to feed your MIDI data to a strange old |
206
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sequencer that doesn't understand running status. |
207
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208
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=back |
209
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210
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Note: If you're encoding just a single event at a time or less than a |
211
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whole trackful in any case, then you probably want something like: |
212
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213
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$data_r = MIDI::Event::encode( |
214
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[ |
215
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[ 'note_on', 141, 4, 50, 64 ] |
216
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], |
217
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{ 'never_add_eot' => 1} ); |
218
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219
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which just encodes that one event I an event structure of one |
220
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event -- i.e., an LoL that's just a list of one list. |
221
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222
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But note that running status will not always apply when you're |
223
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encoding less than a whole trackful at a time, since running status |
224
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works only within a LoL encoded all at once. This'll result in |
225
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non-optimally compressed, but still effective, encoding. |
226
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227
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=item MIDI::Event::copy_structure() |
228
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229
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This takes a I to an event structure, and returns a |
230
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I to a copy of it. If you're thinking about using this, you |
231
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probably should want to use the more straightforward |
232
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233
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$track2 = $track->copy |
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235
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instead. But it's here if you happen to need it. |
236
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237
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=back |
238
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239
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=cut |
240
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241
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########################################################################### |
242
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sub dump { |
243
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0
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0
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0
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0
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0
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my @event = ref($_[0]) ? @{ $_[0] } : @_; |
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0
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0
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244
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# Works as a method (in theory) or as a normal call |
245
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0
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0
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print( " [", &MIDI::_dump_quote(@event), "],\n" ); |
246
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} |
247
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248
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sub copy_structure { |
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# Takes a REFERENCE to an event structure (a ref to a LoL), |
250
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# and returns a REFERENCE to a copy of that structure. |
251
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0
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1
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0
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my $events_r = $_[0]; |
252
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0
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croak |
253
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"\$_[0] ($events_r) isn't a reference for MIDI::Event::copy_structure()!!" |
254
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unless ref($events_r); |
255
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0
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0
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return [ map( [@$_], @$events_r ) ]; |
256
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} |
257
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258
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########################################################################### |
259
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# The module code below this line is full of frightening things, all to do |
260
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# with the actual encoding and decoding of binary MIDI data. |
261
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########################################################################### |
262
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263
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sub read_14_bit { |
264
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# Decodes to a value 0 to 16383, as is used for some event encoding |
265
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0
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0
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0
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0
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my($b1, $b2) = unpack("C2", $_[0]); |
266
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0
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0
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return ($b1 | ($b2 << 7)); |
267
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} |
268
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269
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sub write_14_bit { |
270
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# encode a 14 bit quantity, as needed for some events |
271
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return |
272
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0
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0
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0
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0
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pack("C2", |
273
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($_[0] & 0x7F), # lower 7 bits |
274
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(($_[0] >> 7) & 0x7F), # upper 7 bits |
275
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); |
276
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} |
277
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278
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########################################################################### |
279
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# |
280
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# One definite assumption is made here: that "variable-length-encoded" |
281
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# quantities MUST NOT exceed 0xFFFFFFF (encoded, "\xFF\xFF\xFF\x7F") |
282
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# -- i.e., must not take more than 4 bytes to encode. |
283
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# |
284
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### |
285
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286
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sub decode { # decode track data into an event structure |
287
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# Calling format: a REFERENCE to a big chunka MTrk track data. |
288
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# Returns an (unblessed) REFERENCE to an event structure (a LoL) |
289
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# Note that this is a function call, not a constructor method call. |
290
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291
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# Why a references and not the things themselves? For efficiency's sake. |
292
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293
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15
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15
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1
|
30
|
my $data_r = $_[0]; |
294
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15
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50
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65
|
my $options_r = ref($_[1]) eq 'HASH' ? $_[1] : {}; |
295
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15
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32
|
my @events = (); |
296
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15
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50
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49
|
unless(ref($data_r) eq 'SCALAR') { |
297
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0
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0
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carp "\$_[0] is not a data reference, in MIDI::Event::decode!"; |
298
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0
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0
|
return []; |
299
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} |
300
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301
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15
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35
|
my %exclude = (); |
302
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15
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50
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62
|
if(defined($options_r->{ 'exclude' })) { |
303
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0
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0
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0
|
if( ref($options_r->{'exclude'}) eq 'ARRAY' ) { |
304
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@exclude{ |
305
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0
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0
|
@{ $options_r->{'exclude'} } |
|
0
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0
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306
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} = undef; |
307
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} else { |
308
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0
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0
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0
|
croak |
309
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|
"parameter for MIDI::Event::decode option 'exclude' must be a listref!" |
310
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|
|
if $options_r->{'exclude'}; |
311
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# If it's false, carry on silently |
312
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} |
313
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|
} else { |
314
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# If we get an include (and no exclude), make %exclude a list |
315
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|
# of all possible events, /minus/ what include specifies |
316
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15
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50
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|
55
|
if(defined($options_r->{ 'include' })) { |
317
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0
|
0
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0
|
if( ref($options_r->{'include'}) eq 'ARRAY' ) { |
318
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0
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0
|
@exclude{ @All_events } = undef; # rack 'em |
319
|
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|
|
delete @exclude{ # and break 'em |
320
|
0
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|
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|
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0
|
@{ $options_r->{'include'} } |
|
0
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0
|
|
321
|
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|
|
}; |
322
|
|
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|
|
} else { |
323
|
0
|
0
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0
|
croak |
324
|
|
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|
|
"parameter for decode option 'include' must be a listref!" |
325
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|
|
if $options_r->{'include'}; |
326
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|
|
# If it's false, carry on silently |
327
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|
|
} |
328
|
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|
|
} |
329
|
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|
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|
|
} |
330
|
15
|
50
|
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|
39
|
print "Exclusions: ", join(' ', map("<$_>", sort keys %exclude)), "\n" |
331
|
|
|
|
|
|
|
if $Debug; |
332
|
|
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|
333
|
15
|
|
|
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|
31
|
my $event_callback = undef; |
334
|
15
|
50
|
|
|
|
45
|
if(defined($options_r->{ 'event_callback' })) { |
335
|
0
|
0
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|
|
|
0
|
if( ref($options_r->{'event_callback'}) eq 'CODE' ) { |
336
|
0
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|
0
|
$event_callback = $options_r->{'event_callback'}; |
337
|
|
|
|
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|
|
} else { |
338
|
0
|
|
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0
|
carp "parameter for decode option 'event_callback' is not a coderef!\n"; |
339
|
|
|
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|
|
|
} |
340
|
|
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|
|
|
} |
341
|
15
|
|
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|
|
21
|
my $exclusive_event_callback = undef; |
342
|
15
|
50
|
|
|
|
44
|
if(defined($options_r->{ 'exclusive_event_callback' })) { |
343
|
0
|
0
|
|
|
|
0
|
if( ref($options_r->{'exclusive_event_callback'}) eq 'CODE' ) { |
344
|
0
|
|
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|
|
0
|
$exclusive_event_callback = $options_r->{'exclusive_event_callback'}; |
345
|
|
|
|
|
|
|
} else { |
346
|
0
|
|
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|
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0
|
carp "parameter for decode option 'exclusive_event_callback' is not a coderef!\n"; |
347
|
|
|
|
|
|
|
} |
348
|
|
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|
|
} |
349
|
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|
|
350
|
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|
351
|
15
|
|
|
|
|
29
|
my $Pointer = 0; # points to where I am in the data |
352
|
|
|
|
|
|
|
###################################################################### |
353
|
15
|
50
|
|
|
|
32
|
if($Debug) { |
354
|
0
|
0
|
|
|
|
0
|
if($Debug == 1) { |
355
|
0
|
|
|
|
|
0
|
print "Track data of ", length($$data_r), " bytes.\n"; |
356
|
|
|
|
|
|
|
} else { |
357
|
0
|
|
|
|
|
0
|
print "Track data of ", length($$data_r), " bytes: <", $$data_r ,">\n"; |
358
|
|
|
|
|
|
|
} |
359
|
|
|
|
|
|
|
} |
360
|
|
|
|
|
|
|
|
361
|
|
|
|
|
|
|
=head1 EVENTS AND THEIR DATA TYPES |
362
|
|
|
|
|
|
|
|
363
|
|
|
|
|
|
|
=head2 DATA TYPES |
364
|
|
|
|
|
|
|
|
365
|
|
|
|
|
|
|
Events use these data types: |
366
|
|
|
|
|
|
|
|
367
|
|
|
|
|
|
|
=over |
368
|
|
|
|
|
|
|
|
369
|
|
|
|
|
|
|
=item channel = a value 0 to 15 |
370
|
|
|
|
|
|
|
|
371
|
|
|
|
|
|
|
=item note = a value 0 to 127 |
372
|
|
|
|
|
|
|
|
373
|
|
|
|
|
|
|
=item dtime = a value 0 to 268,435,455 (0x0FFFFFFF) |
374
|
|
|
|
|
|
|
|
375
|
|
|
|
|
|
|
=item velocity = a value 0 to 127 |
376
|
|
|
|
|
|
|
|
377
|
|
|
|
|
|
|
=item channel = a value 0 to 15 |
378
|
|
|
|
|
|
|
|
379
|
|
|
|
|
|
|
=item patch = a value 0 to 127 |
380
|
|
|
|
|
|
|
|
381
|
|
|
|
|
|
|
=item sequence = a value 0 to 65,535 (0xFFFF) |
382
|
|
|
|
|
|
|
|
383
|
|
|
|
|
|
|
=item text = a string of 0 or more bytes of of ASCII text |
384
|
|
|
|
|
|
|
|
385
|
|
|
|
|
|
|
=item raw = a string of 0 or more bytes of binary data |
386
|
|
|
|
|
|
|
|
387
|
|
|
|
|
|
|
=item pitch_wheel = a value -8192 to 8191 (0x1FFF) |
388
|
|
|
|
|
|
|
|
389
|
|
|
|
|
|
|
=item song_pos = a value 0 to 16,383 (0x3FFF) |
390
|
|
|
|
|
|
|
|
391
|
|
|
|
|
|
|
=item song_number = a value 0 to 127 |
392
|
|
|
|
|
|
|
|
393
|
|
|
|
|
|
|
=item tempo = microseconds, a value 0 to 16,777,215 (0x00FFFFFF) |
394
|
|
|
|
|
|
|
|
395
|
|
|
|
|
|
|
=back |
396
|
|
|
|
|
|
|
|
397
|
|
|
|
|
|
|
For data types not defined above, (e.g., I and I for |
398
|
|
|
|
|
|
|
C<'key_signature'>), consult L and/or the source for |
399
|
|
|
|
|
|
|
C. And if you don't see it documented, it's probably |
400
|
|
|
|
|
|
|
because I don't understand it, so you'll have to consult a real MIDI |
401
|
|
|
|
|
|
|
reference. |
402
|
|
|
|
|
|
|
|
403
|
|
|
|
|
|
|
=head2 EVENTS |
404
|
|
|
|
|
|
|
|
405
|
|
|
|
|
|
|
And these are the events: |
406
|
|
|
|
|
|
|
|
407
|
|
|
|
|
|
|
=over |
408
|
|
|
|
|
|
|
|
409
|
|
|
|
|
|
|
=cut |
410
|
|
|
|
|
|
|
# Things I use variously, below. They're here just for efficiency's sake, |
411
|
|
|
|
|
|
|
# to avoid remying on each iteration. |
412
|
15
|
|
|
|
|
23
|
my($command, $channel, $parameter, $length, $time, $remainder); |
413
|
|
|
|
|
|
|
|
414
|
15
|
|
|
|
|
266
|
my $event_code = -1; # used for running status |
415
|
|
|
|
|
|
|
|
416
|
15
|
|
|
|
|
27
|
my $event_count = 0; |
417
|
|
|
|
|
|
|
Event: # Analyze the event stream. |
418
|
15
|
|
|
|
|
56
|
while($Pointer + 1 < length($$data_r)) { |
419
|
|
|
|
|
|
|
# loop while there's anything to analyze ... |
420
|
1758
|
|
|
|
|
1824
|
my $eot = 0; # When 1, the event registrar aborts this loop |
421
|
1758
|
|
|
|
|
1719
|
++$event_count; |
422
|
|
|
|
|
|
|
|
423
|
1758
|
|
|
|
|
2102
|
my @E = (); |
424
|
|
|
|
|
|
|
# E for events -- this is what we'll feed to the event registrar |
425
|
|
|
|
|
|
|
# way at the end. |
426
|
|
|
|
|
|
|
|
427
|
|
|
|
|
|
|
# Slice off the delta time code, and analyze it |
428
|
|
|
|
|
|
|
#!# print "Chew-code <", substr($$data_r,$Pointer,4), ">\n"; |
429
|
1758
|
|
|
|
|
5249
|
($time, $remainder) = unpack("wa*", substr($$data_r,$Pointer,4)); |
430
|
|
|
|
|
|
|
#!# print "Delta-time $time using ", 4 - length($remainder), " bytes\n" |
431
|
|
|
|
|
|
|
#!# if $Debug > 1; |
432
|
1758
|
|
|
|
|
2653
|
$Pointer += 4 - length($remainder); |
433
|
|
|
|
|
|
|
# We do this strangeness with remainders because we don't know |
434
|
|
|
|
|
|
|
# how many bytes the w-decoding should move the pointer ahead. |
435
|
|
|
|
|
|
|
|
436
|
|
|
|
|
|
|
# Now let's see what we can make of the command |
437
|
1758
|
|
|
|
|
3154
|
my $first_byte = ord(substr($$data_r, $Pointer, 1)); |
438
|
|
|
|
|
|
|
# Whatever parses $first_byte is responsible for moving $Pointer |
439
|
|
|
|
|
|
|
# forward. |
440
|
|
|
|
|
|
|
#!#print "Event \# $event_count: $first_byte at track-offset $Pointer\n" |
441
|
|
|
|
|
|
|
#!# if $Debug > 1; |
442
|
|
|
|
|
|
|
|
443
|
|
|
|
|
|
|
###################################################################### |
444
|
1758
|
100
|
0
|
|
|
2697
|
if ($first_byte < 0xF0) { # It's a MIDI event ######################## |
|
|
50
|
|
|
|
|
|
|
|
0
|
|
|
|
|
|
|
|
0
|
|
|
|
|
|
|
|
0
|
|
|
|
|
|
|
|
0
|
|
|
|
|
|
|
|
0
|
|
|
|
|
|
445
|
1679
|
100
|
|
|
|
2394
|
if($first_byte >= 0x80) { |
446
|
927
|
50
|
|
|
|
1722
|
print "Explicit event $first_byte" if $Debug > 2; |
447
|
927
|
|
|
|
|
985
|
++$Pointer; # It's an explicit event. |
448
|
927
|
|
|
|
|
1242
|
$event_code = $first_byte; |
449
|
|
|
|
|
|
|
} else { |
450
|
|
|
|
|
|
|
# It's a running status mofo -- just use last $event_code value |
451
|
752
|
50
|
|
|
|
1356
|
if($event_code == -1) { |
452
|
0
|
0
|
|
|
|
0
|
warn "Uninterpretable use of running status; Aborting track." |
453
|
|
|
|
|
|
|
if $Debug; |
454
|
0
|
|
|
|
|
0
|
last Event; |
455
|
|
|
|
|
|
|
} |
456
|
|
|
|
|
|
|
# Let the argument-puller-offer move Pointer. |
457
|
|
|
|
|
|
|
} |
458
|
1679
|
|
|
|
|
1888
|
$command = $event_code & 0xF0; |
459
|
1679
|
|
|
|
|
1712
|
$channel = $event_code & 0x0F; |
460
|
|
|
|
|
|
|
|
461
|
1679
|
100
|
66
|
|
|
5858
|
if ($command == 0xC0 || $command == 0xD0) { |
462
|
|
|
|
|
|
|
# Pull off the 1-byte argument |
463
|
11
|
|
|
|
|
25
|
$parameter = substr($$data_r, $Pointer, 1); |
464
|
11
|
|
|
|
|
15
|
++$Pointer; |
465
|
|
|
|
|
|
|
} else { # pull off the 2-byte argument |
466
|
1668
|
|
|
|
|
2299
|
$parameter = substr($$data_r, $Pointer, 2); |
467
|
1668
|
|
|
|
|
1853
|
$Pointer += 2; |
468
|
|
|
|
|
|
|
} |
469
|
|
|
|
|
|
|
|
470
|
|
|
|
|
|
|
################################################################### |
471
|
|
|
|
|
|
|
# MIDI events |
472
|
|
|
|
|
|
|
|
473
|
|
|
|
|
|
|
=item ('note_off', I, I, I, I) |
474
|
|
|
|
|
|
|
|
475
|
|
|
|
|
|
|
=cut |
476
|
1679
|
100
|
|
|
|
3008
|
if ($command == 0x80) { |
|
|
100
|
|
|
|
|
|
|
|
50
|
|
|
|
|
|
|
|
100
|
|
|
|
|
|
|
|
50
|
|
|
|
|
|
|
|
0
|
|
|
|
|
|
|
|
0
|
|
|
|
|
|
477
|
485
|
50
|
|
|
|
934
|
next if $exclude{'note_off'}; |
478
|
|
|
|
|
|
|
# for sake of efficiency |
479
|
485
|
|
|
|
|
1283
|
@E = ( 'note_off', $time, |
480
|
|
|
|
|
|
|
$channel, unpack('C2', $parameter)); |
481
|
|
|
|
|
|
|
|
482
|
|
|
|
|
|
|
=item ('note_on', I, I, I, I) |
483
|
|
|
|
|
|
|
|
484
|
|
|
|
|
|
|
=cut |
485
|
|
|
|
|
|
|
} elsif ($command == 0x90) { |
486
|
1181
|
50
|
|
|
|
2169
|
next if $exclude{'note_on'}; |
487
|
1181
|
|
|
|
|
2812
|
@E = ( 'note_on', $time, |
488
|
|
|
|
|
|
|
$channel, unpack('C2', $parameter)); |
489
|
|
|
|
|
|
|
|
490
|
|
|
|
|
|
|
=item ('key_after_touch', I, I, I, I) |
491
|
|
|
|
|
|
|
|
492
|
|
|
|
|
|
|
=cut |
493
|
|
|
|
|
|
|
} elsif ($command == 0xA0) { |
494
|
0
|
0
|
|
|
|
0
|
next if $exclude{'key_after_touch'}; |
495
|
0
|
|
|
|
|
0
|
@E = ( 'key_after_touch', $time, |
496
|
|
|
|
|
|
|
$channel, unpack('C2', $parameter)); |
497
|
|
|
|
|
|
|
|
498
|
|
|
|
|
|
|
=item ('control_change', I, I, I, I) |
499
|
|
|
|
|
|
|
|
500
|
|
|
|
|
|
|
=cut |
501
|
|
|
|
|
|
|
} elsif ($command == 0xB0) { |
502
|
2
|
50
|
|
|
|
6
|
next if $exclude{'control_change'}; |
503
|
2
|
|
|
|
|
7
|
@E = ( 'control_change', $time, |
504
|
|
|
|
|
|
|
$channel, unpack('C2', $parameter)); |
505
|
|
|
|
|
|
|
|
506
|
|
|
|
|
|
|
=item ('patch_change', I, I, I) |
507
|
|
|
|
|
|
|
|
508
|
|
|
|
|
|
|
=cut |
509
|
|
|
|
|
|
|
} elsif ($command == 0xC0) { |
510
|
11
|
50
|
|
|
|
95
|
next if $exclude{'patch_change'}; |
511
|
11
|
|
|
|
|
37
|
@E = ( 'patch_change', $time, |
512
|
|
|
|
|
|
|
$channel, unpack('C', $parameter)); |
513
|
|
|
|
|
|
|
|
514
|
|
|
|
|
|
|
=item ('channel_after_touch', I, I, I) |
515
|
|
|
|
|
|
|
|
516
|
|
|
|
|
|
|
=cut |
517
|
|
|
|
|
|
|
} elsif ($command == 0xD0) { |
518
|
0
|
0
|
|
|
|
0
|
next if $exclude{'channel_after_touch'}; |
519
|
0
|
|
|
|
|
0
|
@E = ('channel_after_touch', $time, |
520
|
|
|
|
|
|
|
$channel, unpack('C', $parameter)); |
521
|
|
|
|
|
|
|
|
522
|
|
|
|
|
|
|
=item ('pitch_wheel_change', I, I, I) |
523
|
|
|
|
|
|
|
|
524
|
|
|
|
|
|
|
=cut |
525
|
|
|
|
|
|
|
} elsif ($command == 0xE0) { |
526
|
0
|
0
|
|
|
|
0
|
next if $exclude{'pitch_wheel_change'}; |
527
|
0
|
|
|
|
|
0
|
@E = ('pitch_wheel_change', $time, |
528
|
|
|
|
|
|
|
$channel, &read_14_bit($parameter) - 0x2000); |
529
|
|
|
|
|
|
|
} else { |
530
|
0
|
|
|
|
|
0
|
warn # Should be QUITE impossible! |
531
|
|
|
|
|
|
|
"SPORK ERROR M:E:1 in track-offset $Pointer\n"; |
532
|
|
|
|
|
|
|
} |
533
|
|
|
|
|
|
|
|
534
|
|
|
|
|
|
|
###################################################################### |
535
|
|
|
|
|
|
|
} elsif($first_byte == 0xFF) { # It's a Meta-Event! ################## |
536
|
79
|
|
|
|
|
260
|
($command, $length, $remainder) = |
537
|
|
|
|
|
|
|
unpack("xCwa*", substr($$data_r, $Pointer, 6)); |
538
|
79
|
|
|
|
|
127
|
$Pointer += 6 - length($remainder); |
539
|
|
|
|
|
|
|
# Move past JUST the length-encoded. |
540
|
|
|
|
|
|
|
|
541
|
|
|
|
|
|
|
=item ('set_sequence_number', I, I) |
542
|
|
|
|
|
|
|
|
543
|
|
|
|
|
|
|
=cut |
544
|
79
|
50
|
|
|
|
704
|
if($command == 0x00) { |
|
|
100
|
|
|
|
|
|
|
|
100
|
|
|
|
|
|
|
|
100
|
|
|
|
|
|
|
|
100
|
|
|
|
|
|
|
|
50
|
|
|
|
|
|
|
|
50
|
|
|
|
|
|
|
|
50
|
|
|
|
|
|
|
|
50
|
|
|
|
|
|
|
|
50
|
|
|
|
|
|
|
|
50
|
|
|
|
|
|
|
|
50
|
|
|
|
|
|
|
|
50
|
|
|
|
|
|
|
|
50
|
|
|
|
|
|
|
|
50
|
|
|
|
|
|
|
|
50
|
|
|
|
|
|
|
|
100
|
|
|
|
|
|
|
|
100
|
|
|
|
|
|
|
|
100
|
|
|
|
|
|
|
|
50
|
|
|
|
|
|
|
|
0
|
|
|
|
|
|
|
|
0
|
|
|
|
|
|
545
|
0
|
|
|
|
|
0
|
@E = ('set_sequence_number', |
546
|
|
|
|
|
|
|
$time, |
547
|
|
|
|
|
|
|
unpack('n', |
548
|
|
|
|
|
|
|
substr($$data_r, $Pointer, $length) |
549
|
|
|
|
|
|
|
) |
550
|
|
|
|
|
|
|
); |
551
|
|
|
|
|
|
|
|
552
|
|
|
|
|
|
|
# Defined text events ---------------------------------------------- |
553
|
|
|
|
|
|
|
|
554
|
|
|
|
|
|
|
=item ('text_event', I, I) |
555
|
|
|
|
|
|
|
|
556
|
|
|
|
|
|
|
=item ('copyright_text_event', I, I) |
557
|
|
|
|
|
|
|
|
558
|
|
|
|
|
|
|
=item ('track_name', I, I) |
559
|
|
|
|
|
|
|
|
560
|
|
|
|
|
|
|
=item ('instrument_name', I, I) |
561
|
|
|
|
|
|
|
|
562
|
|
|
|
|
|
|
=item ('lyric', I, I) |
563
|
|
|
|
|
|
|
|
564
|
|
|
|
|
|
|
=item ('marker', I, I) |
565
|
|
|
|
|
|
|
|
566
|
|
|
|
|
|
|
=item ('cue_point', I, I) |
567
|
|
|
|
|
|
|
|
568
|
|
|
|
|
|
|
=item ('text_event_08', I, I) |
569
|
|
|
|
|
|
|
|
570
|
|
|
|
|
|
|
=item ('text_event_09', I, I) |
571
|
|
|
|
|
|
|
|
572
|
|
|
|
|
|
|
=item ('text_event_0a', I, I) |
573
|
|
|
|
|
|
|
|
574
|
|
|
|
|
|
|
=item ('text_event_0b', I, I) |
575
|
|
|
|
|
|
|
|
576
|
|
|
|
|
|
|
=item ('text_event_0c', I, I) |
577
|
|
|
|
|
|
|
|
578
|
|
|
|
|
|
|
=item ('text_event_0d', I, I) |
579
|
|
|
|
|
|
|
|
580
|
|
|
|
|
|
|
=item ('text_event_0e', I, I) |
581
|
|
|
|
|
|
|
|
582
|
|
|
|
|
|
|
=item ('text_event_0f', I, I) |
583
|
|
|
|
|
|
|
|
584
|
|
|
|
|
|
|
=cut |
585
|
|
|
|
|
|
|
} elsif($command == 0x01) { |
586
|
33
|
|
|
|
|
89
|
@E = ('text_event', |
587
|
|
|
|
|
|
|
$time, substr($$data_r, $Pointer, $length)); # DTime, TData |
588
|
|
|
|
|
|
|
} elsif($command == 0x02) { |
589
|
2
|
|
|
|
|
10
|
@E = ('copyright_text_event', |
590
|
|
|
|
|
|
|
$time, substr($$data_r, $Pointer, $length)); # DTime, TData |
591
|
|
|
|
|
|
|
} elsif($command == 0x03) { |
592
|
10
|
|
|
|
|
27
|
@E = ('track_name', |
593
|
|
|
|
|
|
|
$time, substr($$data_r, $Pointer, $length)); # DTime, TData |
594
|
|
|
|
|
|
|
} elsif($command == 0x04) { |
595
|
6
|
|
|
|
|
18
|
@E = ('instrument_name', |
596
|
|
|
|
|
|
|
$time, substr($$data_r, $Pointer, $length)); # DTime, TData |
597
|
|
|
|
|
|
|
} elsif($command == 0x05) { |
598
|
0
|
|
|
|
|
0
|
@E = ('lyric', |
599
|
|
|
|
|
|
|
$time, substr($$data_r, $Pointer, $length)); # DTime, TData |
600
|
|
|
|
|
|
|
} elsif($command == 0x06) { |
601
|
0
|
|
|
|
|
0
|
@E = ('marker', |
602
|
|
|
|
|
|
|
$time, substr($$data_r, $Pointer, $length)); # DTime, TData |
603
|
|
|
|
|
|
|
} elsif($command == 0x07) { |
604
|
0
|
|
|
|
|
0
|
@E = ('cue_point', |
605
|
|
|
|
|
|
|
$time, substr($$data_r, $Pointer, $length)); # DTime, TData |
606
|
|
|
|
|
|
|
|
607
|
|
|
|
|
|
|
# Reserved but apparently unassigned text events -------------------- |
608
|
|
|
|
|
|
|
} elsif($command == 0x08) { |
609
|
0
|
|
|
|
|
0
|
@E = ('text_event_08', |
610
|
|
|
|
|
|
|
$time, substr($$data_r, $Pointer, $length)); # DTime, TData |
611
|
|
|
|
|
|
|
} elsif($command == 0x09) { |
612
|
0
|
|
|
|
|
0
|
@E = ('text_event_09', |
613
|
|
|
|
|
|
|
$time, substr($$data_r, $Pointer, $length)); # DTime, TData |
614
|
|
|
|
|
|
|
} elsif($command == 0x0a) { |
615
|
0
|
|
|
|
|
0
|
@E = ('text_event_0a', |
616
|
|
|
|
|
|
|
$time, substr($$data_r, $Pointer, $length)); # DTime, TData |
617
|
|
|
|
|
|
|
} elsif($command == 0x0b) { |
618
|
0
|
|
|
|
|
0
|
@E = ('text_event_0b', |
619
|
|
|
|
|
|
|
$time, substr($$data_r, $Pointer, $length)); # DTime, TData |
620
|
|
|
|
|
|
|
} elsif($command == 0x0c) { |
621
|
0
|
|
|
|
|
0
|
@E = ('text_event_0c', |
622
|
|
|
|
|
|
|
$time, substr($$data_r, $Pointer, $length)); # DTime, TData |
623
|
|
|
|
|
|
|
} elsif($command == 0x0d) { |
624
|
0
|
|
|
|
|
0
|
@E = ('text_event_0d', |
625
|
|
|
|
|
|
|
$time, substr($$data_r, $Pointer, $length)); # DTime, TData |
626
|
|
|
|
|
|
|
} elsif($command == 0x0e) { |
627
|
0
|
|
|
|
|
0
|
@E = ('text_event_0e', |
628
|
|
|
|
|
|
|
$time, substr($$data_r, $Pointer, $length)); # DTime, TData |
629
|
|
|
|
|
|
|
} elsif($command == 0x0f) { |
630
|
0
|
|
|
|
|
0
|
@E = ('text_event_0f', |
631
|
|
|
|
|
|
|
$time, substr($$data_r, $Pointer, $length)); # DTime, TData |
632
|
|
|
|
|
|
|
|
633
|
|
|
|
|
|
|
# Now the sticky events --------------------------------------------- |
634
|
|
|
|
|
|
|
|
635
|
|
|
|
|
|
|
=item ('end_track', I) |
636
|
|
|
|
|
|
|
|
637
|
|
|
|
|
|
|
=cut |
638
|
|
|
|
|
|
|
} elsif($command == 0x2F) { |
639
|
15
|
|
|
|
|
58
|
@E = ('end_track', $time ); # DTime |
640
|
|
|
|
|
|
|
# The code for handling this oddly comes LATER, in the |
641
|
|
|
|
|
|
|
# event registrar. |
642
|
|
|
|
|
|
|
|
643
|
|
|
|
|
|
|
=item ('set_tempo', I, I) |
644
|
|
|
|
|
|
|
|
645
|
|
|
|
|
|
|
=cut |
646
|
|
|
|
|
|
|
} elsif($command == 0x51) { |
647
|
9
|
|
|
|
|
46
|
@E = ('set_tempo', |
648
|
|
|
|
|
|
|
$time, |
649
|
|
|
|
|
|
|
unpack("N", |
650
|
|
|
|
|
|
|
"\x00" . substr($$data_r, $Pointer, $length) |
651
|
|
|
|
|
|
|
) |
652
|
|
|
|
|
|
|
); # DTime, Microseconds |
653
|
|
|
|
|
|
|
|
654
|
|
|
|
|
|
|
=item ('smpte_offset', I, I , I, I, I, I) |
655
|
|
|
|
|
|
|
|
656
|
|
|
|
|
|
|
=cut |
657
|
|
|
|
|
|
|
} elsif($command == 0x54) { |
658
|
2
|
|
|
|
|
12
|
@E = ('smpte_offset', |
659
|
|
|
|
|
|
|
$time, |
660
|
|
|
|
|
|
|
unpack("C*", # there SHOULD be exactly 5 bytes here |
661
|
|
|
|
|
|
|
substr($$data_r, $Pointer, $length) |
662
|
|
|
|
|
|
|
)); |
663
|
|
|
|
|
|
|
# DTime, HR, MN, SE, FR, FF |
664
|
|
|
|
|
|
|
|
665
|
|
|
|
|
|
|
=item ('time_signature', I, I, I, I, I) |
666
|
|
|
|
|
|
|
|
667
|
|
|
|
|
|
|
=cut |
668
|
|
|
|
|
|
|
} elsif($command == 0x58) { |
669
|
2
|
|
|
|
|
19
|
@E = ('time_signature', |
670
|
|
|
|
|
|
|
$time, |
671
|
|
|
|
|
|
|
unpack("C*", # there SHOULD be exactly 4 bytes here |
672
|
|
|
|
|
|
|
substr($$data_r, $Pointer, $length) |
673
|
|
|
|
|
|
|
)); |
674
|
|
|
|
|
|
|
# DTime, NN, DD, CC, BB |
675
|
|
|
|
|
|
|
|
676
|
|
|
|
|
|
|
=item ('key_signature', I, I, I) |
677
|
|
|
|
|
|
|
|
678
|
|
|
|
|
|
|
=cut |
679
|
|
|
|
|
|
|
} elsif($command == 0x59) { |
680
|
0
|
|
|
|
|
0
|
@E = ('key_signature', |
681
|
|
|
|
|
|
|
$time, |
682
|
|
|
|
|
|
|
unpack("cC", # there SHOULD be exactly 2 bytes here |
683
|
|
|
|
|
|
|
substr($$data_r, $Pointer, $length) |
684
|
|
|
|
|
|
|
)); |
685
|
|
|
|
|
|
|
# DTime, SF(signed), MI |
686
|
|
|
|
|
|
|
|
687
|
|
|
|
|
|
|
=item ('sequencer_specific', I, I) |
688
|
|
|
|
|
|
|
|
689
|
|
|
|
|
|
|
=cut |
690
|
|
|
|
|
|
|
} elsif($command == 0x7F) { |
691
|
0
|
|
|
|
|
0
|
@E = ('sequencer_specific', |
692
|
|
|
|
|
|
|
$time, substr($$data_r, $Pointer, $length)); |
693
|
|
|
|
|
|
|
# DTime, Binary Data |
694
|
|
|
|
|
|
|
|
695
|
|
|
|
|
|
|
=item ('raw_meta_event', I, I(0-255), I) |
696
|
|
|
|
|
|
|
|
697
|
|
|
|
|
|
|
=cut |
698
|
|
|
|
|
|
|
} else { |
699
|
0
|
|
|
|
|
0
|
@E = ('raw_meta_event', |
700
|
|
|
|
|
|
|
$time, |
701
|
|
|
|
|
|
|
$command, |
702
|
|
|
|
|
|
|
substr($$data_r, $Pointer, $length) |
703
|
|
|
|
|
|
|
# "[uninterpretable meta-event $command of length $length]" |
704
|
|
|
|
|
|
|
); |
705
|
|
|
|
|
|
|
# DTime, Command, Binary Data |
706
|
|
|
|
|
|
|
# It's uninterpretable; record it as raw_data. |
707
|
|
|
|
|
|
|
} # End of the meta-event ifcase. |
708
|
|
|
|
|
|
|
|
709
|
79
|
|
|
|
|
106
|
$Pointer += $length; # Now move Pointer |
710
|
|
|
|
|
|
|
|
711
|
|
|
|
|
|
|
###################################################################### |
712
|
|
|
|
|
|
|
} elsif($first_byte == 0xF0 # It's a SYSEX |
713
|
|
|
|
|
|
|
######################### |
714
|
|
|
|
|
|
|
|| $first_byte == 0xF7) { |
715
|
|
|
|
|
|
|
# Note that sysexes in MIDI /files/ are different than sysexes in |
716
|
|
|
|
|
|
|
# MIDI transmissions!! |
717
|
|
|
|
|
|
|
# << The vast majority of system exclusive messages will just use the F0 |
718
|
|
|
|
|
|
|
# format. For instance, the transmitted message F0 43 12 00 07 F7 would |
719
|
|
|
|
|
|
|
# be stored in a MIDI file as F0 05 43 12 00 07 F7. As mentioned above, |
720
|
|
|
|
|
|
|
# it is required to include the F7 at the end so that the reader of the |
721
|
|
|
|
|
|
|
# MIDI file knows that it has read the entire message. >> |
722
|
|
|
|
|
|
|
# (But the F7 is omitted if this is a non-final block in a multiblock |
723
|
|
|
|
|
|
|
# sysex; but the F7 (if there) is counted in the message's declared |
724
|
|
|
|
|
|
|
# length, so we don't have to think about it anyway.) |
725
|
0
|
|
|
|
|
0
|
($command, $length, $remainder) = |
726
|
|
|
|
|
|
|
unpack("Cwa*", substr($$data_r, $Pointer, 5)); |
727
|
0
|
|
|
|
|
0
|
$Pointer += 5 - length($remainder); # Move past just the encoding |
728
|
|
|
|
|
|
|
|
729
|
|
|
|
|
|
|
=item ('sysex_f0', I, I) |
730
|
|
|
|
|
|
|
|
731
|
|
|
|
|
|
|
=item ('sysex_f7', I, I) |
732
|
|
|
|
|
|
|
|
733
|
|
|
|
|
|
|
=cut |
734
|
0
|
0
|
|
|
|
0
|
@E = ( $first_byte == 0xF0 ? |
735
|
|
|
|
|
|
|
'sysex_f0' : 'sysex_f7', |
736
|
|
|
|
|
|
|
$time, substr($$data_r, $Pointer, $length) ); # DTime, Data |
737
|
0
|
|
|
|
|
0
|
$Pointer += $length; # Now move past the data |
738
|
|
|
|
|
|
|
|
739
|
|
|
|
|
|
|
###################################################################### |
740
|
|
|
|
|
|
|
# Now, the MIDI file spec says: |
741
|
|
|
|
|
|
|
# |
742
|
|
|
|
|
|
|
# = |
743
|
|
|
|
|
|
|
# = | | |
744
|
|
|
|
|
|
|
# I know that, on the wire, can include note_on, |
745
|
|
|
|
|
|
|
# note_off, and all the other 8x to Ex events, AND Fx events |
746
|
|
|
|
|
|
|
# other than F0, F7, and FF -- namely, , |
747
|
|
|
|
|
|
|
# , and . |
748
|
|
|
|
|
|
|
# |
749
|
|
|
|
|
|
|
# Whether these can occur in MIDI files is not clear specified from |
750
|
|
|
|
|
|
|
# the MIDI file spec. |
751
|
|
|
|
|
|
|
# |
752
|
|
|
|
|
|
|
# So, I'm going to assume that they CAN, in practice, occur. |
753
|
|
|
|
|
|
|
# I don't know whether it's proper for you to actually emit these |
754
|
|
|
|
|
|
|
# into a MIDI file. |
755
|
|
|
|
|
|
|
# |
756
|
|
|
|
|
|
|
|
757
|
|
|
|
|
|
|
###################################################################### |
758
|
|
|
|
|
|
|
} elsif($first_byte == 0xF2) { # It's a Song Position ################ |
759
|
|
|
|
|
|
|
|
760
|
|
|
|
|
|
|
=item ('song_position', I) |
761
|
|
|
|
|
|
|
|
762
|
|
|
|
|
|
|
=cut |
763
|
|
|
|
|
|
|
# ::= F2 |
764
|
0
|
|
|
|
|
0
|
@E = ('song_position', |
765
|
|
|
|
|
|
|
$time, &read_14_bit(substr($$data_r,$Pointer+1,2) ) |
766
|
|
|
|
|
|
|
); # DTime, Beats |
767
|
0
|
|
|
|
|
0
|
$Pointer += 3; # itself, and 2 data bytes |
768
|
|
|
|
|
|
|
|
769
|
|
|
|
|
|
|
###################################################################### |
770
|
|
|
|
|
|
|
} elsif($first_byte == 0xF3) { # It's a Song Select ################## |
771
|
|
|
|
|
|
|
|
772
|
|
|
|
|
|
|
=item ('song_select', I, I) |
773
|
|
|
|
|
|
|
|
774
|
|
|
|
|
|
|
=cut |
775
|
|
|
|
|
|
|
# ::= F3 |
776
|
0
|
|
|
|
|
0
|
@E = ( 'song_select', |
777
|
|
|
|
|
|
|
$time, unpack('C', substr($$data_r,$Pointer+1,1) ) |
778
|
|
|
|
|
|
|
); # DTime, Thing (?!) ... song number? whatever that is |
779
|
0
|
|
|
|
|
0
|
$Pointer += 2; # itself, and 1 data byte |
780
|
|
|
|
|
|
|
|
781
|
|
|
|
|
|
|
###################################################################### |
782
|
|
|
|
|
|
|
} elsif($first_byte == 0xF6) { # It's a Tune Request! ################ |
783
|
|
|
|
|
|
|
|
784
|
|
|
|
|
|
|
=item ('tune_request', I) |
785
|
|
|
|
|
|
|
|
786
|
|
|
|
|
|
|
=cut |
787
|
|
|
|
|
|
|
# ::= F6 |
788
|
0
|
|
|
|
|
0
|
@E = ( 'tune_request', $time ); |
789
|
|
|
|
|
|
|
# DTime |
790
|
|
|
|
|
|
|
# What the Sam Scratch would a tune request be doing in a MIDI /file/? |
791
|
0
|
|
|
|
|
0
|
++$Pointer; # itself |
792
|
|
|
|
|
|
|
|
793
|
|
|
|
|
|
|
########################################################################### |
794
|
|
|
|
|
|
|
## ADD MORE META-EVENTS HERE |
795
|
|
|
|
|
|
|
#Done: |
796
|
|
|
|
|
|
|
# f0 f7 -- sysexes |
797
|
|
|
|
|
|
|
# f2 -- song position |
798
|
|
|
|
|
|
|
# f3 -- song select |
799
|
|
|
|
|
|
|
# f6 -- tune request |
800
|
|
|
|
|
|
|
# ff -- metaevent |
801
|
|
|
|
|
|
|
########################################################################### |
802
|
|
|
|
|
|
|
#TODO: |
803
|
|
|
|
|
|
|
# f1 -- MTC Quarter Frame Message. one data byte follows. |
804
|
|
|
|
|
|
|
# One data byte follows the Status. It's the time code value, a number |
805
|
|
|
|
|
|
|
# from 0 to 127. |
806
|
|
|
|
|
|
|
# f8 -- MIDI clock. no data. |
807
|
|
|
|
|
|
|
# fa -- MIDI start. no data. |
808
|
|
|
|
|
|
|
# fb -- MIDI continue. no data. |
809
|
|
|
|
|
|
|
# fc -- MIDI stop. no data. |
810
|
|
|
|
|
|
|
# fe -- Active sense. no data. |
811
|
|
|
|
|
|
|
# f4 f5 f9 fd -- unallocated |
812
|
|
|
|
|
|
|
|
813
|
|
|
|
|
|
|
###################################################################### |
814
|
|
|
|
|
|
|
} elsif($first_byte > 0xF0) { # Some unknown kinda F-series event #### |
815
|
|
|
|
|
|
|
|
816
|
|
|
|
|
|
|
=item ('raw_data', I, I) |
817
|
|
|
|
|
|
|
|
818
|
|
|
|
|
|
|
=cut |
819
|
|
|
|
|
|
|
# Here we only produce a one-byte piece of raw data. |
820
|
|
|
|
|
|
|
# But the encoder for 'raw_data' accepts any length of it. |
821
|
0
|
|
|
|
|
0
|
@E = ( 'raw_data', |
822
|
|
|
|
|
|
|
$time, substr($$data_r,$Pointer,1) ); |
823
|
|
|
|
|
|
|
# DTime and the Data (in this case, the one Event-byte) |
824
|
0
|
|
|
|
|
0
|
++$Pointer; # itself |
825
|
|
|
|
|
|
|
|
826
|
|
|
|
|
|
|
###################################################################### |
827
|
|
|
|
|
|
|
} else { # Fallthru. How could we end up here? ###################### |
828
|
0
|
|
|
|
|
0
|
warn |
829
|
|
|
|
|
|
|
"Aborting track. Command-byte $first_byte at track offset $Pointer"; |
830
|
0
|
|
|
|
|
0
|
last Event; |
831
|
|
|
|
|
|
|
} |
832
|
|
|
|
|
|
|
# End of the big if-group |
833
|
|
|
|
|
|
|
|
834
|
|
|
|
|
|
|
|
835
|
|
|
|
|
|
|
##################################################################### |
836
|
|
|
|
|
|
|
###################################################################### |
837
|
|
|
|
|
|
|
## |
838
|
|
|
|
|
|
|
# By the Power of Greyskull, I AM THE EVENT REGISTRAR! |
839
|
|
|
|
|
|
|
## |
840
|
1758
|
100
|
66
|
|
|
11091
|
if( @E and $E[0] eq 'end_track' ) { |
841
|
|
|
|
|
|
|
# This's the code for exceptional handling of the EOT event. |
842
|
15
|
|
|
|
|
21
|
$eot = 1; |
843
|
15
|
50
|
33
|
|
|
88
|
unless( defined($options_r->{'no_eot_magic'}) |
844
|
|
|
|
|
|
|
and $options_r->{'no_eot_magic'} ) { |
845
|
15
|
100
|
|
|
|
43
|
if($E[1] > 0) { |
846
|
8
|
|
|
|
|
36
|
@E = ('text_event', $E[1], ''); |
847
|
|
|
|
|
|
|
# Make up a fictive 0-length text event as a carrier |
848
|
|
|
|
|
|
|
# for the non-zero delta-time. |
849
|
|
|
|
|
|
|
} else { |
850
|
|
|
|
|
|
|
# EOT with a delta-time of 0. Ignore it! |
851
|
7
|
|
|
|
|
31
|
@E = (); |
852
|
|
|
|
|
|
|
} |
853
|
|
|
|
|
|
|
} |
854
|
|
|
|
|
|
|
} |
855
|
|
|
|
|
|
|
|
856
|
1758
|
50
|
66
|
|
|
5981
|
if( @E and exists( $exclude{$E[0]} ) ) { |
857
|
0
|
0
|
|
|
|
0
|
if($Debug) { |
858
|
0
|
|
|
|
|
0
|
print " Excluding:\n"; |
859
|
0
|
|
|
|
|
0
|
&dump(@E); |
860
|
|
|
|
|
|
|
} |
861
|
|
|
|
|
|
|
} else { |
862
|
1758
|
50
|
|
|
|
3223
|
if($Debug) { |
863
|
0
|
|
|
|
|
0
|
print " Processing:\n"; |
864
|
0
|
|
|
|
|
0
|
&dump(@E); |
865
|
|
|
|
|
|
|
} |
866
|
1758
|
100
|
|
|
|
3076
|
if(@E){ |
867
|
1751
|
50
|
|
|
|
2350
|
if( $exclusive_event_callback ) { |
868
|
0
|
|
|
|
|
0
|
&{ $exclusive_event_callback }( @E ); |
|
0
|
|
|
|
|
0
|
|
869
|
|
|
|
|
|
|
} else { |
870
|
1751
|
50
|
|
|
|
3056
|
&{ $event_callback }( @E ) if $event_callback; |
|
0
|
|
|
|
|
0
|
|
871
|
1751
|
|
|
|
|
5237
|
push(@events, [ @E ]); |
872
|
|
|
|
|
|
|
} |
873
|
|
|
|
|
|
|
} |
874
|
|
|
|
|
|
|
} |
875
|
|
|
|
|
|
|
|
876
|
|
|
|
|
|
|
=back |
877
|
|
|
|
|
|
|
|
878
|
|
|
|
|
|
|
Three of the above events are represented a bit oddly from the point |
879
|
|
|
|
|
|
|
of view of the file spec: |
880
|
|
|
|
|
|
|
|
881
|
|
|
|
|
|
|
The parameter I for C<'pitch_wheel_change'> is a value |
882
|
|
|
|
|
|
|
-8192 to 8191, although the actual encoding of this is as a value 0 to |
883
|
|
|
|
|
|
|
16,383, as per the spec. |
884
|
|
|
|
|
|
|
|
885
|
|
|
|
|
|
|
Sysex events are represented as either C<'sysex_f0'> or C<'sysex_f7'>, |
886
|
|
|
|
|
|
|
depending on the status byte they are encoded with. |
887
|
|
|
|
|
|
|
|
888
|
|
|
|
|
|
|
C<'end_track'> is a bit stranger, in that it is almost never actually |
889
|
|
|
|
|
|
|
found, or needed. When the MIDI decoder sees an EOT (i.e., an |
890
|
|
|
|
|
|
|
end-track status: FF 2F 00) with a delta time of 0, it is I! |
891
|
|
|
|
|
|
|
If in the unlikely event that it has a nonzero delta-time, it's |
892
|
|
|
|
|
|
|
decoded as a C<'text_event'> with whatever that delta-time is, and a |
893
|
|
|
|
|
|
|
zero-length text parameter. (This happens before the |
894
|
|
|
|
|
|
|
C<'event_callback'> or C<'exclusive_event_callback'> callbacks are |
895
|
|
|
|
|
|
|
given a crack at it.) On the encoding side, an EOT is added to the |
896
|
|
|
|
|
|
|
end of the track as a normal part of the encapsulation of track data. |
897
|
|
|
|
|
|
|
|
898
|
|
|
|
|
|
|
I chose to add this special behavior so that you could add events to |
899
|
|
|
|
|
|
|
the end of a track without having to work around any track-final |
900
|
|
|
|
|
|
|
C<'end_track'> event. |
901
|
|
|
|
|
|
|
|
902
|
|
|
|
|
|
|
However, if you set C as a decoding parameter, none of |
903
|
|
|
|
|
|
|
this magic happens on the decoding side -- C<'end_track'> is decoded |
904
|
|
|
|
|
|
|
just as it is. |
905
|
|
|
|
|
|
|
|
906
|
|
|
|
|
|
|
And if you set C as an encoding parameter, then a |
907
|
|
|
|
|
|
|
track-final 0-length C<'text_event'> with non-0 delta-times is left as |
908
|
|
|
|
|
|
|
is. Normally, such an event would be converted from a C<'text_event'> |
909
|
|
|
|
|
|
|
to an C<'end_track'> event with thath delta-time. |
910
|
|
|
|
|
|
|
|
911
|
|
|
|
|
|
|
Normally, no user needs to use the C option either in |
912
|
|
|
|
|
|
|
encoding or decoding. But it is provided in case you need your event |
913
|
|
|
|
|
|
|
LoL to be an absolutely literal representation of the binary data, |
914
|
|
|
|
|
|
|
and/or vice versa. |
915
|
|
|
|
|
|
|
|
916
|
|
|
|
|
|
|
=cut |
917
|
|
|
|
|
|
|
|
918
|
1758
|
100
|
|
|
|
7853
|
last Event if $eot; |
919
|
|
|
|
|
|
|
} |
920
|
|
|
|
|
|
|
# End of the bigass "Event" while-block |
921
|
|
|
|
|
|
|
|
922
|
15
|
|
|
|
|
150
|
return \@events; |
923
|
|
|
|
|
|
|
} |
924
|
|
|
|
|
|
|
|
925
|
|
|
|
|
|
|
########################################################################### |
926
|
|
|
|
|
|
|
|
927
|
|
|
|
|
|
|
sub encode { # encode an event structure, presumably for writing to a file |
928
|
|
|
|
|
|
|
# Calling format: |
929
|
|
|
|
|
|
|
# $data_r = MIDI::Event::encode( \@event_lol, { options } ); |
930
|
|
|
|
|
|
|
# Takes a REFERENCE to an event structure (a LoL) |
931
|
|
|
|
|
|
|
# Returns an (unblessed) REFERENCE to track data. |
932
|
|
|
|
|
|
|
|
933
|
|
|
|
|
|
|
# If you want to use this to encode a /single/ event, |
934
|
|
|
|
|
|
|
# you still have to do it as a reference to an event structure (a LoL) |
935
|
|
|
|
|
|
|
# that just happens to have just one event. I.e., |
936
|
|
|
|
|
|
|
# encode( [ $event ] ) or encode( [ [ 'note_on', 100, 5, 42, 64] ] ) |
937
|
|
|
|
|
|
|
# If you're doing this, consider the never_add_eot track option, as in |
938
|
|
|
|
|
|
|
# print MIDI ${ encode( [ $event], { 'never_add_eot' => 1} ) }; |
939
|
|
|
|
|
|
|
|
940
|
2
|
|
|
2
|
1
|
6
|
my $events_r = $_[0]; |
941
|
2
|
50
|
|
|
|
8
|
my $options_r = ref($_[1]) eq 'HASH' ? $_[1] : {}; |
942
|
2
|
|
|
|
|
6
|
my @data = (); # what I'll store chunks of data in |
943
|
2
|
|
|
|
|
10
|
my $data = ''; # what I'll join @data all together into |
944
|
|
|
|
|
|
|
|
945
|
2
|
50
|
|
|
|
9
|
croak "MIDI::Event::encode's argument must be an array reference!" |
946
|
|
|
|
|
|
|
unless ref($events_r); # better be an array! |
947
|
2
|
|
|
|
|
37
|
my @events = @$events_r; |
948
|
|
|
|
|
|
|
# Yes, copy it. This is so my end_track magic won't corrupt the original |
949
|
|
|
|
|
|
|
|
950
|
2
|
|
|
|
|
5
|
my $unknown_callback = undef; |
951
|
2
|
50
|
|
|
|
8
|
$unknown_callback = $options_r->{'unknown_callback'} |
952
|
|
|
|
|
|
|
if ref($options_r->{'unknown_callback'}) eq 'CODE'; |
953
|
|
|
|
|
|
|
|
954
|
2
|
50
|
|
|
|
17
|
unless($options_r->{'never_add_eot'}) { |
955
|
|
|
|
|
|
|
# One way or another, tack on an 'end_track' |
956
|
2
|
50
|
|
|
|
18
|
if(@events) { # If there's any events... |
957
|
2
|
|
|
|
|
14
|
my $last = $events[ -1 ]; |
958
|
2
|
50
|
|
|
|
9
|
unless($last->[0] eq 'end_track') { # ...And there's no end_track already |
959
|
2
|
50
|
33
|
|
|
10
|
if($last->[0] eq 'text_event' and length($last->[2]) == 0) { |
960
|
|
|
|
|
|
|
# 0-length text event at track-end. |
961
|
0
|
0
|
|
|
|
0
|
if($options_r->{'no_eot_magic'}) { |
962
|
|
|
|
|
|
|
# Exceptional case: don't mess with track-final |
963
|
|
|
|
|
|
|
# 0-length text_events; just peg on an end_track |
964
|
0
|
|
|
|
|
0
|
push(@events, ['end_track', 0]); |
965
|
|
|
|
|
|
|
} else { |
966
|
|
|
|
|
|
|
# NORMAL CASE: replace it with an end_track, leaving the DTime |
967
|
0
|
|
|
|
|
0
|
$last->[0] = 'end_track'; |
968
|
|
|
|
|
|
|
} |
969
|
|
|
|
|
|
|
} else { |
970
|
|
|
|
|
|
|
# last event was neither a 0-length text_event nor an end_track |
971
|
2
|
|
|
|
|
11
|
push(@events, ['end_track', 0]); |
972
|
|
|
|
|
|
|
} |
973
|
|
|
|
|
|
|
} |
974
|
|
|
|
|
|
|
} else { # an eventless track! |
975
|
0
|
|
|
|
|
0
|
@events = ['end_track',0]; |
976
|
|
|
|
|
|
|
} |
977
|
|
|
|
|
|
|
} |
978
|
|
|
|
|
|
|
|
979
|
|
|
|
|
|
|
#print "--\n"; |
980
|
|
|
|
|
|
|
#foreach(@events){ MIDI::Event::dump($_) } |
981
|
|
|
|
|
|
|
#print "--\n"; |
982
|
|
|
|
|
|
|
|
983
|
2
|
|
|
|
|
6
|
my $maybe_running_status = not $options_r->{'no_running_status'}; |
984
|
2
|
|
|
|
|
4
|
my $last_status = -1; |
985
|
|
|
|
|
|
|
|
986
|
|
|
|
|
|
|
# Here so we don't have to re-my on every iteration |
987
|
2
|
|
|
|
|
4
|
my(@E, $event, $dtime, $event_data, $status, $parameters); |
988
|
|
|
|
|
|
|
Event_Encode: |
989
|
2
|
|
|
|
|
4
|
foreach my $event_r (@events) { |
990
|
271
|
50
|
|
|
|
558
|
next unless ref($event_r); # what'd such a thing ever be doing in here? |
991
|
271
|
|
|
|
|
796
|
@E = @$event_r; |
992
|
|
|
|
|
|
|
# Yes, copy it. Otherwise the shifting'd corrupt the original |
993
|
271
|
50
|
|
|
|
527
|
next unless @E; |
994
|
|
|
|
|
|
|
|
995
|
271
|
|
|
|
|
398
|
$event = shift @E; |
996
|
271
|
50
|
|
|
|
503
|
next unless length($event); |
997
|
|
|
|
|
|
|
|
998
|
271
|
|
|
|
|
309
|
$dtime = int shift @E; |
999
|
|
|
|
|
|
|
|
1000
|
271
|
|
|
|
|
490
|
$event_data = ''; |
1001
|
|
|
|
|
|
|
|
1002
|
271
|
100
|
100
|
|
|
1156
|
if( # MIDI events -- eligible for running status |
|
|
|
66
|
|
|
|
|
|
|
|
66
|
|
|
|
|
|
|
|
66
|
|
|
|
|
|
|
|
66
|
|
|
|
|
|
|
|
66
|
|
|
|
|
1003
|
|
|
|
|
|
|
$event eq 'note_on' |
1004
|
|
|
|
|
|
|
or $event eq 'note_off' |
1005
|
|
|
|
|
|
|
or $event eq 'control_change' |
1006
|
|
|
|
|
|
|
or $event eq 'key_after_touch' |
1007
|
|
|
|
|
|
|
or $event eq 'patch_change' |
1008
|
|
|
|
|
|
|
or $event eq 'channel_after_touch' |
1009
|
|
|
|
|
|
|
or $event eq 'pitch_wheel_change' ) |
1010
|
|
|
|
|
|
|
{ |
1011
|
|
|
|
|
|
|
#print "ziiz $event\n"; |
1012
|
|
|
|
|
|
|
# $status = $parameters = ''; |
1013
|
|
|
|
|
|
|
# This block is where we spend most of the time. Gotta be tight. |
1014
|
|
|
|
|
|
|
|
1015
|
265
|
100
|
|
|
|
523
|
if($event eq 'note_off'){ |
|
|
100
|
|
|
|
|
|
|
|
50
|
|
|
|
|
|
|
|
50
|
|
|
|
|
|
|
|
50
|
|
|
|
|
|
|
|
0
|
|
|
|
|
|
|
|
0
|
|
|
|
|
|
1016
|
132
|
|
|
|
|
178
|
$status = 0x80 | (int($E[0]) & 0x0F); |
1017
|
132
|
|
|
|
|
275
|
$parameters = pack('C2', |
1018
|
|
|
|
|
|
|
int($E[1]) & 0x7F, int($E[2]) & 0x7F); |
1019
|
|
|
|
|
|
|
} elsif($event eq 'note_on'){ |
1020
|
132
|
|
|
|
|
257
|
$status = 0x90 | (int($E[0]) & 0x0F); |
1021
|
132
|
|
|
|
|
288
|
$parameters = pack('C2', |
1022
|
|
|
|
|
|
|
int($E[1]) & 0x7F, int($E[2]) & 0x7F); |
1023
|
|
|
|
|
|
|
} elsif($event eq 'key_after_touch'){ |
1024
|
0
|
|
|
|
|
0
|
$status = 0xA0 | (int($E[0]) & 0x0F); |
1025
|
0
|
|
|
|
|
0
|
$parameters = pack('C2', |
1026
|
|
|
|
|
|
|
int($E[1]) & 0x7F, int($E[2]) & 0x7F); |
1027
|
|
|
|
|
|
|
} elsif($event eq 'control_change'){ |
1028
|
0
|
|
|
|
|
0
|
$status = 0xB0 | (int($E[0]) & 0x0F); |
1029
|
0
|
|
|
|
|
0
|
$parameters = pack('C2', |
1030
|
|
|
|
|
|
|
int($E[1]) & 0xFF, int($E[2]) & 0xFF); |
1031
|
|
|
|
|
|
|
} elsif($event eq 'patch_change'){ |
1032
|
1
|
|
|
|
|
3
|
$status = 0xC0 | (int($E[0]) & 0x0F); |
1033
|
1
|
|
|
|
|
4
|
$parameters = pack('C', |
1034
|
|
|
|
|
|
|
int($E[1]) & 0xFF); |
1035
|
|
|
|
|
|
|
} elsif($event eq 'channel_after_touch'){ |
1036
|
0
|
|
|
|
|
0
|
$status = 0xD0 | (int($E[0]) & 0x0F); |
1037
|
0
|
|
|
|
|
0
|
$parameters = pack('C', |
1038
|
|
|
|
|
|
|
int($E[1]) & 0xFF); |
1039
|
|
|
|
|
|
|
} elsif($event eq 'pitch_wheel_change'){ |
1040
|
0
|
|
|
|
|
0
|
$status = 0xE0 | (int($E[0]) & 0x0F); |
1041
|
0
|
|
|
|
|
0
|
$parameters = &write_14_bit(int($E[1]) + 0x2000); |
1042
|
|
|
|
|
|
|
} else { |
1043
|
0
|
|
|
|
|
0
|
die "BADASS FREAKOUT ERROR 31415!"; |
1044
|
|
|
|
|
|
|
} |
1045
|
|
|
|
|
|
|
# And now the encoding |
1046
|
265
|
50
|
33
|
|
|
1560
|
push(@data, |
1047
|
|
|
|
|
|
|
($maybe_running_status and $status == $last_status) ? |
1048
|
|
|
|
|
|
|
pack('wa*', $dtime, $parameters) : # If we can use running status. |
1049
|
|
|
|
|
|
|
pack('wCa*', $dtime, $status, $parameters) # If we can't. |
1050
|
|
|
|
|
|
|
); |
1051
|
265
|
|
|
|
|
321
|
$last_status = $status; |
1052
|
265
|
|
|
|
|
534
|
next; |
1053
|
|
|
|
|
|
|
} else { |
1054
|
|
|
|
|
|
|
# Not a MIDI event. |
1055
|
|
|
|
|
|
|
# All the code in this block could be more efficient, but frankly, |
1056
|
|
|
|
|
|
|
# this is not where the code needs to be tight. |
1057
|
|
|
|
|
|
|
# So we wade thru the cases and eventually hopefully fall thru |
1058
|
|
|
|
|
|
|
# with $event_data set. |
1059
|
|
|
|
|
|
|
#print "zaz $event\n"; |
1060
|
6
|
|
|
|
|
10
|
$last_status = -1; |
1061
|
|
|
|
|
|
|
|
1062
|
6
|
50
|
|
|
|
108
|
if($event eq 'raw_meta_event') { |
|
|
100
|
|
|
|
|
|
|
|
50
|
|
|
|
|
|
|
|
50
|
|
|
|
|
|
|
|
50
|
|
|
|
|
|
|
|
50
|
|
|
|
|
|
|
|
50
|
|
|
|
|
|
|
|
50
|
|
|
|
|
|
|
|
50
|
|
|
|
|
|
|
|
50
|
|
|
|
|
|
|
|
50
|
|
|
|
|
|
|
|
50
|
|
|
|
|
|
|
|
50
|
|
|
|
|
|
|
|
50
|
|
|
|
|
|
|
|
50
|
|
|
|
|
|
|
|
50
|
|
|
|
|
|
|
|
100
|
|
|
|
|
|
|
|
50
|
|
|
|
|
|
|
|
0
|
|
|
|
|
|
|
|
0
|
|
|
|
|
|
|
|
0
|
|
|
|
|
|
|
|
0
|
|
|
|
|
|
|
|
0
|
|
|
|
|
|
|
|
0
|
|
|
|
|
|
|
|
0
|
|
|
|
|
|
|
|
0
|
|
|
|
|
|
|
|
0
|
|
|
|
|
|
|
|
0
|
|
|
|
|
|
1063
|
0
|
|
|
|
|
0
|
$event_data = pack("CCwa*", 0xFF, int($E[0]), length($E[1]), $E[1]); |
1064
|
|
|
|
|
|
|
|
1065
|
|
|
|
|
|
|
# Text meta-events... |
1066
|
|
|
|
|
|
|
} elsif($event eq 'text_event') { |
1067
|
2
|
|
|
|
|
19
|
$event_data = pack("CCwa*", 0xFF, 0x01, length($E[0]), $E[0]); |
1068
|
|
|
|
|
|
|
} elsif($event eq 'copyright_text_event') { |
1069
|
0
|
|
|
|
|
0
|
$event_data = pack("CCwa*", 0xFF, 0x02, length($E[0]), $E[0]); |
1070
|
|
|
|
|
|
|
} elsif($event eq 'track_name') { |
1071
|
0
|
|
|
|
|
0
|
$event_data = pack("CCwa*", 0xFF, 0x03, length($E[0]), $E[0]); |
1072
|
|
|
|
|
|
|
} elsif($event eq 'instrument_name') { |
1073
|
0
|
|
|
|
|
0
|
$event_data = pack("CCwa*", 0xFF, 0x04, length($E[0]), $E[0]); |
1074
|
|
|
|
|
|
|
} elsif($event eq 'lyric') { |
1075
|
0
|
|
|
|
|
0
|
$event_data = pack("CCwa*", 0xFF, 0x05, length($E[0]), $E[0]); |
1076
|
|
|
|
|
|
|
} elsif($event eq 'marker') { |
1077
|
0
|
|
|
|
|
0
|
$event_data = pack("CCwa*", 0xFF, 0x06, length($E[0]), $E[0]); |
1078
|
|
|
|
|
|
|
} elsif($event eq 'cue_point') { |
1079
|
0
|
|
|
|
|
0
|
$event_data = pack("CCwa*", 0xFF, 0x07, length($E[0]), $E[0]); |
1080
|
|
|
|
|
|
|
} elsif($event eq 'text_event_08') { |
1081
|
0
|
|
|
|
|
0
|
$event_data = pack("CCwa*", 0xFF, 0x08, length($E[0]), $E[0]); |
1082
|
|
|
|
|
|
|
} elsif($event eq 'text_event_09') { |
1083
|
0
|
|
|
|
|
0
|
$event_data = pack("CCwa*", 0xFF, 0x09, length($E[0]), $E[0]); |
1084
|
|
|
|
|
|
|
} elsif($event eq 'text_event_0a') { |
1085
|
0
|
|
|
|
|
0
|
$event_data = pack("CCwa*", 0xFF, 0x0a, length($E[0]), $E[0]); |
1086
|
|
|
|
|
|
|
} elsif($event eq 'text_event_0b') { |
1087
|
0
|
|
|
|
|
0
|
$event_data = pack("CCwa*", 0xFF, 0x0b, length($E[0]), $E[0]); |
1088
|
|
|
|
|
|
|
} elsif($event eq 'text_event_0c') { |
1089
|
0
|
|
|
|
|
0
|
$event_data = pack("CCwa*", 0xFF, 0x0c, length($E[0]), $E[0]); |
1090
|
|
|
|
|
|
|
} elsif($event eq 'text_event_0d') { |
1091
|
0
|
|
|
|
|
0
|
$event_data = pack("CCwa*", 0xFF, 0x0d, length($E[0]), $E[0]); |
1092
|
|
|
|
|
|
|
} elsif($event eq 'text_event_0e') { |
1093
|
0
|
|
|
|
|
0
|
$event_data = pack("CCwa*", 0xFF, 0x0e, length($E[0]), $E[0]); |
1094
|
|
|
|
|
|
|
} elsif($event eq 'text_event_0f') { |
1095
|
0
|
|
|
|
|
0
|
$event_data = pack("CCwa*", 0xFF, 0x0f, length($E[0]), $E[0]); |
1096
|
|
|
|
|
|
|
# End of text meta-events |
1097
|
|
|
|
|
|
|
|
1098
|
|
|
|
|
|
|
} elsif($event eq 'end_track') { |
1099
|
2
|
|
|
|
|
9
|
$event_data = "\xFF\x2F\x00"; |
1100
|
|
|
|
|
|
|
|
1101
|
|
|
|
|
|
|
} elsif($event eq 'set_tempo') { |
1102
|
2
|
|
|
|
|
20
|
$event_data = pack("CCwa*", 0xFF, 0x51, 3, |
1103
|
|
|
|
|
|
|
substr( pack('N', $E[0]), 1, 3 |
1104
|
|
|
|
|
|
|
)); |
1105
|
|
|
|
|
|
|
} elsif($event eq 'smpte_offset') { |
1106
|
0
|
|
|
|
|
0
|
$event_data = pack("CCwCCCCC", 0xFF, 0x54, 5, @E[0,1,2,3,4] ); |
1107
|
|
|
|
|
|
|
} elsif($event eq 'time_signature') { |
1108
|
0
|
|
|
|
|
0
|
$event_data = pack("CCwCCCC", 0xFF, 0x58, 4, @E[0,1,2,3] ); |
1109
|
|
|
|
|
|
|
} elsif($event eq 'key_signature') { |
1110
|
0
|
|
|
|
|
0
|
$event_data = pack("CCwcC", 0xFF, 0x59, 2, @E[0,1]); |
1111
|
|
|
|
|
|
|
} elsif($event eq 'sequencer_specific') { |
1112
|
0
|
|
|
|
|
0
|
$event_data = pack("CCwa*", 0xFF, 0x7F, length($E[0]), $E[0]); |
1113
|
|
|
|
|
|
|
# End of Meta-events |
1114
|
|
|
|
|
|
|
|
1115
|
|
|
|
|
|
|
# Other Things... |
1116
|
|
|
|
|
|
|
} elsif($event eq 'sysex_f0') { |
1117
|
0
|
|
|
|
|
0
|
$event_data = pack("Cwa*", 0xF0, length($E[0]), $E[0]); |
1118
|
|
|
|
|
|
|
} elsif($event eq 'sysex_f7') { |
1119
|
0
|
|
|
|
|
0
|
$event_data = pack("Cwa*", 0xF7, length($E[0]), $E[0]); |
1120
|
|
|
|
|
|
|
|
1121
|
|
|
|
|
|
|
} elsif($event eq 'song_position') { |
1122
|
0
|
|
|
|
|
0
|
$event_data = "\xF2" . &write_14_bit( $E[0] ); |
1123
|
|
|
|
|
|
|
} elsif($event eq 'song_select') { |
1124
|
0
|
|
|
|
|
0
|
$event_data = pack('CC', 0xF3, $E[0] ); |
1125
|
|
|
|
|
|
|
} elsif($event eq 'tune_request') { |
1126
|
0
|
|
|
|
|
0
|
$event_data = "\xF6"; |
1127
|
|
|
|
|
|
|
} elsif($event eq 'raw_data') { |
1128
|
0
|
|
|
|
|
0
|
$event_data = $E[0]; |
1129
|
|
|
|
|
|
|
# End of Other Stuff |
1130
|
|
|
|
|
|
|
|
1131
|
|
|
|
|
|
|
} else { |
1132
|
|
|
|
|
|
|
# The Big Fallthru |
1133
|
0
|
0
|
|
|
|
0
|
if($unknown_callback) { |
1134
|
0
|
|
|
|
|
0
|
push(@data, &{ $unknown_callback }( @$event_r )); |
|
0
|
|
|
|
|
0
|
|
1135
|
|
|
|
|
|
|
} else { |
1136
|
0
|
|
|
|
|
0
|
warn "Unknown event: \'$event\'\n"; |
1137
|
|
|
|
|
|
|
# To surpress complaint here, just set |
1138
|
|
|
|
|
|
|
# 'unknown_callback' => sub { return () } |
1139
|
|
|
|
|
|
|
} |
1140
|
0
|
|
|
|
|
0
|
next; |
1141
|
|
|
|
|
|
|
} |
1142
|
|
|
|
|
|
|
|
1143
|
|
|
|
|
|
|
#print "Event $event encoded part 2\n"; |
1144
|
6
|
50
|
|
|
|
33
|
push(@data, pack('wa*', $dtime, $event_data)) |
1145
|
|
|
|
|
|
|
if length($event_data); # how could $event_data be empty |
1146
|
|
|
|
|
|
|
} |
1147
|
|
|
|
|
|
|
} |
1148
|
2
|
|
|
|
|
29
|
$data = join('', @data); |
1149
|
2
|
|
|
|
|
55
|
return \$data; |
1150
|
|
|
|
|
|
|
} |
1151
|
|
|
|
|
|
|
|
1152
|
|
|
|
|
|
|
########################################################################### |
1153
|
|
|
|
|
|
|
|
1154
|
|
|
|
|
|
|
########################################################################### |
1155
|
|
|
|
|
|
|
|
1156
|
|
|
|
|
|
|
=head1 MIDI BNF |
1157
|
|
|
|
|
|
|
|
1158
|
|
|
|
|
|
|
For your reference (if you can make any sense of it), here is a copy |
1159
|
|
|
|
|
|
|
of the MIDI BNF, as I found it in a text file that's been floating |
1160
|
|
|
|
|
|
|
around the Net since the late 1980s. |
1161
|
|
|
|
|
|
|
|
1162
|
|
|
|
|
|
|
Note that this seems to describe MIDI events as they can occur in |
1163
|
|
|
|
|
|
|
MIDI-on-the-wire. I I that realtime data insertion (i.e., the |
1164
|
|
|
|
|
|
|
ability to have Erealtime byteEs popping up in the I |
1165
|
|
|
|
|
|
|
of messages) is something that can't happen in MIDI files. |
1166
|
|
|
|
|
|
|
|
1167
|
|
|
|
|
|
|
In fact, this library, as written, I correctly parse MIDI data |
1168
|
|
|
|
|
|
|
that has such realtime bytes inserted in messages. Nor does it |
1169
|
|
|
|
|
|
|
support representing such insertion in a MIDI event structure that's |
1170
|
|
|
|
|
|
|
encodable for writing to a file. (Although you could theoretically |
1171
|
|
|
|
|
|
|
represent events with embedded Erealtime byteEs as just |
1172
|
|
|
|
|
|
|
C events; but then, you can always stow anything |
1173
|
|
|
|
|
|
|
at all in a C event.) |
1174
|
|
|
|
|
|
|
|
1175
|
|
|
|
|
|
|
1. ::= < MIDI Stream> |
1176
|
|
|
|
|
|
|
2. ::= | |
1177
|
|
|
|
|
|
|
3. ::= | |
1178
|
|
|
|
|
|
|
| |
1179
|
|
|
|
|
|
|
4. ::= |
1180
|
|
|
|
|
|
|
|
1181
|
|
|
|
|
|
|
5. ::= |
1182
|
|
|
|
|
|
|
|
1183
|
|
|
|
|
|
|
6. ::= |
1184
|
|
|
|
|
|
|
|
1185
|
|
|
|
|
|
|
7. ::= |
1186
|
|
|
|
|
|
|
|
1187
|
|
|
|
|
|
|
8. ::= C | D |
1188
|
|
|
|
|
|
|
9. ::= 8 | 9 | A | B | E |
1189
|
|
|
|
|
|
|
10. ::= 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | |
1190
|
|
|
|
|
|
|
| 8 | 9 | A | B | C | D | E | F |
1191
|
|
|
|
|
|
|
11. ::= |
1192
|
|
|
|
|
|
|
12. ::= | |
1193
|
|
|
|
|
|
|
| |
1194
|
|
|
|
|
|
|
13. ::= | |
1195
|
|
|
|
|
|
|
14. ::= | |
1196
|
|
|
|
|
|
|
| |
1197
|
|
|
|
|
|
|
15. ::= |
1198
|
|
|
|
|
|
|
16. ::= 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 |
1199
|
|
|
|
|
|
|
17. ::= F8 | FA | FB | FC | FE | FF |
1200
|
|
|
|
|
|
|
18. ::= | |
1201
|
|
|
|
|
|
|
| | |
1202
|
|
|
|
|
|
|
| |
1203
|
|
|
|
|
|
|
19. ::= |
1204
|
|
|
|
|
|
|
20. ::= |
1205
|
|
|
|
|
|
|
|
1206
|
|
|
|
|
|
|
|
1207
|
|
|
|
|
|
|
21. ::= F0 |
1208
|
|
|
|
|
|
|
22. ::= F7 |
1209
|
|
|
|
|
|
|
23. ::= | |
1210
|
|
|
|
|
|
|
| | |
1211
|
|
|
|
|
|
|
| |
1212
|
|
|
|
|
|
|
24. ::= F6 |
1213
|
|
|
|
|
|
|
25. ::= |
1214
|
|
|
|
|
|
|
|
1215
|
|
|
|
|
|
|
26. ::= |
1216
|
|
|
|
|
|
|
|
1217
|
|
|
|
|
|
|
27. ::=F2 |
1218
|
|
|
|
|
|
|
28. ::= F3 |
1219
|
|
|
|
|
|
|
|
1220
|
|
|
|
|
|
|
=head1 COPYRIGHT |
1221
|
|
|
|
|
|
|
|
1222
|
|
|
|
|
|
|
Copyright (c) 1998-2005 Sean M. Burke. All rights reserved. |
1223
|
|
|
|
|
|
|
|
1224
|
|
|
|
|
|
|
This library is free software; you can redistribute it and/or |
1225
|
|
|
|
|
|
|
modify it under the same terms as Perl itself. |
1226
|
|
|
|
|
|
|
|
1227
|
|
|
|
|
|
|
=head1 AUTHOR |
1228
|
|
|
|
|
|
|
|
1229
|
|
|
|
|
|
|
Sean M. Burke C (Except the BNF -- |
1230
|
|
|
|
|
|
|
who knows who's behind that.) |
1231
|
|
|
|
|
|
|
|
1232
|
|
|
|
|
|
|
=cut |
1233
|
|
|
|
|
|
|
|
1234
|
|
|
|
|
|
|
1; |
1235
|
|
|
|
|
|
|
|
1236
|
|
|
|
|
|
|
__END__ |